All Night Session! Vol. 3
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All Night Session! Vol. 3
''All Night Session! Vol. 3'' is an album by pianist Hampton Hawes from a session recorded the morning of November 13, 1956 at Contemporary's Studios in Los Angeles and released on the Contemporary label.Hampton Hawes discography
accessed July 29, 2015


Reception

The review states "Vol. 3 of the Hampton Hawes Quartet's ''All Night Session'' contains three spontaneously improvised variations on the blues, one very cool extended rendition of Duke Ellington's 'Do Nothin' 'Till You Hear from Me' and a strikingly handsome treatment of Harold Arlen's 'Between the Devil and the Deep Blue Sea.


Track listing

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Hampton Hawes
Hampton Barnett Hawes Jr. (November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir ''Raise Up Off Me'', which won the Deems-Taylor Award for music writing in 1975. Early life Hampton Hawes was born on November 13, 1928, in Los Angeles, California. His father, Hampton Hawes Sr., was minister of Westminster Presbyterian Church in Los Angeles. His mother, the former Gertrude Holman, was Westminster's church pianist. Hawes' first experience with the piano was as a toddler sitting on his mother's lap while she practiced. He was reportedly able to pick out fairly complex tunes by the age of three. Later life and career Hawes was self-taught; by his teens he was playing with the leading jazz musicians on the West Coast, including Dexter Gordon, Wardell Gray, Art Pepper, Shorty Rogers, and Teddy Edwards. His second professional job, at 18, was playing for eight months with the Howard McGhee Quintet at the Hi De Ho Club, in a group that inclu ...
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Between The Devil And The Deep Blue Sea (song)
"Between the Devil and the Deep Blue Sea" is an American popular song published in 1931, with music by Harold Arlen and lyrics by Ted Koehler, and first recorded by Cab Calloway in 1931. It was introduced in the 1931 Cotton Club show ''Rhythmania'' and is now a widely recorded standard. Early hits Joel Whitburn identified the most successful early recordings as being by: # Cab Calloway recorded October 21, 1931 for Brunswick Records (catalogue No. 6209) # Louis Armstrong performed a version featuring a trumpet solo which was recorded on January 25, 1932 and released by Columbia Records, catalogue No. 2600D. # The Boswell Sisters with The Dorsey Brothers (Recorded March 21, 1932, Brunswick Records, No. 6291) Other notable recordings *1930 Jack Payne and his BBC Orchestra included in his album Roamin' Thru' the Roses, Vol. 6. *1932 Kate Smith recorded January 28, 1932 for Columbia Records with Blues in My Heart interpolated. *1935 Benny Goodman and orchestra (July 1, 1935 for Vi ...
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Contemporary Records Albums
Contemporary history, in English-language historiography, is a subset of modern history that describes the historical period from approximately 1945 to the present. Contemporary history is either a subset of the late modern period, or it is one of the three major subsets of modern history, alongside the early modern period and the late modern period. In the social sciences, contemporary history is also continuous with, and related to, the rise of postmodernity. Contemporary history is politically dominated by the Cold War (1947–1991) between the Western Bloc, led by the United States, and the Eastern Bloc, led by the Soviet Union. The confrontation spurred fears of a nuclear war. An all-out "hot" war was avoided, but both sides intervened in the internal politics of smaller nations in their bid for global influence and via proxy wars. The Cold War ultimately ended with the Revolutions of 1989 and the dissolution of the Soviet Union in 1991. The latter stages and ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Bruz Freeman
Eldridge Freeman (August 11, 1921 – 2006), also known as "Buzz" Freeman or "Bruz" Freeman, was an American jazz drummer. Biography Born in Chicago, with his brothers, guitarist George Freeman (guitarist), George Freeman and tenor saxophonist Von Freeman,[ George Freeman] at Allmusic he played for several years in the house band at the Pershing Hotel. He was also the uncle of Chico Freeman, the son of Von Freeman. In 1950, he was a member of John Young (jazz pianist), John Young's trio with LeRoy Jackson on bass, and recorded with Young's orchestra backing vocalist Lurlean Hunter. In the mid-1950s, he was a member of the Hampton Hawes Quartet, with Red Mitchell and Jim Hall (musician), Jim Hall, and with line-ups led by Herb Geller. In 1950, with his brothers George and Von (originally misidentified as Claude McLin), LeRoy Jackson, and Chris Anderson (pianist), Chris Anderson, he played with Charlie Parker shortly before his death, at a jam session recorded at Bird's apartment w ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Red Mitchell
Keith Moore "Red" Mitchell (September 20, 1927 – November 8, 1992) was an American jazz double-bassist, composer, lyricist, and poet. Biography Mitchell was born in New York City. His younger brother, Whitey Mitchell, also became a jazz bassist. Mitchell was raised in New Jersey by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded him an engineering scholarship, by 1947 he was in the U.S. Army playing bass. The next year, he was in a jazz trio in New York City. Mitchell performed and/or recorded with Mundell Lowe, Chubby Jackson, Charlie Ventura, Woody Herman, Red Norvo, Gerry Mulligan, and, after joining the West Coast jazz scene in the early 1950s, with André Previn, Shelly Manne, Hampton Hawes, Billie Holiday, Stan Seltzer, Ornette Coleman, and others such as Mahalia Jackson. He also worked as a bassist in television and film studios around L ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Jim Hall (musician)
James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger. Biography Early life and education Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall's mother played the piano, his grandfather violin, and his uncle guitar.Hall, Devra "Sketches from PROS Folios: Jim Hall". Copyright 1988-2004. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his "spiritual awakening". As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall's major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland I ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create "Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ot ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ...
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