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Alexander Shiryaev
Alexander Viktorovich Shiryaev ( rus, Александр Викторович Ширяев; — 25 April 1941) was a Russian ballet dancer, ballet master and choreographer, founder of character dance in Russian ballet who served at the Mariinsky Theatre. Shiryaev was also a pioneering animation director who is credited with invention of stop motion animation. Early life Alexander Shiryaev was born into an artistic family; both of his parents performed at the Bolshoi Theatre: his mother Ekaterina Ksenophontovna Shiryaeva was a ballet dancer, member of corps de ballet, and his father Hector (Viktor) Cesarovich Puni was a flautist who studied under Cesare Ciardi.Alexander Shiryaev. St. Petersburg Ballet. From Reminiscences of the Mariinsky Theatre Artist' memoirs from the ''Notes by Film Historian'' magazine № 67, 2004, pp. 61—101 (in Russian) According to the Soviet ballerina Ninel Yultyeva, he was an illegitimate child, raised under his mother's surname.Adagio of My Memory' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Petersburg
Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), is the second-largest city in Russia. It is situated on the Neva River, at the head of the Gulf of Finland on the Baltic Sea, with a population of roughly 5.4 million residents. Saint Petersburg is the fourth-most populous city in Europe after Istanbul, Moscow and London, the most populous city on the Baltic Sea, and the world's northernmost city of more than 1 million residents. As Russia's Imperial capital, and a historically strategic port, it is governed as a federal city. The city was founded by Tsar Peter the Great on 27 May 1703 on the site of a captured Swedish fortress, and was named after apostle Saint Peter. In Russia, Saint Petersburg is historically and culturally associated with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Ciardi
Cesare Ciardi (28 June 1818 – 13 June 1877) was an Italian flautist and composer. Life Born at Prato to a Tuscan family, Ciardi eventually settled in 1853 in Russia, where he was appointed in 1862 as professor at the Saint Petersburg Conservatory and became Tchaikovsky's flute teacher. Ciardi himself played as first flute in the orchestras of the Imperial Theatres in Saint Petersburg, including the orchestra of the Imperial Italian Opera and of that of the Imperial Bolshoi Kamenny Theatre. He died at Strel'na and was succeeded in his orchestral role by Ernesto Köhler. Ciardi possessed many talents and was also a sculptor and caricaturist. Work Flute/s alone Scherzo per due flauti op. 2 Trio scolastico op. 24 Ricordi d’Album op. 43 6 Capricci “I Piaceri della Solitudine” 22 duettini Petite trio concertant s.o. Entr'acte for the ballet ''The Pharaoh's Daughter ''The Pharaoh's Daughter'' (russian: Дочь фараона, french: La Fille du pharaon), is a ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Millions D'Arlequin
''Les Millions d'Arlequin'' (English: ''Harlequin's Millions'') (Russian: "Миллионы Арлекина", ''Milliony Arlekina'') also known under the title ''Harlequinade'' (Russian: "Арлекинада", ''Arlekinada'') is a ''ballet comique'' in two acts and two tableaux with libretto and choreography by Marius Petipa and music by Riccardo Drigo. It was first presented at the Theatre of the Imperial Hermitage Museum by the Imperial Ballet in Saint Petersburg on . The ballet was given a second premiere with the same cast at the Imperial Mariinsky Theatre on . The ''Sérénade'' from the first act of the ballet became a popular repertory piece that has been arranged for various instruments and recorded on numerous occasions. History Ivan Vsevolozhsky took up the directorship of the Imperial Hermitage Museum in 1899, a post that required supervision over performances given at the museum's theatre. Vsevolozhsky commissioned Marius Petipa—the renowned ''Premier m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seasons (ballet)
''The Seasons'' (russian: Времена года, ''Vremena goda''; also french: Les Saisons) is an allegorical ballet in one act, four scenes, by the choreographer Marius Petipa, with music by Alexander Glazunov, his Op. 67. The work was composed in 1899 and first performed by the Imperial Ballet in 1900 in St. Petersburg, Russia. History Composition history The score for Marius Petipa's ''Les Saisons'' (''The Seasons'') was originally intended to have been composed by the Italian composer and conductor Riccardo Drigo, who was Glazunov's colleague and close friend. Since 1886, Drigo held the posts of director of music and ''chef d’orchestre'' to the Ballet of the St. Petersburg Imperial Theatres, while also serving as conductor for performances of the Italian operas in the repertory of the Imperial Opera. Petipa's ''Les Millions d’Arlequin'' (also known as ''Harlequinade'') was also in its preliminary stages at the same time as ''Les Saisons'', and was originally intended ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Ivanov
Lev Ivanovich Ivanov (russian: link=no, Лев Ива́нович Ива́нов; 2 March 1834, Moscow – 24 December 1901, Saint Petersburg) was a Russian ballet dancer and choreographer and later, Second Balletmaster of the Imperial Ballet. As a performer with the Imperial Ballet, he achieved prominence after performing as an understudy in a benefit performance of ''La Fille Mal Gardée''. He is most famous as the choreographer of Acts II and IV of '' Swan Lake'', which include the '' Dance of the Little Swans'', Act II of ''Cinderella'', and ''The Nutcracker'', which he choreographed alongside Marius Petipa. Biography Ivanov entered the Moscow School of Dance, but in 1844 moved to Saint Petersburg where he studied at the Imperial Ballet, becoming an official member of the Corps de ballet in 1852. Among his teachers during this time were Jean-Antoine Petipa, Alexandr Pimenov, Pierre Frédéric Malavergne and Emile Gredlu (). Historically, Ivanov is credited with choreogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platon Karsavin
