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All-Night Vigil (Tchaikovsky)
The ''All-Night Vigil for choir'' (Russian: , ), Op. 52, is an choral composition by Pyotr Ilyich Tchaikovsky, written from 1881 to 1882. It consists of settings of texts taken from the Russian Orthodox all-night vigil ceremony. This work, like Sergei Rachmaninoff's ''All-Night Vigil'', has been referred to as the Vespers. Like the Rachmaninoff, this is both literally and conceptually incorrect as applied to the entire work, as it contains settings from three canonical hours: Vespers, Matins and the First Hour. Background Prior to Tchaikovsky's setting of the all-night vigil, the only setting in existence had been by Artemy Vedel in the 18th century. Russian church music underwent a period of stagnancy in the 18th and 19th centuries. This was partially attributed to the monopoly on its composition and performance held by Dmitry Bortniansky, while he was the director of the Imperial Chapel. Tchaikovsky, known primarily for his symphonies, concertos and ballets, was d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Bortniansky
Dmitry Stepanovich Bortniansky ; ; alternative transcriptions of names are ''Dmitri Bortnianskii'', and ''Bortnyansky'', group=n (28 October 1751 – ) was a Russian Imperial composer of Ukrainian Cossack origin. He was a composer, harpsichordist and conductor who served at the court of Catherine the Great. Bortniansky was critical to the musical history of both Ukraine and Russia, with both nations claiming him as their own. Bortniansky, who has been compared to Palestrina, is known today for his liturgical works and prolific contributions to the genre of choral concertos. He was one of the "Golden Three" of his era, alongside Artemy Vedel and Maxim Berezovsky. Bortniansky was so popular in the Russian Empire that his figure was represented in 1862 in the bronze monument of the Millennium of Russia in the Novgorod Kremlin. He composed in many different musical styles, including choral compositions in French, Italian, Latin, German and Church Slavonic. Biography Student Dm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Eastern Orthodox Church
The Eastern Orthodox Church, also called the Orthodox Church, is the second-largest Christian church, with approximately 220 million baptized members. It operates as a communion of autocephalous churches, each governed by its bishops via local synods. The church has no central doctrinal or governmental authority analogous to the head of the Roman Catholic Church—the Pope—but the Ecumenical Patriarch of Constantinople is recognized by them as '' primus inter pares'' ("first among equals"), which may be explained as a representative of the church. As one of the oldest surviving religious institutions in the world, the Eastern Orthodox Church has played a prominent role in the history and culture of Eastern and Southeastern Europe. The Eastern Orthodox Church officially calls itself the Orthodox Catholic Church. Eastern Orthodox theology is based on holy tradition, which incorporates the dogmatic decrees of the seven ecumenical councils, the Scriptures, and the teachin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Trio (Tchaikovsky)
Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled n memory of a great artist in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello. The work's first version was completed by late January 1882. Private performances were held in March and April. The work underwent considerable revision before its premiere on 30 October at a quartet concert of the Russian Musical Society in Moscow. The players at the performance were Sergei Taneyev (piano), Jan Hřímalý (violin), and Wilhelm Fitzenhagen (cello). Structure The piece is marked by a tragic perspective and is in two movements: :I. Pezzo elegiaco (Moderato assai – Allegro giusto) (in A minor) (approx 20:00) :II. (A) Tema con variazioni: Andante con moto (in E major) – (B) Variazione finale e coda (in A major – A minor) (approx 27:00) Total timing: approx. 47: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazeppa (opera)
''Mazeppa'', properly ''Mazepa'' (russian: Мазепа ), is an opera in three acts (six scenes) by Pyotr Ilyich Tchaikovsky. The libretto was written by Victor Burenin and is based on Pushkin's poem ''Poltava'', part of the cultural legacy of Mazeppa. ''Mazeppa'' is a blood-thirsty tale of crazy love, abduction, political persecution, execution, and vengeful murder. The action takes place in Ukraine at the beginning of the 18th century. The protagonists are the historical figures Ivan Stepanovych Mazeppa (c. 1640–1709), the Hetman of the Ukrainian Cossacks, and Vasyl Leontiyovych Kochubey (c.1640–1708), a very prosperous Ukrainian nobleman and statesman. Composition history The opera was composed between June 1881 and April 1883. ''Mazeppa''s libretto was based on ''Poltava'', a narrative poem by Alexander Pushkin. Pushkin based his story on historical events at Poltava, the battle where Tsar Peter the Great defeated Swedish King Charles XII. Pushkin took some creative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Nápravník
Eduard Francevič Nápravník (Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades. In that capacity, he conducted the premieres of many operas by Russian composers, including those by Mussorgsky, Tchaikovsky and Rimsky-Korsakov. Biography Nápravník was born in Býšť, Bohemia, in 1839. His studies of music were precariously uneven as a child, being the son of a poor teacher. Orphaned in 1853 at the age of 14, he first worked as a local church organist. In 1854 he entered the Prague Organ School, where he studied under Jan Bedřich Kittl and others, eventually becoming an assistant teacher as Kittl's generosity allowed him to continue his studies. In 1861, he worked in Russia for the first time as con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgy Of St
Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and participation in the sacred through activities reflecting praise, thanksgiving, remembrance, supplication, or repentance. It forms a basis for establishing a relationship with God. Technically speaking, liturgy forms a subset of ritual. The word ''liturgy'', sometimes equated in English as " service", refers to a formal ritual enacted by those who understand themselves to be participating in an action with the divine. Etymology The word ''liturgy'' (), derived from the technical term in ancient Greek ( el, λειτουργία), ''leitourgia'', which literally means "work for the people" is a literal translation of the two words "litos ergos" or "public service". In origin, it signified the often expensive offerings wealthy Greeks made in serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nadezhda Von Meck
Nadezhda Filaretovna von Meck (russian: Надежда Филаретовна фон Мекк; 13 January 1894) was a Russian businesswoman who became an influential patron of the arts, especially music. She is best known today for her artistic relationship with Pyotr Ilyich Tchaikovsky, supporting him financially for thirteen years, so that he could devote himself full-time to composition, while stipulating that they were never to meet. Tchaikovsky dedicated his Symphony No. 4 in F minor to her. She also gave financial support to several other musicians, including Nikolai Rubinstein and Claude Debussy. Life Childhood Nadezhda von Meck was born Nadezhda Filaretovna Frolovskaya, in a family which owned large landed estates. Her father, Filaret Frolovsky, embraced his love of music from an early age, while from her mother, Anastasia Dimitryevna Potemkina, she learned energy, determination, and business acumen. A serious student of music in her youth, Nadezhda became a capab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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