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Albion Press
The Albion press is a model of early iron hand printing press, originally designed and manufactured in London by Richard Whittaker Cope (d. 1828?) around 1820. History The Albion press worked by a simple toggle action, unlike the complex lever-mechanism of the Columbian press and the Stanhope press. Albions continued to be manufactured, in a range of sizes, until the 1930s. They were used for commercial book-printing until the middle of the nineteenth century, and thereafter chiefly for proofing, jobbing work and by private presses. Francis Meynell often used an Albion to proof pages of his designs for Nonesuch Press books, and printed some small books and ephemera using the press. Printers still predominantly using an Albion Press in the United Kingdom to publish limited fine press editions include Ian Mortimer's I.M. Imprimit, and the St James Park Press of James Freemantle. After Cope's death, Albions were manufactured by his heirs and members of the Hopkinson family (trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printing Press
A printing press is a mechanical device for applying pressure to an inked surface resting upon a printing, print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper or other medium was brushed or rubbed repeatedly to achieve the transfer of ink, and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium. In Germany, around 1440, goldsmith Johannes Gutenberg invented the movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by History of typography in East Asia, hand-printing and a few by scribe, hand-copying. Gutenberg's newly devised matrix (printing), hand mould made possible the precise and ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbian Press
The Columbian press is a type of hand-operated printing press invented in the United States by George Clymer, around 1813. Made from cast iron, it was a very successful design and many thousands were made by him and by others during the 19th century. Columbians continued to be made as late as the early-20th century, 90 years after their introduction. Despite their age, many are still used for printing, especially by traditional printmaker artists. The Columbian design is also notable for its elaborate, symbolic ornamentation. History The Columbian press was inspired in some measure by the earlier Stanhope press. It was designed to allow large formes, such as a broadsheet newspaper page, to be printed at a single pull. The press worked by a lever system, similar to that of the Stanhope press and quite different from the toggle action of the slightly later English Albion press. Clymer's new iron press was first advertised in April 1814.Moran (1973), p.61 Clymer manufactured a few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanhope Press
A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the cloth, paper or other medium was brushed or rubbed repeatedly to achieve the transfer of ink, and accelerated the process. Typically used for texts, the invention and global spread of the printing press was one of the most influential events in the second millennium. In Germany, around 1440, goldsmith Johannes Gutenberg invented the movable-type printing press, which started the Printing Revolution. Modelled on the design of existing screw presses, a single Renaissance movable-type printing press could produce up to 3,600 pages per workday, compared to forty by hand-printing and a few by hand-copying. Gutenberg's newly devised hand mould made possible the precise and rapid creation of metal movable type in large quantities. His two inven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printing
Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing as applied to paper was woodblock printing, which appeared in China before 220 AD for cloth printing. However, it would not be applied to paper until the seventh century.Shelagh Vainker in Anne Farrer (ed), "Caves of the Thousand Buddhas", 1990, British Museum publications, Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses. History Woodblock printing Woodblock p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Private Presses
Private press publishing, with respect to books, is an endeavor performed by craft-based expert or aspiring artisans, either amateur or professional, who, among other things, print and build books, typically by hand, with emphasis on design, graphics, layout, fine printing, binding, covers, paper, stitching, and the like. Description The term "private press" is not synonymous with "fine press," "small press," or "university press" – though there are similarities. One similarity shared by all is that they need not meet higher commercial thresholds of commercial presses. Private presses, however, often have no profit motive. A similarity shared with fine and small presses, but not university presses, is that for various reasons – namely quality – production quantity is often limited. University presses are typically more automated. A distinguishing quality of private presses is that they enjoy sole discretion over literary, scientific, artistic, and aesthetic merits. Cr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Meynell
