Alexandrine (other)
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Alexandrine (other)
"Alexandrine" is an adjective largely synonymous with "Alexandrian". It may refer to: Literature * An alexandrine, a twelve-syllable line of poetry; exhibiting slightly different characteristics in different languages: **French alexandrine **Polish alexandrine **Czech alexandrine People * Alexandrine Le Normant d'Étoilles (1744-1754), daughter of Madame de Pompadour * Alexandrine of Baden (1820-1904), eldest child of Leopold, Grand Duke of Baden and Sophie of Sweden * Alexandrine of Mecklenburg-Schwerin (1879-1952), consort of King Christian X of Denmark * Alexandrine "Alexine" Tinne (1835-1869), Dutch photographer and explorer in Africa * Alexandrine von Schönerer (1850–1919), Austrian theater owner, managing director and actress * Princess Alexandrine of Prussia (1803-1892), Grand Duchess of Mecklenburg-Schwerin * Princess Alexandrine of Prussia (1842-1906), daughter of Prince Albert of Prussia * Alexandrine-Caroline Branchu (1780-1850), French opera soprano * Rose-Ale ...
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Alexandrine
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French '' Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in ''Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine has ...
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French Alexandrine
The French alexandrine (french: alexandrin) is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each. It was the dominant long line of French poetry from the 17th through the 19th century, and influenced many other European literatures which developed alexandrines of their own. 12th to 15th centuries Genesis According to verse historian Mikhail Gasparov, the French alexandrine developed from the Ambrosian octosyllable, × – u – × – u × Aeterne rerum conditor by gradually losing the final two syllables, × – u – × – Aeterne rerum cond (construct) then doubling this line in a syllabic context with phrasal stress rather than length as a marker. Rise and decline The earliest recorded use of alexandrines is in the Medieval French poem ''Le Pèlerinage de Charlemagne'' of 1150, but the name derives from their more famous use in part of the '' ...
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Polish Alexandrine
Polish alexandrine (Polish: ''trzynastozgłoskowiec'') is a common metrical line in Polish poetry. It is similar to the French alexandrine. Each line is composed of thirteen syllables with a caesura after the seventh syllable. The main stresses are placed on the sixth and twelfth syllables. Rhymes are feminine. 1 2 3 4 5 6 7 1 2 3 4 5 6 o o o o o S x , o o o o S x Moja wdzięczna Orszulo, bodaj ty mnie była S=stressed syllable; x=unstressed syllable; o=any syllable. The Polish alexandrine was introduced in the 15th century. It was borrowed from Latin poetry. It was widely used by Jan Kochanowski, the first great Polish poet, as exemplified in the first two lines of his "Lament 13", with a formal paraphrase in English: The Polish national epic, Pan Tadeusz by Adam Mickiewicz, is written in this measure. Polish alexandrines replaced hendecasyllables in sonnets: in the 16th century poets like Sebastian Grabowiecki and Mikołaj Sęp-Szarzyń ...
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Czech Alexandrine
Czech alexandrine (in Czech ''český alexandrín'') is a verse form found in Czech poetry of the 20th century. It is a metre based on French alexandrine. The most important features of the pattern are number of syllables (twelve or thirteen) and a caesura after the sixth syllable. It is an unusual metre, exhibiting characteristics of both syllabic and syllabotonic ( accentual-syllabic) metre. Thus it occupies a transitional position between syllabic and accentual patterns of European versification. It stands out from the background of modern Czech versification, which is modeled chiefly after German practice. The Czech alexandrine is also metrically ambiguous because of its accentuation, which can reflect the rhythms of iambic hexameter, dactylic tetrameter, and combinations thereof. Compared with iambic hexameter and dactylic tetrameter, the Czech alexandrine preserves ''all'' constants between the two, and allows the rhythms of ''either'' to emerge: iambic hexameter: s S s S ...
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Alexandrine Le Normant D'Étoilles
Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French ''Roman d'Alexandre'' of 1170, although it had already been used several decades earlier in '' Le Pèlerinage de Charlemagne''. The foundation of most alexandrines consists of two hemistichs (half-lines) of six syllables each, separated by a caesura (a metrical pause or word break, which may or may not be realized as a stronger syntactic break): o o o o o o , o o o o o o o=any syllable; , =caesura However, no tradition remains this simple. Each applies additional constraints (such as obligatory stress or nonstress on certain syllables) and options (such as a permitted or required additional syllable at the end of one or both hemistichs). Thus a line that is metrical in one tradition may be unmetrical in another. Where the alexandrine has ...
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Alexandrine Of Baden (1820-1904)
Princess Alexandrine Luise Amalie Friederike Elisabeth Sophie of Baden (6 December 1820 – 20 December 1904) was Duchess of Saxe-Coburg and Gotha from 29 January 1844 to 22 August 1893 as the wife of Duke Ernest II. She was the eldest child of Leopold, Grand Duke of Baden, and his wife Princess Sophie of Sweden. Marriage Background Before he ascended the throne, Alexander II of Russia was sent to Baden in order to present himself as a suitor for Alexandrine's hand in marriage. Alexandrine already regarded herself as his betrothed, as all the preliminary negotiations had taken place. On the journey there, however, Alexander visited the court of Hesse-Darmstadt and met Princess Marie of Hesse and eventually married her instead. At the urging of his brother Prince Albert, Hereditary Prince Ernst of Saxe-Coburg and Gotha (born 1818) began to search for a suitable bride.Zeepvat, p. 1. Albert believed that a wife would be good for his brother: "Chains you will have to bear in any ...
