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Alesis Fusion
Alesis Fusion is a music production workstation produced by Alesis introduced in early 2005. It uses four different types of synthesis: sample and synthesis, virtual analog, FM and physical modeling. It includes sampling capability through analog inputs and importing audio samples from a computer or memory card. Models The workstation is available in two models. The Fusion 6HD is a sixty-one note semi-weighted keyboard workstation. The Fusion 8HD is an eighty-eight note weighted keyboard workstation. The two models are identical aside from the keyboard type. It competes with the Korg Triton, the Yamaha Motif and the Roland Fantom-X The Fantom-X (Xa/X6/X7/X8/XR) is a music workstation/ synthesizer produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES a .... References {{Reflist External links Official Alesis site Electronic Musician magazine rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis
Alesis is an electronic music company that designs and markets electronic musical instruments, digital audio processors, audio mixers, drum amplifiers, amplifiers, digital audio interfaces, recording equipment, drum machines, professional audio, and electronic percussion products. Based in Cumberland, Rhode Island, Alesis is currently held by the inMusic Brands company, owned by businessman Jack O'Donnell. Alesis products are designed in the United States, and manufactured in China. Early years Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb. Introduced in 1985, the XT Reverb was an all-digital reverb that carried an unprecedented low price of $799. Barr recruited Russell Palmer as Operations Manager and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Workstation
A music workstation is an electronic musical instrument providing the facilities of: *a sound module, *a music sequencer and *(usually) a musical keyboard. It enables a musician to compose electronic music using just one piece of equipment. Origin of concept The concept of a music sequencer combined with a synthesizer originated in the late 1970s with the combination of microprocessors, mini-computers, digital synthesis, disk-based storage, and control devices such as musical keyboards becoming feasible to combine into a single piece of equipment that was affordable to high-end studios and producers, as well as being portable for performers. Prior to this, the integration between sequencing and synthesis was generally a manual function based on wiring of components in large modular synthesizers, and the storage of notes was simply based on potentiometer settings in an analog sequencer. Multitimbrality Polyphonic synthesizers such as Sequential Circuit Prophet-5 and Yamaha DX7 we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based Synthesis
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instruments have been used since the Computer Music Melodian, the Fairlight CMI an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Modeling Synthesizer
An analog modeling synthesizer is a synthesizer that generates the sounds of traditional analog synthesizers using digital signal processing, DSP components and software algorithms. Analog modeling synthesizers simulate the behavior of the original electronic circuitry in order to digitally replicate their tone. This method of synthesis is also referred to as ''virtual analog'' or VA. Analog modeling synthesizers can be more reliable than their true analog counterparts since the oscillator pitch is ultimately maintained by a digital clock, and the digital hardware is typically less susceptible to temperature changes. While analog synthesizers need an oscillator circuit for each voice of polyphony, analog modeling synthesizers do not face this problem. This means that many of them, especially the more modern models, can produce as many polyphonic voices as the CPU on which they run can handle. Modeling synths also provide patch storage capabilities and MIDI support not found on mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frequency Modulation Synthesis
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The frequency of an oscillator is altered "in accordance with the amplitude of a modulating signal". FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. FM synthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard practice. Digital FM synthesis (implemented as phase modulation) was the basis of several musical instru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Physical Modelling Synthesis
Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument. General methodology Modelling attempts to replicate laws of physics that govern sound production, and will typically have several parameters, some of which are constants that describe the physical materials and dimensions of the instrument, while others are time-dependent functions describing the player's interaction with the instrument, such as plucking a string, or covering toneholes. For example, to model the sound of a drum, there would be a mathematical model of how striking the drumhead injects energy into a two-dimensional membrane. Incorporating this, a larger model would simulate the properties of the membrane (mass density, stiffness, etc.), its coupling with the resonance of the cylindrical body of the drum, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weighted Keys
A MIDI keyboard or controller keyboard is typically a piano-style electronic musical keyboard, often with other buttons, wheels and sliders, used for sending MIDI signals or commands over a USB or MIDI 5-pin cable to other musical devices or computers. MIDI keyboards lacking an onboard sound module cannot produce sounds themselves, however some models of MIDI keyboards contain both a MIDI controller and sound module, allowing them to operate independently. When used as a MIDI controller, MIDI information on keys or buttons the performer has pressed is sent to a receiving device capable of creating sound through modeling synthesis, sample playback, or an analog hardware instrument. The receiving device could be: *a computer running a digital audio workstation (DAW) or a standalone VST/AU instrument (alternatively, the computer could be used to re-route the MIDI signal to other devices) *a sound module *a digital (digital piano/stage piano) or analogue (synthesizer) hardw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Music
''Future Music'' (stylised as ''FutureMusic'') is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field. ''Future Music'' includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content has been reprinted by outlets including ''The Fader'', ''Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recommended the publication as one of the best within electronic music, saying, "''Future Music'' magazine is... intended not so much for the fans of electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korg Triton
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's HI Synthesis tone generator and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM 2007, Korg announced the Korg M3 as its successor. History and pedigree The Korg Triton line is considered the direct descendant of the earlier Korg Trinity line of workstations. The two ranges are aesthetically and functionally very similar. The Triton "Classic" followed the Trinity's naming conventions of the Pro and Pro X being designated to models featuring 76 and 88 keys respectively (that naming system actually started with previous 01/w series, also available with 61 keys (base and -FD models), 76 (01/wPro) and 88 (01/wProX). The original Triton introduced many improvements over the Trinity, li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha Motif
The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage. Products MOTIF Classic Original MOTIF series, now called "MOTIF Classic", were released in four variants in 2001: The balanced hammer effect action is the same action found on Yamaha S90 series keyboards. MOTIF Rack is a sound module (with no keyboard) that is controlled by external MIDI instruments. It can be expanded with two Modular Synthesis Plug-in boards but has no sampling capabilities. MM In January (2007), Yamaha introduced two "retro" models; the MM6 (61 keys) and MM8 (88 keys), both based on the original 2001 Motif sound set and samples, with polyphony greatly reduced to fit the lower specifications. This synthesizer comes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Fantom-X
The Fantom-X (Xa/X6/X7/X8/XR) is a music workstation/ synthesizer produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES and other similar large-scope keyboards such as the discontinued Alesis Fusion. In 2008 it was succeeded by the Fantom-G*, which was devised to compete with the new Korg and Yamaha flagship keyboards. Features The Roland Fantom-X features a 128-voice PCM-based synthesizer, a 16-track MRC-Pro sequencer, 6 effects processors, dynamic pads and infrared D-Beam, a stereo sampler and full on-screen editing. The Fantom X received an audio recorder upgrade with version 2.00 that allows for 8 stereo audio tracks integrated with the internal MIDI sequencer. *The Fantom X6 - 61-key version with aftertouch *The Fantom X7 - 76-key version with aftertouch *The Fantom X8 - 88-key fully weighted piano keyboard *The Fantom XR - (rackmount module versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
