|
Alfred Wolfsohn Voice Research Centre
The Alfred Wolfsohn Voice Research Centre was a project established to investigate the therapeutic and artistic potential of vocal expression. The Centre was founded by Alfred Wolfsohn in Berlin during 1935 and re-situated in London during 1943, where he and his contemporaries and successors developed principles and practices that provided the foundations for the use of an extended vocal technique. This technique allows vocalists to extend their vocal range and flexibility beyond that usually heard in speech or song. The Centre inspired, precipitated, and influenced a number of developments within the arts, the expressive therapies, and psychotherapy, including the Roy Hart Theatre, founded by Roy Hart, the psychotherapeutic approach to song, prayer, and guided meditation evolved by Paul Newham, the clinical application of singing and nonverbal vocalization in music therapy and drama therapy, and the use of spontaneous vocal expression in dance movement therapy. In addition, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychotherapy
Psychotherapy (also psychological therapy, talk therapy, or talking therapy) is the use of psychological methods, particularly when based on regular personal interaction, to help a person change behavior, increase happiness, and overcome problems. Psychotherapy aims to improve an individual's well-being and mental health, to resolve or mitigate troublesome behaviors, beliefs, compulsions, thoughts, or emotions, and to improve relationships and social skills. Numerous types of psychotherapy have been designed either for individual adults, families, or children and adolescents. Certain types of psychotherapy are considered evidence-based for treating some diagnosed mental disorders; other types have been criticized as pseudoscience. There are hundreds of psychotherapy techniques, some being minor variations; others are based on very different conceptions of psychology. Most involve one-to-one sessions, between the client and therapist, but some are conducted with groups, incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motionhouse
Motionhouse is a dance-circus company based in Royal Leamington Spa, Warwickshire. Founded in 1988, Motionhouse operates under the direction of Louise Richards and Kevin Finnan MBE and the company aims to create startling, passionate dance theatre that fuses images, action and dynamism to surprise, challenge and delight their audiences. Imagery, theatricality and immediate impact combine with modern, contemporary dance and a focus on accessibility. Motionhouse also draw on theatre, circus, acrobatics and film to create performance spectacle with meaningful and resonant content which speaks directly to people through imagery and physicality. In 2017 director Kevin Finnan MBE became first Visiting Professor of Dance at Birmingham City University’s Royal Birmingham Conservatoire. He has an MA in Contemporary Performing Arts from University College Bretton Hall and a PhD in Theatre from Warwick University. He is a Research Fellow at the University of Warwick and Associate Artist of Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Brook
Peter Stephen Paul Brook (21 March 1925 – 2 July 2022) was an English theatre and film director. He worked first in England, from 1945 at the Birmingham Repertory Theatre, from 1947 at the Royal Opera House, and from 1962 for the Royal Shakespeare Company (RSC). With them, he directed the first English-language production in 1964 of ''Marat/Sade'' by Peter Weiss, which was transferred to Broadway theatre, Broadway in 1965 and won the Tony Award for Best Play, and Brook was named Tony Award for Best Direction of a Play, Best Director. He also directed films such as an iconic version of ''Lord of the Flies (1963 film), Lord of the Flies'' in 1963. He was based in France from the early 1970s on, where he founded an international theatre company, playing in developing countries, in an approach of great simplicity. He was often referred to as "our greatest living theatre director". He won multiple Emmy Awards, a Laurence Olivier Award, the Japanese Praemium Imperiale, the Prix It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orghast
''Orghast'' was an experimental play based on the myth of Prometheus, written by Peter Brook and Ted Hughes, and performed in 1971 at the Festival of Arts of Shiraz-Persepolis, which was held annually from 1967 to 1977. It was performed in two parts, with the first performed at Persepolis around dusk, and the second at the nearby site of Naqsh-e Rostam at dawn. The Play Orghast was the International Centre for Theatre Research's first public performance at an international event. Peter Brook and Ted Hughes collaborated to create a comprehensive myth, weaving in and out of the Prometheus myth, to be performed at the Shiraz/Persepolis festival in Iran in 1971, which gave the group its first commission. It was written in part in an invented language that Hughes called Orghast, and this eventually also became the name of the piece. Classical Greek and Avesta were also used. (Avesta is a two-thousand-year-old ceremonial language, in which the letters of the words contain indications ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerzy Grotowski