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Alexandrine Of Mecklenburg-Schwerin
Alexandrine of Mecklenburg-Schwerin (24 December 1879 – 28 December 1952) was Queen of Denmark from 1912 to 1947, as well Queen of Iceland from 1918 to 1944 as the spouse of King Christian X. She was the paternal grandmother of the current reigning Queen of Denmark, Margrethe II. Alexandrine was a daughter of Frederick Francis III, Grand Duke of Mecklenburg-Schwerin and Grand Duchess Anastasia Mikhailovna of Russia. She was brought up with simplicity, and her early life was peripatetic, spending summers in Mecklenburg and the rest of the year in the south of France. She married Prince Christian of Denmark in 1898. Alexandrine became crown princess in 1906 and queen consort of Denmark in 1912. She is not considered to have played any political role, but is described as being intelligent and a loyal support to her spouse. In spite of her German background, she was loyal to her new country and stood by her husband during the German occupation of Denmark during World War II. E ...
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Alexine Tinne
Alexandrine "Alexine" Pieternella Françoise Tinne (17 October 1835 – 1 August 1869) was a Dutch explorer in Africa who was the first European woman to attempt to cross the Sahara. She was an early photographer. Early life Alexandrine Tinne was the daughter of Philip Frederik Tinne and his second wife, Baroness Henriette van Capellen. Philip Tinne was a Dutch merchant, who was heavily involved in the transatlantic spice trade. He worked at coffee plantations in Demerara (a Dutch and then British colony in modern Guyana). In 1813, Philip Tinne became a full partner in the Liverpool firm Sandbach, Tinne & Company, a firm which from 1782 until the 1920s, owned ships and plantations, engaging in both slavery and the transport of slaves and sugar. Philip Tinne settled in England during the Napoleonic Wars and later returned to his native land, marrying Henriette, daughter of a Dutch Vice-Admiral, Theodorus Frederik van Capellen, and Petronella de Lange, a lady-in-waiting to ...
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Alexandrine Von Schönerer
Alexandrine von Schönerer (15 June 1850 – 28 November 1919) née ''Lucia'' was an Austrian theater owner, managing director and actress. Life and career Schönerer was born in Vienna. Her father, Matthias von Schönerer (1807–1881), was the wealthy railroad pioneer in the employ of the Rothschilds. He was knighted by Emperor Franz Joseph in 1860. She had an older brother, Georg Ritter von Schönerer, who she repudiated his attitudes. Schönerer had acting training with (1828–1889) In 1875 at the Stadttheater Baden, she played the part of Countess Orsina in Lessing's "Emilia Galotti". Schönerer became managing director of the Theater an der Wien from 1889 to 1905 after the lease ended in 1884 between her and the librettist Camillo Walzel. Under her direction, several operas were premiered including ''The Bartered Bride'' (1893), ''Königskinder (1897)'' and La Bohème. According to an old agreement between Schönerer, the publisher Emil Berté and the librettists Bern ...
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Princess Alexandrine Of Prussia (1803–1892)
Princess Friederike Wilhelmine Alexandrine Marie Helene of Prussia (23 February 1803 – 21 April 1892) was Grand Duchess of Mecklenburg-Schwerin by marriage to Grand Duke Paul Frederick. She was the daughter of Frederick William III of Prussia and Louise of Mecklenburg-Strelitz. Life Born on 23 February 1803 in Prussia, Alexandrine was the seventh child and fourth daughter of King Frederick William III of Prussia and Duchess Louise of Mecklenburg-Strelitz. Grand Duchess consort of Mecklenburg-Schwerin On 25 May 1822, after rejecting a marriage proposal from the future King of Sweden, she married Paul Frederick of Mecklenburg-Schwerin. In 1837, Paul Frederick succeeded his grandfather as Grand Duke of Mecklenburg-Schwerin, making Alexandrine the Grand Duchess of Mecklenburg-Schwerin. The marriage was generally considered unhappy; Paul Frederick was a military man who had little time for or interest in his wife and family. Alexandrine, by contrast, was a devoted mo ...
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Princess Alexandrine Of Prussia (1842-1906)
Princess Alexandrine of Prussia may refer to: * Princess Alexandrine of Prussia (1803–1892), daughter of Frederick William III of Prussia * Princess Alexandrine of Prussia (1842–1906), daughter of Prince Albert of Prussia * Princess Alexandrine of Prussia (1915–1980) Princess Alexandrine Irene of Prussia (7 April 1915 – 2 October 1980) was the oldest daughter and fifth child of Wilhelm, German Crown Prince, and Cecilie of Mecklenburg-Schwerin. Her grandparents were Wilhelm II, German Emperor and his wife ...
, daughter of Wilhelm, German Crown Prince {{Hndis ...
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Alexandrine-Caroline Branchu
Thimoléone-Rose-Caroline Chevalier Lavit, known by her married name as Alexandrine-Caroline (or Caroline or simply Mme) Branchu (2 November 1780 – 14 October 1850) was a French opera soprano with origins from the free people of colour of Saint-Domingue where she was born at Cap-Français, the former French colony which is the modern-day Cap-Haïtien, Haiti.She was the daughter of the "free mulatto" Jean-Joseph Lavit, the son of a French nobleman of the colony (Pierre Bardin, ''Joseph Sieur de Saint-Georges : Le Chevalier Noir'', Paris, Guénégaud, 2006, p. 193, ). A gifted vocalist, for the better part of the first quarter of the 19th century, she was a leading soprano at the Paris Opéra. Branchu was one of the first students at the Paris Conservatoire after it opened in 1795, and studied singing under Pierre Garat. Although Branchu frequently performed works by Christoph Willibald Gluck and was notable for roles in '' Anacréon'' and ''Les Abencérages'' by Luigi Cherub ...
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