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Al Levitt
Alan Levitt (November 11, 1932 – November 28, 1994) was an American jazz drummer. Career Levitt was born in New York City to Ben Levitt (1908-1941) and Florence Cohen Levitt (1912-1950). Early in life he showed an interest in music. In the early 1940s he went to an inter-racial summer camp, Camp Wo-Ch-Ca, where he met Mike Stoller. They became close friends and both became interested in boogie-woogie and jazz. In 1947 when they were 14 years old they visited a social club at in Harlem. For the next two years they spent weekend evenings listening to Charlie Parker, Miles Davis, Oscar Pettiford, and Erroll Garner. In 1949 Mike Stoller moved to Los Angeles. Levitt went on to be a jazz drummer. Stoller met another young man in Los Angeles and they wrote songs together. They were known as Leiber & Stoller. Levitt studied with Lennie Tristano for many years, along with Lee Konitz. Levitt also studied occasionally with Max Roach. Levitt studied piano with Moses Chusids in high scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial Solal
Martial Solal (born August 23, 1927) is a French jazz pianist and composer. Biography Solal was born in Algiers, French Algeria, to Algerian Jewish parents. He was persuaded to study clarinet, saxophone, and piano by his mother, who was an opera singer. He was expelled from school in 1942 because of his parents' Jewish ancestry. Algeria was a French colony, and the Vichy regime in France was following Nazi policies. Solal educated himself after having studied classical music in school. He imitated music he heard on the radio. When he was 15, he performed publicly for United States Army audiences. After settling in Paris in 1950, he began working with Django Reinhardt and U.S. expatriates such as Sidney Bechet and Don Byas. He formed a quartet (occasionally also leading a big band) in the late 1950s, although he had been recording as a leader since 1953. Solal then began composing film music, eventually providing over 20 scores. He composed music for Jean-Luc Godard's debut featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dorough
Robert Lrod Dorough (December 12, 1923 – April 23, 2018) was an American bebop and cool jazz vocalist, pianist, composer, songwriter, arranger, and producer. Dorough became famous as the composer and performer of songs in the TV series ''Schoolhouse Rock!'', as well as for his work with Miles Davis, Blossom Dearie, and others. Early life Robert Lrod Dorough was born in Cherry Hill, Polk County, Arkansas and grew up in Plainview, Texas. During World War II, he participated in Army bands as pianist, clarinetist, saxophonist, and arranger. After that, he attended North Texas State University, where he studied composition and piano. Career From 1949 to 1952 Dorough was a graduate student at Columbia University in New York City, and on the side played piano at local jazz clubs. He was hired for a tour by boxer Sugar Ray Robinson, who had interrupted his boxing career to pursue music. In Paris from 1954 to 1955 he worked as a musician and musical director, recording with jazz vocal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathan Davis (saxophonist)
Nathan Tate Davis (February 15, 1937 – April 8, 2018) was an American jazz multi-instrumentalist who played the tenor saxophone, soprano saxophone, bass clarinet, and flute. He is known for his work with Eric Dolphy, Kenny Clarke, Ray Charles, Slide Hampton and Art Blakey. Career Davis traveled extensively around Europe after World War II and moved to Paris in 1962. He held a Ph.D in Ethnomusicology from Wesleyan University and was a professor of music and director of jazz studies at the University of Pittsburgh from 1969, an academic program that he helped initiate. He was also founder and director of the University of Pittsburgh Annual Jazz Seminar and Concert, the first academic jazz event of its kind in the United States. He also helped to found the university's William Robinson Recording Studio as well as establish the International Academy of Jazz Hall of Fame located in the school's William Pitt Union and the University of Pittsburgh-Sonny Rollins International Jazz Archi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Exchange Vol
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Konitz Meets Warne Marsh Again