Sir Francis Meredith Wilfrid Meynell (12 May 1891 – 10 July 1975) was a British poet and printer at The Nonesuch Press. Early career He was the son of the journalist and publisher Wilfrid Meynell and the poet Alice Meynell, a suffragist and prominent Roman Catholic convert. After leaving Trinity College, Dublin, he joined his father at the publisher Burns & Oates. In 1913 he was brought in by George Lansbury to be business manager of the '' ''Daily Herald''''. In 1912 he came to the notice of wealthy American, Mary Melissa Hoadley Dodge, who was domiciled in England. She knew Meynell's parents and had seen him speak in defence of activists of the suffragette movement in Queen's Hall. With her companion, Countess Muriel De La Warr, she provided support and funding for him in 1916 to start the ''Pelican Press'' and also helped with funding for the ''Daily Herald''. In 1921 Meynell was editor of the weekly paper ''The Communist'' and became involved with a libel action that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonesuch Press
Nonesuch Press was a private press founded in 1922 in London by Francis Meynell, his second wife Vera Mendel, and their mutual friend David Garnett,Miranda Knorr"The Nonesuch Press: A Product of Determination" An Exhibit of Rare Books at the Okanagan College Library; unavailable 14 Dec. 2021. co-owner of Birrell & Garnett's bookshop in Soho's Gerrard Street, in the basement of which the press began.James A. Dearden"Nonesuch Press" in Allen Kent, Harold Lancour, Jay E. Daily (eds), , ''Encyclopedia of Library and Information Science: Volume 20'', New York: Marcel Dekker, Inc., 1977, p. 92. History Nonesuch Press's first book, a volume of John Donne's ''Love Poems'' was issued in May 1923. In total, the press produced more than 140 books. The press was at its peak in the 1920s and 1930s, but continued operating through the mid-1960s. During the late 1930s and throughout the 1940s, Meynell ceded control of the press to George Macy, founder and owner of the Limited Editions Club. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ephemera
Ephemera are transitory creations which are not meant to be retained or preserved. Its etymological origins extends to Ancient Greece, with the common definition of the word being: "the minor transient documents of everyday life". Ambiguous in nature, various interpretations of ephemera and related items have been contended, including menus, newspapers, postcards, posters, sheet music, stickers and valentines. Since the printing revolution, ephemera has been a long-standing element of everyday life. Some ephemera are ornate in their design, acquiring prestige, whereas others are minimal and notably utilitarian. Virtually all conceptions of ephemera make note of the matter's disposability. Ephemera has long been collected by the likes of families, hobbyists and curators, with certain instances of ephemera intended to be collected. Literature by collectors and societies has contributed to a greater willingness to preserve ephemera, which is now ubiquitous in archives and library ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Freemantle
James Freemantle (born 1979) is an English bibliographer, private press historian, printer and book-collector. His official posts include as Chairman of the Private Libraries Association, Trustee and Honorary Secretary of Milton's Cottage, and Member of the Double Crown Club, for which he is also Dinner Secretary. He has written for journals and magazines including The Private Library', Double Dagger', Parenthesis', Illustration' and Matrix', amongst others and has published a book on the ''History of the Caradoc Press''. He has been a Judge at the Oxford Fine Press Fair, curated an exhibition on the Private Press editions of Milton'Paradise Lost engaged in speaking engagements on the history of the book, including at thCourt Barn Museumand before thOxford Guild of Printers and been interviewed bPrintweek [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harrild & Sons
Harrild & Sons Limited is a defunct British manufacturer of printing machinery and supplies. The company was founded in 1809 by Robert Harrild at Norwich Street, London, and closed down in 1949. The company helped to establish the use in London of composition rollers instead of ink balls to ink the printing plates. History Robert Harrild established the company Harrild & Sons Limited in 1809 in Farringdon, London. The company used to manufacture printing presses for letterpress printing. The company started manufacturing presses with ink balls (since the printing presses then used ink balls rather than composition rollers to ink the plates). In 1813, Harrild joined the discussion within the London printing community and talked about use of "composition rollers" instead of "ink balls" to ink the printing plates. The majority of hand printers preferred use of ink balls over composition rollers but after successful demonstration of Harrilds composition roller, every printer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miller And Richard
Miller & Richard was a type foundry based in Edinburgh that designed and manufactured metal type. It operated from 1809 to 1952. The foundry was established by William Miller. He had been works manager of the foundry established by Alexander Wilson. Richard, his son-in-law was admitted as a partner in 1832. It was based in Reikie's Court off Nicolson Street. One of the most notable sets of designs of the foundry was a "modernised old face" known as Old Style - an adaptation of the old-style serif fonts of the 1500-1800 period such as Caslon, but regularised to match the greater evenness and grace expected in fonts by the mid-nineteenth century. (Bookman Old Style is an extremely distant descendant of this style.) Its "Modern Face", a more geometric and 'classical' style of serif letter, was also popular and often copied. One of its punchcutters of the period was Alexander Phemister, who would later emigrate to the United States and cut "old style" designs there. Talbot Bai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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