Platon Konstantinovich Karsavin (russian: Платон Константинович Карсавин; 17 November 1854, Saint Petersburg – 1922, Saint Petersburg) was a dancer with the Russian Imperial Ballet in St Petersburg, and afterwards a teacher of dance. Biography Platon Constantinovich Karsavin was born on 17 November 1854, at St Petersburg. His father had been a provincial actor, but had three children, and to feed his family, had become a tailor and moved to St. Petersburg. When Platon was 6 years old, his father died. The family was again left without money. Therefore, he and his brother Vladimir were placed in the Imperial Theatre School - where children lived and learned free, supported by the imperial treasury. A teacher of Platon Karsavin were Marius Petipa and Christian Johansson. After Theatre School (in 1875) Platon Karsavin was admitted as a dancer at the Mariinsky Theatre. There he worked from 1875 to 1891. He danced in the ballets of Arthur Saint-Léon, Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Gerdt
Pavel Andreyevich Gerdt (russian: Па́вел Андре́евич Ге́рдт), also known as Paul Gerdt (near Saint Petersburg, Russia, 22 November 1844 – Vamaloki, Finland, 12 August 1917), was the ''Premier Danseur Noble'' of the Imperial Ballet, the Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916.Gerdt Family, in: The International Encyclopedia of Dance, Oxford University Press, 1998/2005 His daughter Elisaveta Gerdt was also a prominent ballerina and teacher. Gerdt studied under Christian Johansson, Alexander Pimenov (a pupil of the legendary Charles Didelot), and with Jean-Antoine Petipa ( Marius Petipa's father, a master of the old pantomime and a student of Auguste Vestris). He was known as the "Blue Cavalier" of the Saint Petersburg stage, creating the roles of nearly every lead male character throughout the latter half of the 19th century, among them Prince Désiré in '' The Sleeping Beauty'' and Pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaganova Academy Of Russian Ballet
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training. The Vaganova Academy is the associate school of the Mariinsky Ballet, one of the world's leading ballet companies. Students of the school have found employment with ballet and contemporary companies worldwide, such as the Bolshoi Ballet, The Royal Ballet, American Ballet Theatre and the Mikhailovsky Ballet. History The school was established as the Imperial Theatrica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Avant-garde
The Russian avant-garde was a large, influential wave of avant-garde modern art that flourished in the Russian Empire and the Soviet Union, approximately from 1890 to 1930—although some have placed its beginning as early as 1850 and its end as late as 1960. The term covers many separate, but inextricably related, art movements that flourished at the time; including Suprematism, Constructivism, Russian Futurism, Cubo-Futurism, Zaum and Neo-primitivism. Many of the artists who were born, grew up or were active in what is now Belarus and Ukraine (including Kazimir Malevich, Aleksandra Ekster, Vladimir Tatlin, Wassily Kandinsky, David Burliuk, Alexander Archipenko), are also classified in the Ukrainian avant-garde. The Russian avant-garde reached its creative and popular height in the period between the Russian Revolution of 1917 and 1932, at which point the ideas of the avant-garde clashed with the newly emerged state-sponsored direction of Socialist Realism. Artists and de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Puni
Ivan Albertovich Puni (russian: Иван Альбертович Пуни; also known as Jean Pougny; 20 February 1892 – 28 December 1956) was a Russian avant-garde artist (Suprematist, Cubo-Futurist). Biography Early life Ivan Puni was born in Kuokkala (then Grand Duchy of Finland in the Russian Empire, now Repino in Russia) to a family of Italian origins. He was the grandson of an eminent Italian composer of ballet music, Cesare Pugni. His father, a cellist, insisted that he follow a military career, but Ivan instead decided to take private drawing lessons with Ilya Repin. By 1909, he had his own studio. Career Puni continued his formal training in Paris in 1910–11 at the Académie Julien and other schools, where he painted in a derivative ''fauviste'' style. Upon his return to Russia in 1912, he married fellow artist Kseniya Boguslavskaya, and met, and exhibited with, members of the St Petersburg avant-garde, including Kazimir Malevich and Vladimir Tatlin. He made a secon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imperial Theatres
Imperial Theatres of Russian Empire ( rus, Императорские театры Российской империи) was a theatrical organization financed by the Imperial exchequer and managed by a single directorate headed with a director; was pertain to the Ministry of the Imperial Court from 1742. The system operated in Russian Empire before the October revolution along with numerous private particular and public theatres. It has integrated opera, ballet and drama companies in Saint Petersburg (the capital of the country at that time) and Moscow, two theatrical schools for raising of artistes and numerous buildings and opera houses in these cities. History In 1803 the system included Italian Opera of impresario Antonio Casassi and its Maly Theatre building (1801, replaced by Alexandrinsky Theatre in 1832). In 1806 by a decree of Emperor Alexander I was established a division of ''Imperial Theatres'' in Moscow. In 1809 under the Direction of Imperial Theatres there were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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