Album Of The Year (Art Blakey Album)
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Album Of The Year (Art Blakey Album)
''Album of the Year'' is an album by drummer Art Blakey and the Jazz Messengers recorded in 1981 in Paris and released on the Dutch Timeless label.Art Blakey chronology
accessed June 19, 2013 A 2015 re-issue on the Japanese "Solid Records" label offers two additional tracks recorded in 1982 (and previously released on ) with a different line up including , and

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Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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The Jazz Messengers Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Art Blakey Albums
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, s ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Charles Fambrough
Charles Fambrough (August 25, 1950January 1, 2011) was an American jazz bassist, composer and record producer from Philadelphia. Fambrough was a member of Art Blakey, Art Blakey's Jazz Messengers during the early 1980s. Suffering from kidney failure, congestive heart failure, and pulmonary hypertension, he died in 2011 at the age of 60. Discography As leader As sideman With Kei Akagi * ''Mirror Puzzle'' (1994) With Art Blakey * ''Live at Montreux and Northsea'' (Timeless, 1980) * ''Art Blakey in Sweden'' (Amigo, 1981) * ''Album of the Year (Art Blakey album), Album of the Year'' (Timeless, 1981) * ''Straight Ahead (Art Blakey album), Straight Ahead'' (Concord Jazz, 1981) * ''Killer Joe (George Kawaguchi & Art Blakey album), Killer Joe'' (Union Jazz, 1981) - with George Kawaguchi * ''Keystone 3'' (Concord Jazz, 1982) * ''Oh-By the Way'' (Timeless, 1982) With Craig Handy * ''Introducing Three for All + One'' (Arabesque, 1993) With Wynton Marsalis * ''Fathers and Sons'' (1982) * '' ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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James Williams (musician)
James Williams (March 8, 1951 – July 20, 2004) was an American jazz pianist.AllMusic/ref> Early life James Williams was born March 8, 1951, in Memphis, Tennessee. He began his formal piano studies at age 13, and was subsequently an organist at Eastern Star Baptist Church in Memphis, a position he held for six years. He earned a B.S. in Music Education at Memphis State University, where he also formed solid friendships with fellow Memphis pianists Mulgrew Miller and Donald Brown. A devotee of the late Memphis pianist Phineas Newborn, Jr., Williams took time to delve into his hometown's jazz heritage, associating with pianist Harold Mabern, bassist Jamil Nasser, and saxophonists George Coleman and Frank Strozier, among others. Later life and career At 22, Williams moved to Boston to accept a teaching position at the Berklee College of Music. A year later, he joined drummer Alan Dawson's group, which provided support in the Boston area for touring artists including Art Far ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Bill Pierce (saxophonist)
Bill Pierce (also Billy Pierce) (born September 25, 1948 in Hampton, Virginia) is an American jazz saxophonist. He played with Art Blakey and the Jazz Messengers in the early 1980s and in Tony Williams's quintet in the mid-1980s to early 1990s. He also has released numerous CDs for which he is the band leader. He studied with Joe Viola and Andy McGhee at Berklee College of Music, and with Joe Allard. He is the school's woodwind department chair. Discography As Leader * ''Give and Take'' ( Sunnyside, 1988) * ''Equilateral'' (Sunnyside, 1989) * ''One for Chuck'' (Sunnyside, 1991) * ''Rolling Monk'' (Bellaphon, 1993) * ''Rio (Ballads and Bossa Novas)'' (Sunnyside, 1995) * ''Complete William the Conqueror Sessions'' (Sunnyside, 1995) * ''Burnin - with Javon Jackson (Criss Cross Jazz, 1997) As Sideman With Art Blakey and the Jazz Messengers * '' Live at Montreux and Northsea'' ( Timeless, 1980) * ''Art Blakey in Sweden'' (Amigo, 1981) * ''Album of the Year'' (Timeless, 1981) * ' ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Bobby Watson
Robert Michael Watson Jr. (born August 23, 1953), known professionally as Bobby Watson, is an American saxophonist, composer, and educator. Music career Watson was born in Lawrence, Kansas, United States, and grew up in Kansas City, Kansas. He attended the University of Miami, at the same time as Pat Metheny, Jaco Pastorius, and Bruce Hornsby. He graduated in 1975, moved to New York City, and became music director for the Jazz Messengers from 1977 to 1981. After leaving the band, he was productive as a session musician, recording with Wynton Marsalis, Branford Marsalis, Max Roach, Joe Williams, Dianne Reeves, Lou Rawls, Betty Carter, and Carmen Lundy. He formed the band Bobby Watson & Horizon with bassist Curtis Lundy and drummer Victor Lewis, with whom he played throughout the 1980s and 1990s. In 1991, they released the album ''Post Motown Bop'' on Blue Note Records, with John Fordham in Q Magazine describing it as "gleaming, glossy bebop". Watson also led a group known ...
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