Jerzy Marian Grotowski (; 11 August 1933 – 14 January 1999) was a Polish theatre director and theorist whose innovative approaches to acting, training and theatrical production have significantly influenced theatre today. He was born in Rzeszów, in southeastern Poland, in 1933 and studied acting and directing at the Ludwik Solski Academy of Dramatic Arts in Kraków and Russian Academy of Theatre Arts in Moscow. He debuted as a director in 1957 in Kraków with Eugène Ionesco's play ''Chairs'' and shortly afterward founded a small laboratory theatre in 1959 in the town of Opole in Poland. During the 1960s, the company began to tour internationally and his work attracted increasing interest. As his work gained wider acclaim and recognition, Grotowski was invited to work in the United States and left Poland in 1982. Although the company he founded in Poland closed a few years later in 1984, he continued to teach and direct productions in Europe and America. However, Grotowski b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Maxwell Davies
Sir Peter Maxwell Davies (8 September 1934 – 14 March 2016) was an English composer and conductor, who in 2004 was made Master of the Queen's Music. As a student at both the University of Manchester and the Royal Manchester College of Music, Davies formed a group dedicated to contemporary music called the New Music Manchester with fellow students Harrison Birtwistle, Alexander Goehr, Elgar Howarth and John Ogdon. Davies’s compositions include eight works for the stage—from the monodrama ''Eight Songs for a Mad King'', which shocked the audience in 1969, to ''Kommilitonen!'', first performed in 2011—and ten symphonies, written between 1973 and 2013. As a conductor, Davies was artistic director of the Dartington International Summer School from 1979 to 1984 and associate conductor/composer with the Royal Philharmonic Orchestra from 1992 to 2002, holding the latter position with the BBC Philharmonic Orchestra as well. Early life and education Davies was born in Holly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight Songs For A Mad King
''Eight Songs for a Mad King'' is a monodrama by Sir Peter Maxwell Davies with a libretto by Randolph Stow, based on words of George III. The work was written for the South-African actor Roy Hart and the composer's ensemble, the Pierrot Players. It was premiered on 22 April 1969. Lasting half an hour, it is scored for a baritone with an extraordinary command of extended techniques covering more than five octaves, and six players (Pierrot ensemble + percussion): *flute (doubling piccolo) *clarinet *percussion (1 player): railway whistle, snare drum, 2 suspended cymbals, foot cymbal, 2 wood blocks, 2 bass drums, chains, ratchet, tom-toms, tamtam, tambourine, rototoms, toy bird-calls, 2 temple blocks, wind chimes, crotales, sleigh bells, dulcimer, glockenspiel, steel bars, crow, didgeridoo, washboard *piano (doubling harpsichord) *violin *cello Extended techniques are also required by the instrumentalists: for example there is frequent use of flutter-tonguing and multiphonics fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Dance
Postmodern dance is a 20th century concert dance form that came into popularity in the early 1960s. While the term "postmodern" took on a different meaning when used to describe dance, the dance form did take inspiration from the ideologies of the wider postmodern movement, which "sought to deflate what it saw as overly pretentious and ultimately self-serving modernist views of art and the artist"International Theory and literary practice, edited by Hans Bertens, and Douwe W. Fokkema, John Benjamins Publishing Company, 1997. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/northeastern-ebooks/detail.action?docID=622707. and was, more generally, a departure from modernist ideals. Lacking stylistic homogeny, Postmodern dance was discerned mainly by its anti-modern dance sentiments rather than by its dance style. The dance form was a reaction to the compositional and presentational constraints of the preceding generation of modern dance, hailing the use of everyday movem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant Garde
The avant-garde (; In 'advance guard' or 'vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the or the '' |
Dance Therapy
Dance/movement therapy (DMT) in USA/ Australia or dance movement psychotherapy (DMP) in the UK is the psychotherapeutic use of movement and dance to support intellectual, emotional, and motor functions of the body. As a modality of the creative arts therapies, DMT looks at the correlation between movement and emotion. History The American Dance Therapy Association was founded in 1966 as an organization to support the emerging profession of dance/movement therapy and is the only U.S. organization dedicated to the profession of dance/movement therapy. Dance has been used therapeutically for thousands of years. It has been used as a healing ritual in the influence of fertility, birth, sickness, and death since early human history. Over the period from 1840 to 1930, a new philosophy of dance developed in Europe and the United States, defined by the idea that movement could have an effect on the mover vis-a-vis that dance was not simply an expressive art. There is a general opi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Singing")
