All Saints' Church, Childwall
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All Saints' Church, Childwall
All Saints' Church, is in Childwall, Liverpool, England. It is recorded in the National Heritage List for England as a designated Grade I listed building, and is the only medieval church remaining in the Metropolitan borough of Liverpool. It is an active Anglican parish church in the diocese of Liverpool, the archdeaconry of Liverpool and the deanery of Liverpool South – Childwall. History The chancel dates from the 14th century, and the south aisle and porch are probably from the 15th century. Additions were made in the 18th century and the tower and spire date from 1810 to 1811. The north aisle dates from 1833 and it was partly rebuilt between 1900 and 1905. There are two chapels; the Plumbs' Chapel on the north side is dated 1716 and on the south side the Salisbury pew (formerly Isaac Green's Chapel) dates from 1739 to 1740. A restoration of the church was carried out by W. Raffles Brown in 1851–53. The rebuilding of the north aisle was by James F. Doyle and he a ...
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Childwall
Childwall () is a suburb and ward of Liverpool, England, located to the southeast of the city. It is bordered by Belle Vale, Bowring Park, Broadgreen, Gateacre, Mossley Hill, and Wavertree. In 2019, the population was 13,640. Overview The earliest recorded reference to Childwall was in the ''Domesday Book'' of 1086: "Four Radmans held Childwall as four Manors. There is half a hide. It was worth eight shillings. There was a priest, having half a carucate of land in frank almoign." Childwall was known as ''Cileuuelle'' in the 1086 ''Domesday Book'', meaning "a stream where youngsters meet" from the Old English words ''cild'' and ''wella''. Historically, the name has been recorded as ''Childewalle'' (1212 and 1332), ''Chaldewall'' (1238), ''Childwall'' (1261), ''Childewelle'' (1291), ''Chaldewal'' (1305), and ''Childewall'' (1354). Childwall was traditionally part of the West Derby Hundred. It was an urban district from the Local Government Act 1894 until Liverpool annexed it in ...
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Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ...
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Lady Chapel Of Liverpool Cathedral
Liverpool Cathedral is the Cathedral of the Anglican Diocese of Liverpool, built on St James's Mount in Liverpool, and the seat of the Bishop of Liverpool. It may be referred to as the Cathedral Church of Christ in Liverpool (as recorded in the Document of Consecration) or the Cathedral Church of the Risen Christ, Liverpool, being dedicated to Christ 'in especial remembrance of His most glorious Resurrection'. Liverpool Cathedral is the largest cathedral and religious building in Britain, and the eighth largest church in the world. The cathedral is based on a design by Giles Gilbert Scott and was constructed between 1904 and 1978. The total external length of the building, including the Lady Chapel (dedicated to the Blessed Virgin), is making it the longest cathedral in the world; its internal length is . In terms of overall volume, Liverpool Cathedral ranks as the fifth-largest cathedral in the world and contests with the incomplete Cathedral of St. John the Divine in New Y ...
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Giles Gilbert Scott
Sir Giles Gilbert Scott (9 November 1880 – 8 February 1960) was a British architect known for his work on the New Bodleian Library, Cambridge University Library, Lady Margaret Hall, Oxford, Battersea Power Station, Liverpool Cathedral, and designing the iconic red telephone box. Scott came from a family of architects. He was noted for his blending of Gothic tradition with modernism, making what might otherwise have been functionally designed buildings into popular landmarks. Life and career Early years Born in Hampstead, London, Scott was one of six children and the third son of George Gilbert Scott Jr. and his wife, Ellen King Samson.Butler, A. S. G"Scott, Sir Giles Gilbert" Dictionary of National Biography Archive, Oxford University Press, accessed 22 June 2012 His father was an architect who had co-founded the architecture and interior design company Watts & Co. in 1874. His paternal grandfather was Sir (George) Gilbert Scott, a more famous architect, known for design ...
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George Frederick Bodley
George Frederick Bodley (14 March 182721 October 1907) was an English Gothic Revival architect. He was a pupil of Sir George Gilbert Scott, and worked in partnership with Thomas Garner for much of his career. He was one of the founders of Watts & Co. Personal life Bodley was the youngest son of William Hulme Bodley, M.D., of Edinburgh, physician at Hull Royal Infirmary, Hull, who in 1838 retired to his wife's home town, Brighton, Sussex, England. George's eldest brother, the Rev. W.H. Bodley, became a well-known Roman Catholic preacher and a professor at St Mary's College, New Oscott, Birmingham. He married Minna F.H. Reavely, daughter of Thomas George Wood Reavely, at Kinnersley Castle in 1872. They had a son, George H. Bodley, born in 1874. Career Bodley was articled to the architect Sir George Gilbert Scott, a relative by marriage, under whose influence he became imbued with the spirit of the Gothic revival, and he became known as the chief exponent of 14th century En ...
