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Alessandro Costantini
Alessandro Costantini (ca. 1581–1583, Staffolo – 20 October 1657, Rome) was an Italian baroque composer, ''maestro di cappella'' at the Collegium Germanicum. His surviving works include several Latin motets.Festschrift Karl Gustav Fellerer to his 60th birthday; Heinrich Hüschen, Karl Gustav Fellerer, 1962 Musik, Series II: ''Landschaftsdenkmale der Musik: Bayern'', vol. 1, "4. Alessandro Costantini: 'Pastores loquebantur'", Mainz: Schott 1936 (Canticum vetus 11) He and his brother, the composer , were pupils of Giovanni Bernardino Nanino. His brother-in-law was the countertenor , whose sons, the composers Vincenzo Albrici Vincenzo Albrici (26 June 1631 in Rome - 7 September 1687 in Prague) was an Italian composer, brother of Bartolomeo and nephew of Fabio and Alessandro Costantini. Albrici was born as the son of singer who settled from Marche in Rome. In 1641 he ... and , were his nephews. References 17th-century Italian composers Italian male composers Italian o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staffolo
Staffolo is a ''comune'' (municipality) in the Province of Ancona in the Italian region Marche, located about southwest of Ancona. As of 31 December 2004, it had a population of 2,304 and an area of .All demographics and other statistics: Italian statistical institute Istat. Staffolo borders the following municipalities: Apiro, Cingoli, Cupramontana, Jesi, San Paolo di Jesi. Among the churches in the town are: * San Francesco * Chiesa della Madonna della Castellaretta * Sant'Egidio Demographic evolution Colors= id:lightgrey value:gray(0.9) id:darkgrey value:gray(0.8) id:sfondo value:rgb(1,1,1) id:barra value:rgb(0.6,0.7,0.8) ImageSize = width:455 height:303 PlotArea = left:50 bottom:50 top:30 right:30 DateFormat = x.y Period = from:0 till:4000 TimeAxis = orientation:vertical AlignBars = justify ScaleMajor = gridcolor:darkgrey increment:1000 start:0 ScaleMinor = gridcolor:lightgrey increment:200 start:0 BackgroundColors = canvas:sfondo BarData= bar:186 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Germanicum
The Collegio Teutonico (German College), historically often referred to by its Latin name Collegium Germanicum, is one of the Pontifical Colleges of Rome. The German College is the Pontifical College established for future ecclesiastics of German nationality. It is divided into two separate colleges; the Pontificio Collegio Teutonico di S. Maria dell’ Anima and the Collegio Teutonico del Campo Santo. Pontificio Collegio Teutonico di S. Maria dell’ Anima The Collegio Teutonico di S. Maria dell’ Anima is a residential college for priests who study at one of the Pontifical Athenaeums for advanced studies or work in the Roman Curia. It includes Santa Maria dell'Anima, the church of the German-speaking Catholics in Rome, and the adjacent Priests' College, a residential college of priests. Collegio Teutonico del Campo Santo The site of the Campo Santo dei Tedeschi goes back to the days of Charlemagne and was then called the Schola Francorum, a hospice for pilgrims. In the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festschrift
In academia, a ''Festschrift'' (; plural, ''Festschriften'' ) is a book honoring a respected person, especially an academic, and presented during their lifetime. It generally takes the form of an edited volume, containing contributions from the honoree's colleagues, former pupils, and friends. ''Festschriften'' are often titled something like ''Essays in Honour of...'' or ''Essays Presented to... .'' Terminology The term, borrowed from German, and literally meaning 'celebration writing' (cognate with ''feast-script''), might be translated as "celebration publication" or "celebratory (piece of) writing". An alternative Latin term is (literally: 'book of friends'). A comparable book presented posthumously is sometimes called a (, 'memorial publication'), but this term is much rarer in English. A ''Festschrift'' compiled and published by electronic means on the internet is called a (pronounced either or ), a term coined by the editors of the late Boris Marshak's , ''Eran ud Aner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Gustav Fellerer
Karl Gustav Fellerer (7 July 1902 – 7 January 1984) was a German musicologist. His works include more than 600 scientific publications on catholic church music, Italian music from 1600 to the beginning of the 20th century, and music history of the 19th century. He wrote monographs on Palestrina, Handel, Mozart, and Max Bruch and was editor of several musical journals. He published the ''Kirchenmusikalisches Jahrbuch'' (Church Music Almanac) for 46 years, from 1930 until 1976. Fellerer was president of several musicology societies, including 16 years of the Joseph Haas Society. Career Fellerer was born on 7 July 1902 in Freising, Bavaria. He studied in Regensburg, then in Munich, where Joseph Haas was among his teachers, and in Berlin where in 1925 he gained a Ph.D. Following his habilitation, he then taught as Privatdozent at the University of Münster and the University of Fribourg where he gained full professorship in 1934. In 1939, he received a call to the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bernardino Nanino
Giovanni Bernardino Nanino (ca. 1560 – 1623) was an Italian composer, teacher and singing master of the late Renaissance and early Baroque eras, and a leading member of the Roman School of composers. He was the younger brother of the somewhat more influential composer Giovanni Maria Nanino. Life Born in Vallerano, he was first a boy soprano in the local cathedral, just like his brother. His first post may have been as ''maestro di cappella'' at Santa Maria dei Monti in 1588, and he is known to have acquired the post of ''maestro di cappella'' at San Luigi dei Francesi in Rome in 1591, after his brother left to join the papal choir. The two brothers, however, were living together at this time in a house owned by the church, and spent a good deal of their time teaching choirboys. Following the appointment at San Luigi dei Francesi, he was associated with Cardinal Montalto, a wealthy and influential patron of art and music, and may have served as teacher, composer, and arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Albrici
Vincenzo Albrici (26 June 1631 in Rome - 7 September 1687 in Prague) was an Italian composer, brother of Bartolomeo and nephew of Fabio and Alessandro Costantini. Albrici was born as the son of singer who settled from Marche in Rome. In 1641 he became a student at the Collegium Germanicum et Hungaricum under Giacomo Carissimi. In 1647 he was paid as an organist in the Santa Maria in Vallicella. In 1652 he was invited by Alessandro Cecconi and started to work for Queen Christina of Sweden together with his brother, who joined the boys' choir. His father, an alto, sang the Lord's Prayer in Swedish when the Queen abdicated in June 1654. Albrici stayed in Stockholm when Karl X Gustav became king. Then Albrici became joint ''vice-kapellmeister'' with Giovanni Andrea Bontempi under Heinrich Schütz in Dresden (1659). Vincenzo's brother Bartolomeo Albrici, took up the position of organist. Vincenzo and his sister Leonora, also a singer, went to England and became part of the Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Composers
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Male Composers
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Organists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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