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Alan Schneider
Alan Schneider (December 12, 1917 – May 3, 1984) was an American theatre director responsible for more than 100 theatre productions. In 1984 he was honored with a Drama Desk Special Award for serving a wide range of playwrights. He directed the 1956 American premiere of Samuel Beckett's '' Waiting for Godot'', Edward Albee's ''Who's Afraid of Virginia Woolf?'' and ''Tiny Alice''; the American première of Joe Orton's ''Entertaining Mr Sloane'', Harold Pinter's '' The Birthday Party'', as well as Pinter's ''The Dumb Waiter'', '' The Collection'', and a trilogy of Pinter's plays under the title ''Other Places'' (including '' One for the Road'', ''Family Voices'', and ''A Kind of Alaska''); Bertolt Brecht's ''The Caucasian Chalk Circle''; ''You Know I Can't Hear You When the Water's Running''; and Michael Weller's ''Moonchildren'' and ''Loose Ends''. Schneider also directed Samuel Beckett's only direct foray into the world of film, entitled ''Film''. The short subject starred Bust ...
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Kharkov
Kharkiv ( uk, Ха́рків, ), also known as Kharkov (russian: Харькoв, ), is the second-largest city and municipality in Ukraine.Kharkiv "never had eastern-western conflicts"
'''' (23 October 2014)
Located in the northeast of the country, it is the largest city of the historic region. Kharkiv is the of

The Birthday Party (play)
''The Birthday Party'' (1957) is the first full-length play by Harold Pinter, first published in London by Encore Publishing in 1959. It is one of his best-known and most frequently performed plays. In the setting of a rundown seaside boarding house, a little birthday party is turned into a nightmare when two sinister strangers arrive unexpectedly. The play has been classified as a comedy of menace, characterised by Pinteresque elements such as ambiguous identity, confusions of time and place, and dark political symbolism. Pinter began writing ''The Birthday Party'' in the summer of 1957 while touring in ''Doctor in the House''. He later said: "I remember writing the big interrogation scene in a dressing room in Leicester." Characters * Petey, a man in his sixties * Meg, a woman in her sixties * Stanley, a man in his late thirties * Lulu, a girl in her early twenties * Goldberg, a man in his fifties * McCann, a man of thirty (''The Birthday Party'', Grove Press ed., 8) Sum ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ...
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Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression that earned him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929" when he "worked without interruption" as having made him "the greatest actor-director in the history of the movies". In 1996, ''Entertainment Weekly'' recognized Keaton as the seventh-greatest film director, and in 1999 the American Film Institute ranked him as the 21st-greatest male star of classic Hollywood cinema. Working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, Keaton made a series of successful two-reel comedies in the early 1920s, including ''One Week'' (1920), '' The Playhouse'' (1921), '' Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-leng ...
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Film (film)
''Film'' is a 1965 short film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a 40-leaf shooting script followed thereafter. It was filmed in New York City in July 1964. Beckett and Alan Schneider originally wanted Charlie Chaplin, Zero Mostel and Jack MacGowran, however they eventually did not get involved. Beckett then suggested Buster Keaton.Schneider, A., On Directing Samuel Beckett’s Film' Explains Schneider: "During a transatlantic call one day (as I remember) he shattered our desperation over the sudden casting crisis by calmly suggesting Buster Keaton." In print: Schneider, "On Directing ''Film''" (Grove, 1969), 67. James Karen, who was to have a small part in the film, also supported having Keaton.According to Karen, he had urged Schneider to consider the 68-year-old Keaton when MacGowran’s schedule ...
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Moonchildren
''Moonchildren'' (originally titled ''Cancer'') is a play by Brooklyn-based playwright Michael Weller. The play chronicles a year in the life of the "moonchildren" referred to in the title: eight college students living communally together in an off-campus attic in the mid-1960s.Gussow, Mel"Theater; Weller 'Moonchildren' Is Staged in Capital" ''The New York Times'', November 26, 1971] Productions The work was first performed in 1970 with the title ''Cancer'' in London at the Royal Court Theater under the direction of Martin Rosen. Weller changed the name to ''Moonchildren'' shortly thereafter for the work's American premiere at the Arena Stage (Washington, DC) in November 1971, which was directed by Alan Schneider. The Arena Stage production moved to the Royale Theatre on Broadway the following year, giving its first of 28 performances on February 11, 1972. The cast included Kevin Conway as Mike, Maureen Anderman as Ruth, Edward Herrmann as Cootie, Christopher Guest as Norman, ...
