Alfonso Balzico
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Alfonso Balzico
Alfonso Balzico (October 18, 1825 – February 3, 1901) was an Italian sculptor. He was born in Cava de' Tirreni, near Salerno in Italy and died in Rome. Biography After completing studies in literature, he began sculpting in wood, then marble, and was then awarded a stipend to study at the Academy of the Arts in Naples. In Naples, he won a silver medal and a further award for his submission of a clay model of '' Procris dying in the Arms of Cephalus'', which he presented to the Provincial Council of Salerno. Another prize was awarded to his bas-relief of ''Angel escorts St Peter out of Prison''. He then went to Rome and finished a ''Flavio Gioia'', ''Return of Dinah and Jacob'', a ''St John the Baptist'', a ''Virgin of the Purity'', and a '' Noli me tangere''. He then traveled to Milan and Florence in 1858 and 1860, where his views turned away from Neoclassicism towards realism and romanticism. He returned to Naples, but his works attracted the attention of Victor Emma ...
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Self-portrait By Alfonso Balzico, Maquette, 1890 - Galleria Nazionale D'arte Moderna - Rome, Italy - DSC05416
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel painting, panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. ''Portrait of a Man in a Turban'' by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
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Prince Ferdinando, Duke Of Genoa (1822–1855)
Prince Ferdinando of Savoy, 1st Duke of Genoa (Ferdinando Maria Alberto Amedeo Filiberto Vincenzo; 15 November 1822 – 10 February 1855) was the founder of the Genoa branch of the House of Savoy. Biography Prince Ferdinando was born in Florence the second son of Charles Albert, Prince of Carignano and Maria Theresa of Austria. His father was the head of the House of Savoy-Carignano a cadet branch of the House of Savoy. The senior line of the house became extinct in 1831 and his father succeeded as King of Sardinia. With the ascension of his father he was created Duke of Genoa. During the wars taking place on the Italian Peninsula in 1848 and 1849, Prince Ferdinando commanded an army division. After peace was restored in Italy he was appointed general commandment of the artillery and set about making improvements. As a result of the Sicilian revolution of independence he was a candidate for the throne. He was the most acceptable candidate to Britain and the British Minis ...
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People From Cava De' Tirreni
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Italian Male Sculptors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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19th-century Italian Sculptors
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large ...
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