Alfred Hetschko
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Alfred Hetschko
Alfred Paul Hetschko (24 August 1898 – 18 April 1967) was an Austro-German music educator, ''Kapellmeister'' and composer, who rendered outstanding services to men's choir. From 1952 to 1955, he was director of the . Life Austrian-Silesian origins and musical studies Hetschko was born in the Austrian Silesia town of Bielitz, which was located on the Galician border. After primary school (1904–1909), he attended the K. K. Emperor Franz Joseph State Grammar School in the Moravian district town of Ostrava. After passing his school-leaving examination (Matura) in 1916 at the Protestant in Bielitz, he served in the First World War as a soldier in the .Peter Andraschke: ''Hetschko, Alfred Paul''. In Karl Walter Neumann (Bearb.): ''Ostschlesische Porträts. Biographisch-bibliographisches Lexikon von Österreichisch-Ostschlesien'' (''Schriften der Stiftung Haus Oberschlesien. Landeskundliche Reihe''. Vol. 2). Vol. 2: ''E–H''. Gebr. Mann, Berlin 1996, , . Afterwards he was firs ...
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Music Educator
Music education is a field of practice in which educators are trained for careers as elementary or secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the psychomotor domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and understanding of a secondary language or cultu ...
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Musik Und Gesellschaft
''Musik und Gesellschaft'' was a music magazine in the German Democratic Republic German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **G .... It was published monthly from 1951 to 1990 in East Berlin by . History The journal was published from the first issue in March 1951 onwards by Ernst Hermann Meyer and the . In 1954 the editorship changed to the , of which it simultaneously became the official organ of communication. The music magazine regularly awarded a recording prize. Chief editors * 1951–1952 Karl Laux * 1952–1959 Eberhard Rebling. * 1959–1960 Horst Seeger. * 1960–1973 Hansjürgen Schaefer * 1973–1990 Liesel Markowski Literature * Bettina Hinterthür: ''Noten nach Plan. Die Musikverlage in der SBZ, DDR – Zensursystem, zentrale Planwirtschaft und deutsch-d ...
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Organist
An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgy, liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nev ...
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Music Director
A music(al) director or director of music is the person responsible for the musical aspects of a performance, production, or organization. This would include the artistic director and usually chief conductor of an orchestra or concert band, the director of music of a film, the director of music at a radio station, the person in charge of musical activities or the head of the music department in a school, the coordinator of the musical ensembles in a university, college, or institution (but not usually the head of the academic music department), the head bandmaster of a military band, the head organist and choirmaster of a church, or an organist and master of the choristers (the title given to a director of music at a cathedral, particularly in England). Orchestra The title of "music director" or "musical director" is used by many symphony orchestras to designate the primary conductor and artistic leader of the orchestra. The term "music director" is most common for orchestras ...
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Volkstum
The ''Volkstum'' (lit. ''folkdom'' or ''folklore'', though the meaning is wider than the common usage of folklore) is the entire utterances of a ''Volk'' or ethnic minority over its lifetime, expressing a "''Volkscharakter''" this unit had in common. It was the defining idea of the Völkisch movement. The term was coined by German nationalists in the context of Germany's " Freedom Wars", in marked and conscious opposition to the ideals of the French Revolution such as universal human rights. This sense of the word is now criticised in academia, though it is still in use in the protection of ethnic minorities and is a legal standard in Austria. History Origins In the Age of Enlightenment the adjective ''volkstümlich'' usually meant the cultural achievements of uneducated Germans as well as popular culture. The "''Volksdichtung''" (People's Poetry) was 'high' literature, the culture of distinction, and partly devalued the elite education and partly idealised it. The concept was no ...
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German Minority In Poland
The registered German minority in Poland at the 2011 national census consisted of 148,000 people, of whom 64,000 declared both German and Polish ethnicities and 45,000 solely German ethnicity.Przynależność narodowo-etniczna ludności – wyniki spisu ludności i mieszkań 2011'. GUS. Materiał na konferencję prasową w dniu 29. 01. 2013. p. 3. At a 2002 census there were 152,900 people declaring German ethnicity. The German language German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Ita ... is spoken in certain areas in Opole Voivodeship, where most of the minority resides, and in Silesian Voivodeship. German-speakers first came to these regions (present-day Opole and Silesian Voivodeships) during the Late Middle Ages. However, there are no localities in either Upper Silesia or Pola ...
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Grudziądz
Grudziądz ( la, Graudentum, Graudentium, german: Graudenz) is a city in northern Poland, with 92,552 inhabitants (2021). Located on the Vistula River, it lies within the Kuyavian-Pomeranian Voivodeship and is the fourth-largest city in its province. The Old Town of Grudziądz and 14th-century granaries were declared National Historic Monuments of Poland. Geographical location Grudziądz is located close to the east shore of the river Vistula, approximately north-east of Świecie, south of Gdańsk and south-west of Kaliningrad. It is located in Chełmno Land. History Early medieval Poland Grudziądz was founded by the Duke of Poland, Bolesław I the Brave of the Piast dynasty. Initially Grudziądz was a defensive stronghold, known as a gord. The fortress and tower were built to protect the Poles from attacks by the Baltic Prussians. Monastic State of the Teutonic Knights The settlement was re-fortified again from 1234 by the Teutonic Order. The erection of the cas ...
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Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ...
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Viennese Classical
The Classical period was an era of classical music between roughly 1750 and 1820. The Classical period falls between the Baroque and the Romantic periods. Classical music has a lighter, clearer texture than Baroque music, but a more sophisticated use of form. It is mainly homophonic, using a clear melody line over a subordinate chordal accompaniment, Blume, Friedrich. ''Classic and Romantic Music: A Comprehensive Survey''. New York: W. W. Norton, 1970 but counterpoint was by no means forgotten, especially in liturgical vocal music and, later in the period, secular instrumental music. It also makes use of ''style galant'' which emphasized light elegance in place of the Baroque's dignified seriousness and impressive grandeur. Variety and contrast within a piece became more pronounced than before and the orchestra increased in size, range, and power. The harpsichord was replaced as the main keyboard instrument by the piano (or fortepiano). Unlike the harpsichord, which plucks str ...
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Women's Choir
A women's choir or women's chorus is a choir formed exclusively by women. If all singers are young it is called a girls' choir. The voice types are usually soprano and alto, SSAA. The names are also used for music especially composed for such groups. History In Egypt, women's choirs were documented for singers in temples since the Middle Kingdom. In Assyria and Palestine, women's choirs sang to honour a victorious king. Women's choirs appeared in ancient Greek tragedy. Laments of deaths were performed by groups of women in Assyria and Judaism, among others. In early Christianity, responsorial singing was practiced by women alternating with men, but with the late 4th century, women's singing in church was repressed. In nuns' monasteries, singing of women's choirs was regular in church services. Hildegard von Bingen composed sacred plays with music for women's choir. Venetian orphanages (ospedali) for girls became a focus for music for women's voices. The girls received mus ...
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