Alison Browner
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Alison Browner
Alison Margaret Browner (born 22 September 1957) is an Irish mezzo-soprano opera singer. Life Born in Dublin, Ireland, Browner graduated in Music at Trinity College (Dublin), Trinity College with Bachelor of Arts, a Bachelor of Arts while she also studied singing and violin at the College of Music (now the DIT Conservatory of Music and Drama). Through a scholarship from the German Academic Exchange Service (''DAAD'') she went to the Hamburg Academy of Music and completed her studies with a recital and concert diploma with Hans Hotter Her married name is Alison Gries and she is based in Limburg an der Lahn, Germany. Career Her singing career began at the Opera Studio of the Bavarian State Opera in Munich, the Staatstheater Darmstadt working with Hans Hotter. Browner sang in Richard Strauss' ''Ariadne auf Naxos'' and the title role in ''Der Rosenkavalier'' and the great Wolfgang Amadeus Mozart, Mozart and Gioacchino Rossini, Rossini parts in 1987 as an ensemble member of the Nat ...
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Ernst Gerold Schramm
Ernst Gerold Schramm (8 July 1938 – 8 June 2004) was a German baritone in opera and concert, and an academic voice teacher. He was a member of the Staatstheater Hannover and Oper Frankfurt ensembles and performed internationally. He taught at the Musikhochschule Frankfurt and the Universität der Künste Berlin. Career Born in Steinheim am Main, Schramm learned piano as a child and sang solo parts in the renowned choir of his uncle. He became a pianist and choral conductor. He studied voice at the Musikhochschule Frankfurt with Ernst Arnold, Martin Gründler and , the leader of the opera class. In 1965, he won the International Singing Competition in Geneva. It led to a concert at the Wiener Musikverein, where he performed ''Ein deutsches Requiem'' by Brahms, conducted by Wolfgang Sawallisch. He was then engaged to perform and record Bach's '' St John Passion'', '' St Matthew Passion'' and Mass in B Minor with Karl Richter. With the Münchener Bach-Chor, he toured South A ...
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Ulrike Sonntag
Ulrike Sonntag (born 1959) is a German operatic soprano and academic voice teacher at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart. She was previously a member of the Staatstheater Stuttgart, Vienna State Opera, and other ensembles, and has performed in operas and concerts, and taught masterclasses, in several countries. Among her recordings are rarely performed oratorios by Fanny Hensel and Paul Hindemith. Life Born in Esslingen am Neckar, she attended the Georgii-Gymnasium at her hometown, concluding with the Abitur. She studied music pedagogy and German in Stuttgart, and then studied voice in Romania and at the Hochschule der Künste Berlin with Irmgard Hartmann-Dressler (1924–2013). She took master classes with Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau and Aribert Reimann. In 1985, Sonntag won the second prize at the Deutscher Musikwettbewerb in Bonn.
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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Adalbert Kraus
Adalbert Kraus (born 27 April 1937 in Aschaffenburg) is a German tenor in opera and concert, known for singing the works of Johann Sebastian Bach. Career Adalbert Kraus first graduated in German studies, theology, and philosophy and in 1967, began to study voice at the Hochschule für Musik Würzburg with Henriette Klink-Schneider.Adalbert Kraus
on the bach-cantatas website
He was a at the from 1970 to 1974. His roles included Andres in Berg's ''



Missa In Angustiis
The ' (Mass for troubled times), commonly known as the ''Nelson Mass'' ( Hob. XXII/11), is a Mass setting by the Austrian composer Joseph Haydn. It is one of the six masses written near the end of his life that are seen as a culmination of Haydn's composition of liturgical music. Background Haydn's chief biographer, H. C. Robbins Landon, has written that this mass "is arguably Haydn's greatest single composition". Written in 1798, it is one of the six late masses by Haydn for the Esterhazy family composed after taking a short hiatus, during which elaborate church music was inhibited by the Josephinian reforms of the 1780s. The late sacred works of Haydn are regarded as masterworks, influenced by the experience of his London symphonies. They highlight the soloists and chorus while allowing the orchestra to play a prominent role.Webster and Feder Owing to the political and financial instability of this period in European history, Haydn's patron Nikolaus II dismissed the Feld ...
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Herz Und Mund Und Tat Und Leben, BWV 147
Johann Sebastian Bach composed the church cantata ' (Heart and mouth and deed and life), 147 in 1723 during his first year as ''Thomaskantor'', the director of church music in Leipzig. His cantata is part of his first cantata cycle there and was written for the Marian feast of the Visitation on 2 July, which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke in the prescribed reading for the feast day. Bach based the music on his earlier cantata BWV 147a, written originally in Weimar in 1716 for Advent. He expanded the Advent cantata in six movements to ten movements in two parts in the new work. While the text of the Advent cantata was written by the Weimar court poet Salomo Franck, the librettist of the adapted version who added several recitatives is anonymous. Bach began the cantata with a chorus for the full orchestra, followed by alternating recitatives and arias with often obbligato instrument. He scored it for four vocal soloists, a four-part ...