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Michael Weller
Michael Weller (born September 26, 1942) is a Brooklyn-based playwright and screen writer. His plays include ''Moonchildren'', ''Loose Ends'', ''Spoils of War'' and ''Fifty Words''. His screenplays include ''Ragtime'', for which he was nominated for an Oscar, and ''Hair'', both directed by Miloš Forman. Early life and studies Weller was born in New York City, and has lived in Nevada, Massachusetts, London and New York. He attended Stockbridge School and studied music composition at Brandeis University in Massachusetts. In the late 1960s at Manchester University, he studied playwriting with Stephen Joseph (the child of actress Hermione Gingold and the publisher Michael Joseph) and received a Diploma in Drama. He then moved to London to write plays. Career The director Alan Schneider, who was an early collaborator with the playwrights Samuel Beckett and Edward Albee, saw a London run-through of Weller's play ''Moonchildren'', and brought it to the Arena Stage in Washington the ...
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You Know I Can't Hear You When The Water's Running
''You Know I Can't Hear You When the Water's Running'' is a collection of four unrelated one-act comedy plays by Robert Anderson. In ''The Shock of Recognition'', playwright Jack Barnstable auditions Richard Pawling for a role that requires nudity and discovers the overeager actor is more than willing to show his stuff. ''The Footsteps of Doves'' focuses on Harriet and George, a married couple shopping for twin beds after many years of marriage. George, who is opposed to the change, strikes up a conversation with Jill, a considerably younger fellow shopper who shares his view. In ''I'll Be Home for Christmas'', Chuck and Edith realize how empty their marriage has become as they await the arrival of their adult children. ''I'm Herbert'' is a scattered conversation between Herbert and Muriel, an elderly couple with memory problems who try in vain to recall their earlier relationships. After 15 previews, the original Broadway production opened on March 13, 1967 at the Ambassador Th ...
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The Caucasian Chalk Circle
''The Caucasian Chalk Circle'' (german: Der kaukasische Kreidekreis) is a play by the German modernist playwright Bertolt Brecht. An example of Brecht's epic theatre, the play is a parable about a peasant girl who rescues a baby and becomes a better mother than the baby's wealthy biological parents. The play was written in 1944 while Brecht was living in the United States. It was translated into English by Brecht's friend and admirer Eric Bentley and its world premiere was a student production at Carleton College, Northfield, Minnesota, in 1948. Its first professional production was at the Hedgerow Theatre, Philadelphia, directed by Bentley. Its German premiere by the Berliner Ensemble was on October 7, 1954, at the Theater am Schiffbauerdamm in Berlin. ''The Caucasian Chalk Circle'' is one of Brecht's most celebrated works and one of the most regularly performed 'German' plays. It reworks Brecht's earlier short story "Der Augsburger Kreidekreis." Both derive from the 14th-ce ...
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Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, he wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . During the Nazi Germany period, Brecht fled his home country, first to Scandinavia, and during World War II to the United States, where he was surveilled by the FBI. After the war he was subpoenaed by the House Un-American Activities Committee. Returning to East Berlin after the war, he established the theatre company Berliner Ensemble with his wife and long-time collaborator ...
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A Kind Of Alaska
''A Kind of Alaska'' is a one-act play written in 1982 by British playwright Harold Pinter. Summary A middle-aged woman named Deborah, who has been in a comatose state for thirty years as a result of contracting "sleepy sickness," encephalitis lethargica, awakes with a mind still that of a sixteen-year-old. She must confront a body which seems to have aged without her prior knowledge or consent. Her sister Pauline and Pauline's husband, Hornby, who has been Deborah's devoted doctor over these three decades and who may have fallen in love with her, attempt gently to ease her back to her current reality, while withholding some of the more jarring information. Deborah reawakens to a changed world, attempting to take what appear to her to be rather shocking revelations in graceful stride, but ends the play with the ironic observation about her sister and brother-in-law that can only go so far towards accepting the realities that they have allowed her to know. Speaking of Pauline ...
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Family Voices
''Family Voices'' is a radio play by Harold Pinter written in 1980 and first broadcast on BBC Radio 3 on 22 January 1981. Summary ''Family Voices'' exposes the story of a mother, son, and dead husband and father through a series of letters that the mother and son have written to one another and that each speaks aloud. The son has moved off to the city and is surrounded by odd characters and circumstances. The mother, who apparently never receives her son's letters, questions angrily why her son never responds to her letters, and brings news of his father's death. Towards the end of the play, the father speaks as it were from the grave, "Just to keep in touch" (81). A series of interlocking monologues spoken by three Voices (One, Two, and Three), ''Family Voices'' exposes themes involving difficulties of communication, the vicissitudes of memory and the past, and family dysfunction familiar from Pinter's other dramatic works, employing some of Pinter's well-known stylistic t ...
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