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All God's Chillun Got Rhythm
"All God's Chillun Got Rhythm" is a 1937 jazz standard. It was written by Walter Jurmann, Gus Kahn and Bronisław Kaper especially for Ivie Anderson, who performed it in the Marx Brothers' 1937 film '' A Day at the Races'', the tune was also used for the opening theme. The lyrics state that "All God's Children Got Rhythm" even if they "maybe haven't got money, maybe haven't got shoes". The authors (European immigrants from Poland, Germany, and Austria) were likely influenced by a traditional Negro spiritual " All God's Chillun Got Wings" alternately called "All God's Children Got Shoes" which affirms that all God's children have shoes. This was the inspiration for a Eugene O'Neill play of the same name in the 1924 and recorded by Paul Robeson, on YouTube who also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and "fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz standard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Jurmann
Walter Jurmann (October 12, 1903 - June 17, 1971) was an Austrian-born composer of popular music renowned for his versatility who, after emigrating to the United States, specialized in film scores and soundtracks. Biography Born in Vienna, Jurmann received a classical education, taking his ''Matura'' exams in 1921. For some time he studied medicine but in 1924, after working as a lounge pianist in a posh hotel in the Semmering area of Lower Austria, abandoned his studies altogether in order to pursue a career in music. He moved to Berlin and soon became successful with tunes such as "Du bist nicht die Erste". Probably his most famous 1920s song is " Veronika, der Lenz ist da", popularized by the all-male a cappella ensemble, the Comedian Harmonists. With the arrival of sound movies Jurmann also began writing film music, starting with '' Ihre Majestät, die Liebe'' (''Her Majesty, Love'') (1930). Jurman's melodies were so charming and easy to remember that a contemporary paper re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronisław Kaper
Bronisław Kaper (; February 5, 1902 – April 26, 1983) was a Polish film composer who scored films and musical theater in Germany, France, and the USA. The American immigration authorities misspelled his name as Bronislau Kaper. He was also variously credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane. Kaper is perhaps best remembered as the composer of the jazz standards " On Green Dolphin Street" (lyrics by Ned Washington) and " Invitation" (lyrics by Paul Francis Webster) which were the respective title songs for the Metro-Goldwyn-Mayer films '' Green Dolphin Street'' (1947) and '' Invitation'' (1952). He also scored the MGM film musical ''Lili'' (1953) for which he received the Academy Award for Best Original Score. Kaper's later works include ''Mutiny on the Bounty'' (1962) and the TV series ''The F.B.I.'' (1965–1974). Biography Bronisław Kaper was born in Warsaw, Poland, to an Ashkenazi Jewish family, and began playing the piano at the age o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivie Anderson
Ivie Anderson (sometimes Ivy) (January 16, 1904 – December 28, 1949) was an American jazz singer. Anderson was a member of the Duke Ellington Orchestra for more than a decade. Personal life Anderson was born on January 16, 1904, in Gilroy, California. Although her mother's name is unknown, her father was Jobe Smith. From 1914 to 1918 (age 9 to 13), Anderson attended St. Mary's Convent and studied voice. At Gilroy grammar school and Gilroy High School, she joined glee club and choral society. She also studied voice under Sara Ritt while in Nannie H. Burroughs Institution in Washington, D.C. From 1930 to 1945, Anderson lived at 724 East 52nd Place in Los Angeles, part of the 52nd Place Historic District. Career Anderson's singing career began around 1921 with performances in Los Angeles. In 1924, she toured with the musical ''Shuffle Along''. By 1925, she had performed in Cuba, the Cotton Club in New York City, and Los Angeles with the bands of Paul Howard, Curtis Mosby, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marx Brothers
The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them, '' Duck Soup'' (1933) and '' A Night at the Opera'' (1935), in the top fifteen. They are widely considered by critics, scholars and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years... 100 Stars list of the 25 greatest male stars of Classical Hollywood cinema, the only performers to be included collectively. The brothers are almost universally known by their stage names: Chico, Harpo, Groucho, Gummo, and Zeppo. There was a sixth brother, the first born, named Manfred (Mannie), who died in infancy; Zeppo was given the middle name Manfred in his memory. The core of the act was the three elder brothers: C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Day At The Races (film)
