All Saints' Church, Leek
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All Saints' Church, Leek
All Saints' Church is an Anglican church in Leek, Staffordshire, England. It is a Grade I listed building. It was designed by Norman Shaw, and built in 1885–1887; the church has stained glass by Morris & Co. History An earlier brick-built church in the Compton area of Leek opened in 1863; it was known as Compton Schoolchurch or Christ Church. It was enlarged in 1885.A P Baggs, M F Cleverdon, D A Johnston and N J Tringham, "Leek: Leek and Lowe", in ''A History of the County of Stafford: Volume 7, Leek and the Moorlands'', ed. C R J Currie and M W Greenslade (London, 1996), pp. 84–169.
British History Online, accessed 14 Septe ...
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Leek, Staffordshire
Leek is a market town and civil parishes in England, civil parish in the county of Staffordshire, England, on the River Churnet. It is situated about north east of Stoke-on-Trent. It is an ancient borough and was granted its royal charter in 1214. It is the administrative centre for the Staffordshire Moorlands District Council. John of England, King John granted Ranulph de Blondeville, 6th Earl of Chester, the right to hold a weekly Wednesday market and an annual seven-day fair in Leek in 1207. Leek's coat of arms is made up of a saltire shield. On the top is the Stafford knot, either side is the Leek double sunset and below a gold garb. The crest is a mural crown with three mulberry leaves on a mount of heather on top of which a Red grouse, moorcock is resting his claw on a small-weave shuttle. The motto translates to: Our skill assisting us, we have no cause for despair. Economy The town had a regular cattle market for hundreds of years, reflecting its role as a centre of ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Buildings And Structures In Leek
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Listed Buildings In Leek, Staffordshire
Leek is a civil parish in the district of Staffordshire Moorlands, Staffordshire, England. It contains 144 listed buildings that are recorded in the National Heritage List for England. Of these, one is listed at Grade I, the highest of the three grades, five are at Grade II*, the middle grade, and the others are at Grade II, the lowest grade. The parish contains the town of Leek and the surrounding area. An ancient market town, it became industrial in the late 18th century mainly with the weaving, spinning and dyeing of silk. During the 19th century many of the more notable buildings were designed by the architects William Sugden and his son William Larner Sugden. Many of the listed buildings in the town are centred around St Edward's Church, in Church Street, St Edward Street, and Market Place. Most of the listed buildings in the town are houses and associated structures, offices, public houses and hotels, shops, mills, and public buildings, and outside ...
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Grade I Listed Churches In Staffordshire
Staffordshire is a county in the West Midlands region of England. In 1974 the historical county of Staffordshire was combined with the unitary authority of Stoke-on-Trent to form the ceremonial county of Staffordshire. In England, buildings are given listed building status by the Secretary of State for Culture, Media and Sport, acting on the recommendation of English Heritage. This gives the structure national recognition and protection against alteration or demolition without authorisation. Grade I listed buildings are defined as being of "exceptional interest, sometimes considered to be internationally important"; only 2.5 per cent of listed buildings are included in this grade. This is a complete list of Grade I listed churches and chapels in Staffordshire as recorded in the ''National Heritage List for England''. Christian churches have existed in Staffordshire since the Anglo-Saxon era, but few Saxon features remain in its Grade I listed churches. The church ...
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Gerald Horsley
Gerald Callcott Horsley (31 October 1862, in Glasgow – 2 July 1917, in Crowborough, East Sussex)*Gerhard Bissell, ''Horsley, Gerald'', in: ''Allgemeines Künstlerlexikon'', vol. 75, 2012 (in German) was a British architect and draughtsman who lived in London. Life Horsley was the son of the painter John Callcott Horsley. He was articled to Norman Shaw from 1879 to 1882, and in 1883 became his assistant. From 1884 to 1885 he was assistant to John Dando Sedding. In 1883, Horsley was a founder member of the St George's Art Society, 1884 of the Art-Workers' Guild. He was the first recipient, in 1887 and again in 1888, of the Owen Jones Studentship of the Royal Institute of British Architects (RIBA) which took him twice to Italy. A RIBA associate in 1890, he left the institute in 1892 in protest against plans for compulsory registration of architects; he rejoined as a fellow in 1906. From 1911 to 1913, Horsley was president of the Architectural Association. Works Horsley was firs ...
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Lady Chapel
A Lady chapel or lady chapel is a traditional British term for a chapel dedicated to "Our Lady", Mary, mother of Jesus, particularly those inside a cathedral or other large church. The chapels are also known as a Mary chapel or a Marian chapel, and they were traditionally the largest side chapel of a cathedral, placed eastward from the high altar and forming a projection from the main building, as in Winchester Cathedral. Most Roman Catholic and many Anglican cathedrals still have such chapels, while mid-sized churches have smaller side-altars dedicated to the Virgin.''Mary: The Imagination of Her Heart'' by Penelope Duckworth 2004 pages 125-126 The occurrence of lady chapels varies by location and exist in most of the French cathedrals and churches where they form part of the chevet. In Belgium they were not introduced before the 14th century; in some cases they are of the same size as the other chapels of the chevet, but in others (probably rebuilt at a later period) they be ...
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Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ...
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Chancel
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ...
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Crossing Tower
A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east. The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. In centuries past, it was not uncommon for overambitious crossing towers to collapse. Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual a ...
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Church Of England
The Church of England (C of E) is the established Christian church in England and the mother church of the international Anglican Communion. It traces its history to the Christian church recorded as existing in the Roman province of Britain by the 3rd century and to the 6th-century Gregorian mission to Kent led by Augustine of Canterbury. The English church renounced papal authority in 1534 when Henry VIII failed to secure a papal annulment of his marriage to Catherine of Aragon. The English Reformation accelerated under Edward VI's regents, before a brief restoration of papal authority under Queen Mary I and King Philip. The Act of Supremacy 1558 renewed the breach, and the Elizabethan Settlement charted a course enabling the English church to describe itself as both Reformed and Catholic. In the earlier phase of the English Reformation there were both Roman Catholic martyrs and radical Protestant martyrs. The later phases saw the Penal Laws punish Ro ...
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