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Alice May (actress)
Alice May (1847 – 16 August 1887) was an English singer and actress best remembered as the creator of the soprano role of Aline in Gilbert and Sullivan's ''The Sorcerer'' (1877). After musical studies as a child, May studied voice in London with the composer George Benjamin Allen. She began singing in his concerts. May and Allen began to have a relationship, and she travelled with him to Australia in 1870, where they performed together in concerts. Beginning in 1872, May began star in comic operas in Australia. May and Allen returned to England in 1876, where she continued to perform in Offenbach works, earning good notices. In 1877, May created the role of Aline in ''The Sorcerer'', earning warm reviews, but she left the company after only two months. She quickly returned to Offenbach in London under the management of Richard D'Oyly Carte and, by 1882, she was touring with Emily Soldene's opera company. She split up with Allen and moved to the U.S. in 1883, where she ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Alice May H6724 (cropped)
Miss (pronounced ) is an English language English honorific, honorific typically used for a girl, for an unmarried woman (when not using another title such as "Doctor (title), Doctor" or "Dame (title), Dame"), or for a married woman retaining her maiden name. Originating in the 17th century, it is a contraction of ''mistress (form of address), mistress''. Its counterparts are Mrs., used for a married women who has taken her husband's name, and Ms., which can be used for married or unmarried women. The plural ''Misses'' may be used, such as in ''The Misses Doe''. The traditional French "Mademoiselle" (abbreviation "Mlle") may also be used as the plural in English language conversation or correspondence. In Australian, British, and Irish schools the term 'miss' is often used by pupils in addressing any female teacher. Use alone as a form of address ''Miss'' is an honorific for addressing a woman who is not married, and is known by her maiden name. It is a shortened form of ''mist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fille De Madame Angot
''La fille de Madame Angot'' (''Madame Angot's Daughter'') is an opéra comique in three acts by Charles Lecocq with words by Clairville, Paul Siraudin and Victor Koning. It was premiered in Brussels in December 1872 and soon became a success in Paris, London, New York and across continental Europe. Along with Robert Planquette's ''Les cloches de Corneville'', ''La fille de Madame Angot'' was the most successful work of the French-language musical theatre in the last three decades of the 19th century, and outperformed other noted international hits such as ''H.M.S. Pinafore'' and ''Die Fledermaus''. The opera depicts the romantic exploits of Clairette, a young Parisian florist, engaged to one man but in love with another, and up against a richer and more powerful rival for the latter's attentions. Unlike some more risqué French comic operas of the era, the plot of ''La fille de Madame Angot'' proved exportable to more strait-laced countries without the need for extensive rewriti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyer Lutz
Wilhelm Meyer Lutz (19 May 1829 – 31 January 1903) was a German-born British composer and conductor who is best known for light music, musical theatre and burlesques of well-known works. Emigrating to the UK at the age of 19, Lutz started as an organist and soon became a theatrical conductor in London. After serving from 1850 to 1855 as music director of the Surrey Theatre, Lutz conducted touring opera companies and composed some serious music and music for the Christy Minstrels. In 1869, he was engaged as the music director of the Gaiety Theatre, London, arranging and later composing a series of popular burlesques over the next 25 years. Lutz continued to compose songs into the 20th century. Life and career Lutz was born in Münnerstadt, Bavaria, Germany. His parents were Joseph Lutz (1801–1879), a music professor, and Magdalena (1809–1862). His older brother, Baron Johann Lutz, became the prime minister of Bavaria under King Ludwig II of Bavaria. Lutz studied music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John T