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Box Pew
A box pew is a type of church pew that is encased in panelling and was prevalent in England and other Protestant countries from the 16th to early 19th centuries. History in England Before the rise of Protestantism, seating was not customary in churches and only accorded to the lord of the manor, civic dignitaries and finally churchwardens. After 1569 stools and seating were installed in Protestant churches primarily because the congregation were expected to listen to sermons, and various types of seating were introduced including the box pew. There are records of box pews being installed in Ludlow parish church before 1577. Box pews provided privacy and allowed the family to sit together. In the 17th century they could include windows, curtains, tables and even fireplaces, and were treated as personal property that could be willed to legatees. Sometimes the panelling was so high it was difficult to see out, and the privacy was used as a cover for non-devotional activity. William Hog ...
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Tower And Hearse House, All Saints' Church, Childwall
A tower is a tall structure, taller than it is wide, often by a significant factor. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures. Towers are specifically distinguished from buildings in that they are built not to be habitable but to serve other functions using the height of the tower. For example, the height of a clock tower improves the visibility of the clock, and the height of a tower in a fortified building such as a castle increases the visibility of the surroundings for defensive purposes. Towers may also be built for observation, leisure, or telecommunication purposes. A tower can stand alone or be supported by adjacent buildings, or it may be a feature on top of a larger structure or building. Etymology Old English ''torr'' is from Latin ''turris'' via Old French ''tor''. The Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean language, ...
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Capital (architecture)
In architecture the capital (from the Latin ''caput'', or "head") or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order established in the 16th century on a hint from the Arch of Titus, adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architectural orde ...
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Norman Architecture
The term Norman architecture is used to categorise styles of Romanesque architecture developed by the Normans in the various lands under their dominion or influence in the 11th and 12th centuries. In particular the term is traditionally used for English Romanesque architecture. The Normans introduced large numbers of castles and fortifications including Norman keeps, and at the same time monasteries, abbeys, churches and cathedrals, in a style characterised by the usual Romanesque rounded arches (particularly over windows and doorways) and especially massive proportions compared to other regional variations of the style. Origins These Romanesque styles originated in Normandy and became widespread in northwestern Europe, particularly in England, which contributed considerable development and where the largest number of examples survived. At about the same time, a Norman dynasty that ruled in Sicily produced a distinctive variation–incorporating Byzantine and Saracen influen ...
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Anglo-Saxon Architecture
Anglo-Saxon architecture was a period in the history of architecture in England from the mid-5th century until the Norman Conquest of 1066. Anglo-Saxon secular buildings in Britain were generally simple, constructed mainly using timber with thatch for roofing. No universally accepted example survives above ground. Generally preferring not to settle within the old Roman cities, the Anglo-Saxons built small towns near their centres of agriculture, at fords in rivers or sited to serve as ports. In each town, a main hall was in the centre, provided with a central hearth. There are many remains of Anglo-Saxon church architecture. At least fifty churches are of Anglo-Saxon origin with major Anglo-Saxon architectural features, with many more claiming to be, although in some cases the Anglo-Saxon part is small and much-altered. It is often impossible to reliably distinguish between pre- and post-Conquest 11th century work in buildings where most parts are later additions or alterations. ...
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Barrel Vault
A barrel vault, also known as a tunnel vault, wagon vault or wagonhead vault, is an architectural element formed by the extrusion of a single curve (or pair of curves, in the case of a pointed barrel vault) along a given distance. The curves are typically circular in shape, lending a semi-cylindrical appearance to the total design. The barrel vault is the simplest form of a vault: effectively a series of arches placed side by side (i.e., one after another). It is a form of barrel roof. As with all arch-based constructions, there is an outward thrust generated against the walls underneath a barrel vault. There are several mechanisms for absorbing this thrust. One is to make the walls exceedingly thick and strong – this is a primitive and sometimes unacceptable method. A more elegant method is to build two or more vaults parallel to each other; the forces of their outward thrusts will thus negate each other. This method was most often used in construction of churches, where sever ...
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Chamfer
A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, furniture, concrete formwork, mirrors, and to facilitate assembly of many mechanical engineering designs. Terminology In machining the word '' bevel'' is not used to refer to a chamfer. Machinists use chamfers to "ease" otherwise sharp edges, both for safety and to prevent damage to the edges. A ''chamfer'' may sometimes be regarded as a type of bevel, and the terms are often used interchangeably. In furniture-making, a lark's tongue is a chamfer which ends short of a piece in a gradual outward curve, leaving the remainder of the edge as a right angle. Chamfers may be formed in either inside or outside adjoining faces of an object or room. By comparison, a ''fillet'' is the rounding-off of an interior corner, and a ''round'' (or ''radiu ...
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