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Limburger Domsingknaben
Limburger Domsingknaben (; "Limburg Cathedral singing boys") is the name of the boys' choir at the Limburg Cathedral in Limburg, Hesse, Germany. The choir was founded in 1967 by the then bishop of Limburg, Wilhelm Kempf. Its conductors were Hans Bernhard, Mathias Breitschaft, Klaus Knubben and, since 2014, Andreas Bollendorf. The choir's main task is singing in services at the Limburg Cathedral. The choir also performs in other services and performs concerts internationally. The repertoire is from all eras of classical music. They took part in recordings of Mahler symphonies, conducted by Eliahu Inbal and Paavo Järvi, and in the premiere of Kagel's ''Sankt-Bach-Passion''. In their home Musisches Internat, which served as a boarding school until 2007, the boys receive thorough training, four vocal rehearsals per week, individual voice coaching, and instrumental instructions. They study not only choral but also solo parts of the works they perform. Many tours took them to Europea ...
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Concerto Köln
Concerto Köln is an ensemble specialising in music of the eighteenth and nineteenth centuries. The group formed in 1985, one of many groups associated with the surging interest in period instruments in that decade. Its members consisted mainly of recent graduates of conservatories from across Europe. They began touring the Continent, often making appearances at major festivals. In 1992 they founded the Cologne Festival of Early Music with the aid of Deutschland Radio. They receive no government subsidies, and do not have a permanent conductor, though the group has an artistic director, Martin Sandhoff. Among the concert masters is Evgeny Sviridov. Their repertory stretches from early Baroque on through the Classical Era and as far into the nineteenth century as Wagner. They have also done a number of collaborative works, such as a disc juxtaposing Turkish folk music with pieces in a Turkish style by composers such as Mozart. They have recorded frequently with, among others, R ...
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Eric Ericson
Eric Gustaf Ericson (26 October 1918 – 16 February 2013) was a Swedish choral conductor and influential choral teacher. Life and career He graduated from the Royal College of Music (''Kungl. Musikhögskolan'') in Stockholm in 1943 and went on to complete his studies abroad, at the Schola Cantorum Basiliensis, Switzerland, and in Germany, Great Britain, and the United States. Renowned for his innovative teaching methods and the wide-ranging nature of his repertoire, Ericson was the principal conductor of the Orphei Drängar choir at Uppsala University from 1951 until 1991, and choirmaster until 1982 of the Swedish Radio Choir which was established on his initiative in 1951. Also in 1951, he began his teaching career at the Royal College of Music in Stockholm, where he became a legendary and inspirational figure, and he was appointed to the chair of choral conducting there in 1968. In 1983 Ericson received an honorary doctorate from the Faculty of Humanities at Uppsala Univ ...
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Philippe Herreweghe
Philippe Maria François Herreweghe, Knight Herreweghe (born 2 May 1947) is a Belgian conductor and choirmaster. Herreweghe founded La Chapelle Royale and Collegium Vocale Gent and is renowned as a conductor, with a repertoire ranging from Renaissance to early Romantic classical music. He specialises in Baroque music, with a particular focus on the music of Johann Sebastian Bach. Early life Herreweghe was born in Ghent as the first of three children to Edward Raymond Frans (1919–2006) and Elza Maria Augusta Herreweghe (née van Herrewege; 1919–1976). He received his first piano lessons from his mother. In his school years at the University of Ghent, Herreweghe combined studies in medical science and psychiatry with a musical education at the Ghent Conservatory, where Marcel Gazelle, Yehudi Menuhin's accompanist, was his piano teacher. Career In 1970, Herreweghe founded the Collegium Vocale Gent with a group of fellow students. Nikolaus Harnoncourt and Gustav Leonhar ...
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John Eliot Gardiner
Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War. A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach."John Eliot Gardiner", in ''Contemporary Musicians'' (1999), Detroit: Gale While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on ...
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Salzburg Festival
The Salzburg Festival (german: Salzburger Festspiele) is a prominent festival of music and drama established in 1920. It is held each summer (for five weeks starting in late July) in the Austrian town of Salzburg, the birthplace of Wolfgang Amadeus Mozart. One highlight is the annual performance of the play '' Jedermann'' (''Everyman'') by Hugo von Hofmannsthal. Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals had been held in Salzburg at irregular intervals since 1877 held by the International Mozarteum Foundation but were discontinued in 1910. Although a festival was planned for 1914, it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's re ...
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