John is a common English name and surname: * John (given name) * John (surname) John may also refer to: New Testament Works * Gospel of John, a title often shortened to John * First Epistle of John, often shortened to 1 John * Second Epistle of John, often shortened to 2 John * Third Epistle of John, often shortened to 3 John People * John the Baptist (died c. AD 30), regarded as a prophet and the forerunner of Jesus Christ * John the Apostle (lived c. AD 30), one of the twelve apostles of Jesus * John the Evangelist, assigned author of the Fourth Gospel, once identified with the Apostle * John of Patmos, also known as John the Divine or John the Revelator, the author of the Book of Revelation, once identified with the Apostle * John the Presbyter, a figure either identified with or distinguished from the Apostle, the Evangelist and John of Patmos Other people with the given name Religious figures * John, father of Andrew the Apostle and Saint Peter * Pope Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan Theatre
The Manhattan Theatre was located at 102 West 33rd Street in Midtown Manhattan, New York City, directly across from Greeley Square at Sixth Avenue and 33rd Street. The 1,100-seat theatre opened in 1875 as the Eagle Theatre, and was renamed the Standard Theatre in 1878. All but destroyed by a fire in 1883, it was rebuilt in a more modern style and re-opened in December 1884. In 1898, the Standard was refurbished by architect Howard Constable and renamed the Manhattan Theatre. The theatre was demolished in 1909 for the construction of a flagship Gimbels department store, now the Manhattan Mall. Early history During its first two decades of existence, the theatre played host to many of the finest plays and works of musical theatre of the times, including several of the authorized American premieres of the Gilbert and Sullivan operas in the 1880s, often starring Geraldine Ulmar, Fred Billington, George Thorne and Courtice Pounds. Other notable performers on its stage in these y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Balfe
Michael William Balfe (15 May 1808 – 20 October 1870) was an Irish composer, best remembered for his operas, especially ''The Bohemian Girl''. After a short career as a violinist, Balfe pursued an operatic singing career, while he began to compose. In a career spanning more than 40 years, he composed at least 29 operas, almost 250 songs, several cantatas and other works. He was also a noted conductor, directing Italian Opera at Her Majesty's Theatre for seven years, among other conducting posts. Biography Early life and career Balfe was born in Dublin, where his musical gifts became apparent at an early age. He received instruction from his father, a dancing master and violinist, and the composer William Rooke. His family moved to Wexford when he was a child. Between 1814 and 1815, Balfe played the violin for his father's dancing-classes, and at the age of seven composed a polacca. In 1817, he appeared as a violinist in public, and in this year composed a ballad, first cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Manchester
The Theatre Royal in Manchester, England, opened in 1845. Situated next to the Free Trade Hall, it is the oldest surviving theatre in Manchester. It was commissioned by Mancunian businessman John Knowles who wanted a theatre venue in the city. The Theatre Royal operated as a theatre from 1845 until 1921, when it closed in the face of growing competition from the Palace Theatre and Opera House. The building has since been converted numerous times for use as a cinema, bingo hall and nightclub. It has been unoccupied since 2009. Architecture The theatre, which stands on an island site on the south side of Peter Street, is constructed in sandstone ashlar. It is in two storeys, with an attic, and is in neoclassical style. Around the building, between the upper storey and the attic, is a modillioned cornice. Its entrance front facing Peter Street is symmetrical with three bays, the central bay being wider than the lateral bays. The central bay is in the form of a portico, with C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sultan Of Mocha
''The Sultan of Mocha'' is a three act comic opera of 1874 with a libretto by Albert Jarrett and a score by Alfred Cellier. It was first produced at the Prince's Theatre, Manchester in 1874 and revived in London in 1876 and 1887 (with a new libretto by William Lestocq) and in New York in 1880, among others. Productions The musical theatre writer Kurt Gänzl describes ''The Sultan of Mocha'' as "one of the earliest British musicals of the modern era both to have a significant career at home and to win overseas productions". Gänzl, Kurt. ''The British Musical Theatre'', Oxford University Press (1987) pp. 74–80 It was first produced in 1874 at the Prince's Theatre, Manchester by the actor-manager Charles Alexander Calvert, who "accepted a text supplied by a local gentleman of some literary attainment", Albert Jarrett (1834–1916), which was then set to music by Alfred Cellier, the musical director at Alexander's theatre.Albert Jarrett was a schoolmaster with literary aspir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globe Theatre (Newcastle Street)
