All Star Road Band Volume 2
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All Star Road Band Volume 2
''All Star Road Band Volume 2'' is a live album by American pianist, composer and bandleader Duke Ellington recorded at the Holiday Ballroom in Chicago for radio broadcast and first released as a double LP on Bob Thiele's Doctor Jazz label in 1985.A Duke Ellington Panorama
accessed August 14, 2017
Doctor Jazz Label Discography
accessed August 14, 2017


Reception

The review by Scott Yanow stated "This two-LP set finds Duke Ellington's orchestra in surprisingly inspired form playing at a dance in Chicago ... the all-star ensemble brings new life to the po ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Do Nothing Till You Hear From Me
"Do Nothing till You Hear from Me" (also written as "Do Nothin' Til You Hear from Me") is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental ("Concerto for Cootie") that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944, Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart. Other recordings to reach the ''Billboard'' charts in 1944 were by Woody Herman and by Stan Kenton (vocal: Red Dorris). Other versions "Do Nothing till You Hear from Me" has since been performed by many other famous musical artists, including: *Nat King Cole, 1944, with The King Cole Trio *Billie Holiday, 1944 - Live, 1955, Studio, '' Stay With Me'' *Lena Horne, 1944, appears on her 2002 compilation album ''The Young Star'' *Patti Page, 1949, released in 1986 on ''The Uncollected Patti Page (1949): Patti P ...
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Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he nev ...
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Benny Goodman
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader known as the "King of Swing". From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups, his quartet and quintet. He performed nearly to the end of his life while exploring an interest in classical music. Early years Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, ...
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Edgar Sampson
Edgar is a commonly used English given name, from an Anglo-Saxon name ''Eadgar'' (composed of '' ead'' "rich, prosperous" and ''gar'' "spear"). Like most Anglo-Saxon names, it fell out of use by the later medieval period; it was, however, revived in the 18th century, and was popularised by its use for a character in Sir Walter Scott's ''The Bride of Lammermoor'' (1819). People with the given name * Edgar the Peaceful (942–975), king of England * Edgar the Ætheling (c. 1051 – c. 1126), last member of the Anglo-Saxon royal house of England * Edgar of Scotland (1074–1107), king of Scotland * Edgar Angara, Filipino lawyer * Edgar Barrier, American actor * Edgar Baumann, Paraguayan javelin thrower * Edgar Bergen, American actor, radio performer, ventriloquist * Edgar Berlanga, American boxer * Edgar H. Brown, American mathematician * Edgar Buchanan, American actor * Edgar Rice Burroughs, American author, creator of ''Tarzan'' * Edgar Cantero, Spanish author in Catalan, Sp ...
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Stompin' At The Savoy
"Stompin' at the Savoy" is a 1933 jazz standard composed by Edgar Sampson. It is named after the famed Harlem nightspot the Savoy Ballroom in New York City. History and composition Although the song is credited to Benny Goodman, Chick Webb, Edgar Sampson, and Andy Razaf, it was written and arranged by Sampson, Rex Stewart's alto saxophonist. Sampson wrote the song when he was with Stewart's orchestra at the Empire Ballroom in 1933. It was used as the band's theme song until the band broke up, after which Sampson joined Webb's band, taking the song with him. Both Webb and Goodman recorded it as an instrumental, Goodman's being the bigger hit. Lyrics were added by lyricist Andy Razaf. Goodman's 1936 version is written in 32-bar song form with four 8-bar phrases arranged AABA. The A sections use a Db6, Ab9, Db6, Ddim, Ebm7, Ab7, Db, Db chord sequence. The B section phrases use a Gb9/G9, Gb9, B13/F#m6, B13, E9/F9, E9, A13, Ab13 chord sequence. The tempo is medium fast. Chick Webb’ ...
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Jimmy Hamilton
Jimmy Hamilton (May 25, 1917 – September 20, 1994) was an American jazz clarinetist and saxophonist, who was a member of the Duke Ellington Orchestra. Biography Hamilton was born in Dillon, South Carolina, United States, and grew up in Philadelphia. Having learned to play piano and brass instruments, in the 1930s he started playing the latter in local bands before switching to clarinet and saxophone. During this time he studied with clarinet teacher Leon Russianoff. In 1939, he played with Lucky Millinder, Jimmy Mundy, and Bill Doggett, going on to join the Teddy Wilson sextet in 1940. After two years with Wilson, he played with Eddie Heywood and Yank Porter. In 1943, he replaced Barney Bigard in the Duke Ellington orchestra and stayed with Ellington until 1968. His style was different on his two instruments: on tenor saxophone he had an R&B sound, while on clarinet he was much more precise and technical. He wrote some of his own material in his time with Ellington. Aft ...
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Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School ( Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to write lyr ...
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I Got It Bad (and That Ain't Good)
"I Got It Bad (and That Ain't Good)" is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue ''Jump for Joy'' by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (vocal by Peggy Lee) (#25). Recorded versions by notable artists *Al Aarons * John "Johnny" Adriano Acea * Cannonball Adderley *Jamey Aebersold * Harry Allen * Carl Anderson *Ernestine Anderson *Ivie Anderson * Susie Arioli * Louis Armstrong *Benny Bailey *Guy Barker *Bruce Barth *Count Basie *BBC Big Band *Tobias Beecher *Madeline Bell * Joe Benjamin *Tony Bennett *Big Miller *Paul Bley *Carolyn Breuer * Marvin Gaye * Charles Brown * Sandy Brown *Beryl Bryden *Kenny Burrell * Charlie Byrd * Donald Byrd *Ann Hampton Callaway * Harry Carney *Benny Carter * Cher - ''B ...
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C Jam Blues
"C Jam Blues" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus. Background As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C. A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear. It was also known as "Duke's Place", with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts. Recordings *Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is ''Jam Session''. *Western Swing band ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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