|
Alfred Duru
Henri Alfred Duru (22 November 1829 – 28 December 1889) was a 19th-century French playwright and operetta librettist who collaborated on more than 40 librettos for the leading French composers of operetta:Alfred Duru. In: ''The New Grove Dictionary of Opera''. Macmillan, London & New York, 1997. Hervé, Offenbach, Lecocq and Audran. Biography His father was Jacques Denis Duru (Charonne, 1784 – Paris, 18 September 1863) and his mother Avoye Eugénie Leterrier (Villiers-le-Bel, 10 May 1790 – Paris, 26 January 1871), married in Paris on 29 July 1824. As a boy he was a classmate of his principal future literary collaborator, Henri Chivot. Duru was working as an engraver when in 1857, in collaboration with his friend from the same quartier, Henri Chivot, they wrote “L'Histoire d'un gilet”, a three-act drame-vaudeville.''Paris-capital : journal financier''. 8 January 1890, p2. The piece played at the Folies-Dramatiques of the Boulevard du Temple, and on 14 November 1857 inau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'île De Tulipatan
''L'île de Tulipatan'' (''The Island of Tulipatan'') is an opéra bouffe (a form of operetta), in one act by Jacques Offenbach to an original French libretto by Henri Chivot and Alfred Duru. It was first performed at the Théâtre des Bouffes Parisiens, Paris, on 30 September 1868. It was revived by the Compagnie Les Brigands at the Théâtre de l'Athénée as part of a double-bill with ''Croquefer'' in December 2012. Roles Synopsis Octogène Romboïdal is the great steward of the supreme ruler of Tulipatan, Cacatois XXII. Romboïdal blames his wife Théodorine for their daughter Hermosa’s continual boyish behaviour. Hermosa enters firing off a rifle, and her father reproaches her for her neglect of needlework and the piano, but the tomboy is defended by her mother. Romboïdal mentions how gentle and gracious the prince Alexis, son of Cacatois, is; Hermosa finds him charming and very pretty. Next Cacatois and his suite enter to visit Romboïdal, followed by Alexis and hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Audran
Achille Edmond Audran (12 April 184017 August 1901) was a French composer best known for several internationally successful comic operas and operettas. After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, '' Le grand mogol'' (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including ''Les noces d'Olivette'' (1879), '' La mascotte'' (1880), '' Gillette de Narbonne'' (1882), ''La cigale et la fourmi'' (1886), '' Miss Helyett'' (1890) and ''La poupée'' (1896). Most of his works are now neglected, but ''La mascotte'' has been revived occasionally and has been recorded for the gramophone. Early life and career Audran was born in Lyon, the son of Marius-Pierre Audran (1816–87), who had a career as a tenor at the Opéra-Comique. Lamb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Noces D'Olivette
''Les noces d'Olivette'' is an opéra comique in three acts composed by Edmond Audran, with a libretto by Alfred Duru and Henri Charles Chivot. The farcical romance story concerns Olivette, who loves Valentine (who is also loved by a Countess) but is engaged to a sea captain, who she refuses to marry. Valentine secretly weds Olivette, the captain declares that Olivette is his rightful bride, Valentine is arrested, Olivette is disowned, but eventually her marriage to Valentine is upheld. It premiered in Paris in 1879. English-language adaptations were mounted in 1880 in both London, where it played for 466 performances, and New York. Revivals followed. Premiere The work premiered under the direction of in Paris on 13 November 1879 at the Théâtre des Bouffes-Parisiens. Alfred Jolly sang the role of the Duc des Ifs, with Élise Clary as Olivette and Giulia Bennati as the Countess. English adaptation The opera played for 466 performances, entitled ''Olivette'', at the Strand T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Favart
''Madame Favart'' is an opéra comique, or operetta, in three acts by Jacques Offenbach. The French libretto was written by Alfred Duru and Henri Chivot. Performance history After defeat in the Franco-Prussian War (1870) ended Napoleon III's reign, Offenbach's popularity declined in Paris, and he toured Britain and the United States. He continued producing new operettas in Paris, but most of the decade would pass before he enjoyed another hit. ''Madame Favart'' was first staged at the Théâtre des Folies-Dramatiques in Paris on 28 December 1878, starring Juliette Simon-Girard in the title role and Simon-Max as Hector de Boispréau; it played for 208 performances. A new production was mounted at the Théâtre des Bouffes-Parisiens on 4 March 1884, then at the Théâtre des Menus-Plaisirs in 1888 with Anna Judic in the title role. Gänzl, K.; Lamb, Andrew. "''Madame Favart''", in ''Gänzl's Book of the Musical Theatre''. Schirmer Books, New York, 1989, p. 369. Other produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" ''Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; ''Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léon Vasseur