The Globe was a Victorian theatre built in 1868 and demolished in 1902. It was the third of five London theatres to bear the name, following Shakespeare’s Bankside house, which closed in 1642, and the former Rotunda Theatre in Blackfriars Road, which for a few years from 1833 was renamed the Globe. The new theatre was also known at various times as the Royal Globe Theatre or Globe Theatre Royal. Its repertoire consisted mainly of comedies and musical shows. The theatre's most famous production was ''Charley's Aunt'' by Brandon Thomas, which enjoyed a record-setting run there, having transferred from the Royalty Theatre. Other long-running pieces included the opéra-comique ''The Chimes of Normandy'' (1878) and the farce ''The Private Secretary'' (1884). History Background and first years In the 16th century Lyon's Inn, one of the Inns of Chancery attached to London's Inner Temple, stood on the site. By the 1860s the area had deteriorated greatly and the old inn had been c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alhambra Theatre
The Alhambra was a popular theatre and music hall located on the east side of Leicester Square, in the West End of London. It was built originally as the Royal Panopticon of Science and Arts opening on 18 March 1854. It was closed after two years and reopened as the Alhambra. The building was demolished in 1936. The name was also adopted by many other British music hall theatres located elsewhere; in Bradford, in Hull and in Glasgow etc. The name comes from association with the Moorish splendour of the Alhambra palace in Granada, Spain. History Origins The Alhambra was originally known as the Royal Panopticon and was a landmark building at 23–27 Leicester Square, completed in 1854 by T. Hayter Lewis as a venue for showcasing the finest in the arts and for scientific demonstrations and popular education. This lasted for two years, and then the decision to add a circus ring was taken. When it reopened on 3 April 1858 it was renamed the Alhambra. The 1858 building conversion to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Princesse De Trébizonde
''La Princesse de Trébizonde'' is an opéra bouffe with music by Jacques Offenbach and text by Étienne Tréfeu and Charles-Louis-Étienne Nuitter. The work was first given in two acts at the Theater Baden-Baden on 31 July 1869 and subsequently presented in a revised three-act version at the Théâtre des Bouffes-Parisiens on 7 December of the same year. Background 1869 was a productive and successful year for Offenbach. ''Vert-Vert'', an opéra comique by him in three acts had its premiere at the Paris Opéra-Comique on 10 March. This was followed less than two weeks later by the first performances of his opéra bouffe ''La diva'' at the Bouffes-Parisiens on 22 March. On 31 July ''La princesse de Trébizonde'' was given its premiere at Baden-Baden under the direction of the composer. In December of the same year, in the space of five days, the revised three-act version of ''La princesse de Trébizonde'' had its first performance on the 7th at the Bouffes-Parisiens, followed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geneviève De Brabant
''Geneviève de Brabant'' is an opéra bouffe, or operetta, by Jacques Offenbach, first performed in Paris in 1859. The plot is based on the medieval legend of Genevieve of Brabant. For the 1867 version two additional characters, men-at-arms, were added to Act 2 and given a comic duet, in English-speaking countries widely known as the "Gendarmes' Duet" or the "bold gendarmes", from H. B. Farnie's English adaptation. As well as being a popular performance piece, it formed the basis for the U.S. "Marines' Hymn". Performance history The two-act French libretto was written by Louis-Adolphe Jaime and Étienne Tréfeu, and the opera was first staged at the Théâtre des Bouffes-Parisiens, Paris, on 19 November 1859. A new three-act version (in which the "Gendarmes' Duet" first appeared), revised by Hector-Jonathan Crémieux, was first given at the Théâtre des Menus-Plaisirs, Paris, on 26 December 1867. An expanded five-act version was devised for a production at the Théâtre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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