''Lee Konitz Meets Warne Marsh Again'' is a live album by American jazz saxophonists Lee Konitz and Warne Marsh recorded at Ronnie Scott's Jazz Club in 1976 and released on the Pausa label. accessed November 23, 2016 Reception Scott Yanow of wrote: "Their repertoire (common chord changes) and cool jazz styles are not that surprising but both of the saxophonists sound quite inspired to be in each other's presence; they always brought out the best in each other. The melodic and boppish improvisations reward repeated listenings".Track listing # "Two Not One" ( |
Lee Konitz
Leon Konitz (October 13, 1927 – April 15, 2020) was an American composer and alto saxophonist. He performed successfully in a wide range of jazz styles, including bebop, cool jazz, and avant-garde jazz. Konitz's association with the cool jazz movement of the 1940s and 1950s includes participation in Miles Davis's ''Birth of the Cool'' sessions and his work with pianist Lennie Tristano. He was one of relatively few alto saxophonists of this era to retain a distinctive style, when Charlie Parker exerted a massive influence. Like other students of Tristano, Konitz improvised long, melodic lines with the rhythmic interest coming from odd accents, or odd note groupings suggestive of the imposition of one time signature over another. Other saxophonists were strongly influenced by Konitz, such as Paul Desmond and Art Pepper. He died during the COVID-19 pandemic from complications brought on by the disease. Biography Early life Konitz was born on October 13, 1927, in Chicago. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Wilen
Bernard "Barney" Jean Wilen (4 March 1937 – 25 May 1996) was a French tenor and soprano saxophonist and jazz composer. Life Wilen was born in Nice, France; his father was an American dentist turned inventor, and his mother was French. He began performing in clubs in Nice after being encouraged by Blaise Cendrars who was a friend of his mother. His career was boosted in 1957, when he worked with Miles Davis on the soundtrack for the Louis Malle film '' Ascenseur pour l'Échafaud'' (''Elevator to the Gallows''). In 1959, Wilen wrote his soundtrack '' Un Témoin Dans la Ville'' and studio album '' Jazz sur scène'' with Kenny Clarke. He wrote a soundtrack for Roger Vadim's film ''Les Liaisons Dangereuses'' two years later, working with Thelonious Monk. Wilen returned to composing for French films in the 1980s and 1990s. In the mid-to-late 1960s, he became interested in rock, and recorded an album dedicated to Timothy Leary. Wilen toured in Japan for the first time in 1990.Harrell, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guy Lafitte
Guy Lafitte (12 January 1927 – 10 June 1998) was a French jazz saxophonist. Career A native of Saint-Gaudens, Haute-Garonne, France, he worked with Mezz Mezzrow from 1951 to 1952 and Big Bill Broonzy in 1951. In 1954 he made Paris his home and worked with Lionel Hampton and Emmett Berry. He also worked with Bill Coleman and Wild Bill Davis. Discography As leader * ''Blue and Sentimental'' (Le Club Francais, 1955) * ''Les Classiques du Jazz Vol. 2'' with Andre Persiany (Columbia, 1958) * ''Melodies'' (Columbia, 1958) * ''Sax: 10 Succes'' (Pathe, 1960) * ''Sax and Strings'' (Columbia, 1963) * ''Jambo!'' (RCA Victor, 1968) * ''Blues'' (Vega, 1969) * ''Blues in Summertime'' (RCA Victor, 1971) * ''Sugar and Spice'' (RCA Victor, 1972) * ''Corps et Ame'' (Black and Blue, 1978) * ''Happy!'' (Black and Blue, 1979) * ''Live in France'' with Arnett Cobb (Black and Blue, 1980) * ''Three Men On a Beat'' with Wild Bill Davis (Black and Blue, 1983) * ''Joue Charles Trenet'' (Black and Blue, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Donegan
Dorothy Donegan (April 6, 1922 – May 19, 1998) was a classically trained American jazz pianist and occasional vocalist, primarily known for performing stride and boogie-woogie, as well as bebop, swing, and classical. Early life, family and education Donegan was born and raised in Chicago, Illinois, and began studying piano in 1928. She took her first lessons from Alfred N. Simms, a West Indian pianist who also taught Cleo Brown. She graduated from Chicago's DuSable High School, where she studied with Walter Dyett, a teacher who also worked with Dinah Washington, Johnny Griffin, Gene Ammons, and Von Freeman. She also studied at the Chicago Musical College and the University of Southern California. Career She was known for her work in Chicago nightclubs. In 1942 she made her recording debut. She appeared in ''Sensations of 1945'' with Cab Calloway, Gene Rodgers, and W. C. Fields. She was a protege of Art Tatum, who called her "the only woman who can make me practice". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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