Félix Augustin Joseph Vasseur, known as Léon Vasseur (28 May 1844 – 25 May 1917), was a French composer, organist and conductor. While working as a cathedral organist, he turned to composing operettas and soon had a hit with ''La timbale d'argent'' (1872). He wrote another thirty operettas but never repeated that early success. He also composed church music including two settings of the mass. Biography Vasseur was born in Bapaume in north-east France, the son of Augustin Vasseur, the local church organist and choirmaster.Havard de La Montagne, Denis."Léon Vasseur, Musicien Atypique" ''Musica et Memoria'' (French text), accessed 23 June 2010. After studying music with his father, Vasseur enrolled at the age of 12 as a student at the École Niedermeyer, the school of church music in Paris,Lamb, Andrew."Vasseur, Léon ''Grove Music Online'', Oxford University Press, accessed 23 June 2010 (requires subscription) He studied under Pierre-Louis Dietsch (harmony), Georges Schmitt (o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clairville (Louis-François Nicolaïe)
Louis-François-Marie Nicolaïe (28 January 1811 – 8 February 1879), better known as Clairville, was a 19th-century French comedian, poet, chansonnier, goguettier and playwright. Biography Son of the Lyonese playwright and stage manager Alexandre-Henri Nicolaïe dit Clairville (died 1832), he began in 1821 in Paris at the Luxembourg Theater as actor with Madame Saqui, then as stage manager and finally, from 1837, exclusively as playwright. He later joined the Théâtre de l'Ambigu-Comique, playing small roles and developed his craft as a playwright, finding that to be his true vocation. He first conceived a revue titled ''1836 dans la lune'', the success of which would launch his career. His plays included comedies, serious plays, revues, féeries, satires and parodies. He is credited with at least 230 miscellaneous pieces of which 50 have reached one hundred representations followed. He was particularly known for his comédies en vaudeville. He was assisted, from the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Cent Vierges
''Les cent vierges'' (The Hundred Maidens) is an opérette in three acts, with music by Charles Lecocq and a libretto by Clairville (Louis-François Nicolaïe), Clairville, Henri Chivot and Alfred Duru. It was first produced at the Théâtre des Fantaisies-Parisiennes, Brussels, on 16 March 1872. The plot concerns the British government's efforts to ship brides out to a distant colony for the all-male colonists. Two French women are accidentally on board the ship taking the brides out, and are pursued to the island by their husbands. The four French intruders are threatened by the colonial governor, but after plotting and farcical goings-on, all ends satisfactorily. The work was rewritten many years after the deaths of its authors and composer, and staged in a version by Albert Willemetz and André Mouëzy-Éon in Paris in 1942 and 1946. Background During the Second French Empire, Second Empire, Jacques Offenbach had dominated the sphere of comic opera in France, and Lecocq had s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Du Palais-Royal
The Théâtre du Palais-Royal () is a 750-seat Parisian theatre at 38 rue de Montpensier, located at the northwest corner of the Palais-Royal in the Galerie de Montpensier at its intersection with the Galerie de Beaujolais. Brief history Originally known as the Théâtre des Beaujolais, it was a puppet theatre with a capacity of about 750 that was built in 1784 to the designs of the architect Victor Louis. In 1790 it was taken over by Mademoiselle Montansier and became known as the Théâtre Montansier. She began using it for plays and Italian operas translated into French and the following year hired Louis to enlarge the stage and auditorium, increasing its capacity to 1300. After Napoleon's decree on the theatres in 1807 introduced significant constraints on the types of pieces that could be performed, it was used for lighter fare, such as acrobatics, rope dancing, performing dogs, and Neapolitan puppets. In 1812 the theatre was converted into a café with shows. Afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Operetta")
