|
Alessandro Amodio
Alessandro Amodio (1831 — 22 June 1861) was an Italian baritone who had an active international career as an opera singer from 1852 until his death from yellow fever nine years later in 1861. After making his debut at the Teatro di San Carlo at the age of 21, he spent the next four years performing roles at opera houses in Italy, including La Fenice in Venice, La Scala in Milan, the Teatro Goldoni in Livorno, and the Teatro del Giglio in Lucca. He first came to the United States in the late spring and summer of 1855 with the Max Maretzek Italian Opera Company with whom he portrayed Count di Luna in the United States premiere of Giuseppe Verdi's ''Il trovatore'' at the Academy of Music in New York City on May 2, 1855. After further performances in Venice, he was engaged by brothers Maurice and Max Strakosch to perform with their touring opera company in cities throughout the United States, including performances in New York, Chicago, and Philadelphia in 1856. He remained active as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dwight's Journal Of Music
''Dwight's Journal of Music'' (1852–1881, ''DJM'') was an American music journal, one of the most respected and influential such periodicals in the country in the mid-19th century. John Sullivan Dwight created the Journal, and published it in Boston, Massachusetts. Among the early writers was Alexander Wheelock Thayer, who would become one of the first major music historians in the country. Other contributors have included John Knowles Paine, William F. Apthorp, W. S. B. Mathews and C. H. Brittan. The ''Journal'' was eventually purchased by music publisher Oliver Ditson.''Continuum'' Publication details The ''Journal'' was published weekly beginning on Saturday, April 10, 1852, with each volume consisting of 26 numbers. Thus, the odd-numbered volumes ran from April to near the end of September, and the even-numbered volumes, from early October to the end of March of the following year. In 1865 the journal was published biweekly and each volume ran for one complete year. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tacón Theatre
The Teatro Tacón (Tacón Theatre) opened in 1838 in Havana, Cuba. Its auditorium contained 2,750 seats. It was built by , a businessman from Barcelona who moved to Havana, and named after Miguel Tacón y Rosique, Governor of Cuba from 1834 to 1838. In 1847 Bottesini's opera ''Cristoforo Colombo'' premiered there. By 1855, so many people attended events that the city issued parking regulations for carriages on performance nights. Architecture The Teatro Tacón had excellent acoustics, so much so that the Gran Teatro de La Habana was built around its old hall. Architect Paul Belau and U.S. firm Purdy and Henderson, Engineers kept the original structure and built the Centro Gallego (Galician Center), a European-styled addition and renovation for the purpose of enlarging its functions as well as serving as a means of introducing an elaborate system of circulation into an otherwise simple, and architecturally modest, preexisting box. Gallery File:Teatro Tacón desde la puerta d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Muette De Portici
''La muette de Portici'' (''The Mute Girl of Portici'', or ''The Dumb Girl of Portici''), also called ''Masaniello'' () in some versions, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe. The work has an important place in music history as the earliest French grand opera. It is also known for its alleged role in the Belgian Revolution of 1830. Background The opera was first given at the Salle Le Peletier of the Paris Opéra on 29 February 1828. The role of Masaniello was taken by the famous tenor Adolphe Nourrit and Princess Elvire was sung by Laure Cinti-Damoreau. The dancer Lise Noblet played the mute title role, a part later taken by other dancers such as Marie Taglioni, Fanny Elssler and Pauline Leroux, also the actress Harriet Smithson (the future wife of Hector Berlioz). Alphonse was created by Alexis Dupont, who was Lise Noblet's brother-in-law. The conductor at the premiere was Henri Valentino.; ; ; . Other sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linda Di Chamounix
''Linda di Chamounix'' is an operatic ''melodramma semiserio'' in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842. Performance history ''Linda di Chamounix'' was first presented in the UK on 1 June 1843, with its New York premiere following on 4 January 1847 at Palmo's Opera House. On 1 March 1934, the opera received its Metropolitan Opera premiere with Lily Pons in the title role. Through 25 March 1935, the Met presented the opera in seven more performances, all starring Pons. It has not been performed there since. The Teatro alla Scala produced the opera in March 1972 conducted by Gianandrea Gavazzeni with Margherita Rinaldi as Linda, Alfredo Kraus as Carlo and Renato Bruson as Antonio. The production was recorded on 17 March. It was given in Geneva in 1975 with the same three cast members and also recorded, as was the performance at the 1983 Wexford Opera Festival. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York University Press
New York University Press (or NYU Press) is a university press that is part of New York University. History NYU Press was founded in 1916 by the then chancellor of NYU, Elmer Ellsworth Brown. Directors * Arthur Huntington Nason, 1916–1932 * No director, 1932–1946 * Jean B. Barr (interim director), 1946–1952 * Filmore Hyde, 1952–1957 * Wilbur McKee, acting director, 1957–1958 * William B. Harvey, 1958–1966 * Christopher Kentera, 1966–1974 * Malcolm C. Johnson, 1974–1981 * Colin Jones, 1981–1996 * Niko Pfund, 1996–2000 * Steve Maikowski, 2001–2014 * Ellen Chodosh, 2014–present Notable publications Once best known for publishing '' The Collected Writings of Walt Whitman'', NYU Press has now published numerous award-winning scholarly works, such as ''Convergence Culture'' (2007) by Henry Jenkins, ''The Rabbi's Wife'' (2006) by Shuly Schwartz, and ''The Encyclopedia of Jewish Life Before and During the Holocaust'' (2002). Other well-known names publish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Giuglini
Antonio Giuglini (16 or 17 January 1825 – 12 October 1865) was an Italian operatic tenor. During the last eight years of his life, before he developed signs of mental instability, he earned renown as one of the leading stars of the operatic scene in London. He created several major roles for British audiences, appearing in the first London performances of Gounod's ''Faust (opera), Faust'' and Verdi's ''Un ballo in maschera''. In London, he was the usual stage partner of the great dramatic soprano Thérèse Tietjens. Early career in Italy Guiglini was born at Fano in Italy's middle/north-east. He studied in his home country with Francesco Cellini, and made his debut in opera at Fermo. According to the impresario Benjamin Lumley, Giuglini had been destined for the priesthood. He began in the choir of the metropolitan church of Fermo, where his excellence as a treble, and then as a tenor, attracted attention. He firmly resisted many inducements to appear on the stage, unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Borghi-Mamo
Adelaide Borghi-Mamo (9 August 1826 – 29 September 1901) was an Italian operatic mezzo-soprano who had an active international career from the 1840s through the 1880s. She was married to tenor Michele Mamo and their daughter, soprano Erminia Borghi-Mamo, also had a successful singing career. Life and career Born in Bologna, Borghi-Mamo studied singing in Milan with Francesca Festa before making her professional opera debut in 1843 at the opera house in Urbino as Bianca in Saverio Mercadante's '' Il giuramento''. The following year she joined the roster of singers at the Teatro Vittorio Emanuele in Messina. She was soon invited to make guest appearances with major opera houses throughout Italy. In 1851 Borghi-Mamo portrayed the role of Morna in the world premiere of Giovanni Pacini's ''Malvina di Scozia'' at the Teatro di San Carlo. She returned there in 1853 to create the role of Olimpia in the premiere of Saverio Mercadante's ''Statira'' and the role of Odetta in the premi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The New York Times")
%2C_Brussels%2C_Belgium_(ca._1890-1900).jpg "Click for more on -> La Muette De Portici")
_-_Archivio_Storico_Ricordi_ICON012377.jpg "Click for more on -> Linda Di Chamounix")