''A Day at the Races'' is a 1937 American comedy film, and the seventh film starring the Marx Brothers (Groucho Marx, Harpo Marx and Chico Marx), with Allan Jones, Maureen O'Sullivan and Margaret Dumont. Like their previous Metro-Goldwyn-Mayer feature '' A Night at the Opera'', this film was a major hit. Plot The Standish Sanitarium, owned by Judy Standish, has fallen on hard times. Banker J.D. Morgan, who owns a nearby race track, hotel and nightclub, holds the mortgage on the sanitarium and is attempting to purchase it in order to convert the building into a casino. Judy's faithful employee Tony, suggests asking financial help from the wealthy patient Mrs. Emily Upjohn, who is a hypochondriac. After being pronounced healthy by the sanitarium's doctors, Mrs. Upjohn threatens to leave the Sanitarium for treatment by Dr. Hugo Z. Hackenbush. Tony overhears her praise of Hackenbush, who is, unknown to her, a horse doctor. When Tony lies to Mrs. Upjohn, telling her that Hackenbush ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Negro Spiritual
Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade and for centuries afterwards, through the domestic slave trade. Spirituals encompass the "sing songs," work songs, and plantation songs that evolved into the blues and gospel songs in church. In the nineteenth century, the word "spirituals" referred to all these subcategories of folk songs. While they were often rooted in biblical stories, they also described the extreme hardships endured by African Americans who were enslaved from the 17th century until the 1860s, the Emancipation Proclamation, emancipation altering mainly the nature (but not continuation) of slavery for many. Many new derivative music genres emerged from the spirituals songcraft. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All God's Chillun Got Wings (song)
"All God's Chillun Got Wings" is a Negro spiritual song. "Chillun" is an old-fashioned dialect word for "children". (Robeson sings it as "children" in his recording, although the printed lyrics say "chillun".) Its title inspired the Eugene O'Neill Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in Nobel Prize in Literature, literature. His poetically titled plays were among the first to introduce into the U.S. the drama tech ... play '' All God's Chillun Got Wings''. References External linksPaul Robeson recording of the song American folk songs [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene O'Neill
Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in literature. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The tragedy '' Long Day's Journey into Night'' is often included on lists of the finest U.S. plays in the 20th century, alongside Tennessee Williams's ''A Streetcar Named Desire'' and Arthur Miller's ''Death of a Salesman''. O'Neill's plays were among the first to include speeches in American English vernacular and involve characters on the fringes of society. They struggle to maintain their hopes and aspirations, but ultimately slide into disillusion and despair. Of his very few comedies, only one is well-known (''Ah, Wilderness!'').The Eugene O'Neill Foundation newsletter: "''Now I Ask You'', along with ''The M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Internet Broadway Database
The Internet Broadway Database (IBDB) is an online database of Broadway theatre productions and their personnel. It was conceived and created by Karen Hauser in 1996 and is operated by the Research Department of The Broadway League, a trade association for the North American commercial theatre community. This comprehensive history of Broadway provides records of productions from the beginnings of New York theatre in the 18th century up to today. Details include cast and creative lists for opening night and current day, song lists, awards and other interesting facts about every Broadway production. Other features of IBDB include an extensive archive of photos from past and present Broadway productions, headshots, links to cast recordings on iTunes or Amazon, gross and attendance information. Its mission was to be an interactive, user-friendly, searchable database for League members, journalists, researchers, and Broadway fans. The League recently added Broadway Touring shows t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Robeson
Paul Leroy Robeson ( ; April 9, 1898 – January 23, 1976) was an American bass-baritone concert artist, stage and film actor, professional football player, and activist who became famous both for his cultural accomplishments and for his political stances. In 1915, Robeson won an academic scholarship to Rutgers College. While at Rutgers, he was twice named a consensus All-American in football and was the class valedictorian. He received his LL.B. from Columbia Law School while playing in the National Football League (NFL). After graduation, he became a figure in the Harlem Renaissance with performances in ''The Emperor Jones'' and '' All God's Chillun Got Wings''. Robeson performed in Britain in a touring melodrama, ''Voodoo'', in 1922, and in ''Emperor Jones'' in 1925. In 1928, he scored a major success in the London premiere of ''Show Boat''. Living in London for several years with his wife Eslanda, Robeson continued to establish himself as a concert artist and starred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
