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Al Ayre Español
Al Ayre Español is a vocal and instrumental ensemble specialized on early music founded in 1988 by harpsichordist Eduardo López Banzo.Interview with Eduardo López Banzo owww.odb-opera.com/ref> The name of the ensemble was inspired by the title for a guitar fugue of the Calanda, Aragón, composer Gaspar Sanz. In this fugue, he indicated the musician to play with "ayre español" (in the Spanish way). Banzo has done a great deal to restore the Spanish Baroque musical heritage and in recognition of this work, the group was awarded the Premio Nacional de Música by the Spanish Ministry of Culture. In 2004, Al Ayre Español became an orchestra, broadening out their repertory to encompass much of the European Baroque. Discography *1994 - ''Barroco Español - Vol. I: "Mas no puede ser"''. Villancicos. Cantatas et al. Deutsche Harmonia Mundi 05472 77325 2 *1995 - ''Barroco Español - Vol. II: "Ay Amor"''. Zarzuelas. Deutsche Harmonia Mundi 05472 77336 2 *1997 - José de Torres and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo ( harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Friedrich Händel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical bre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodrigo (opera)
''Rodrigo'' ( HWV 5) is an opera in three acts composed by George Frideric Handel. Its original title was ''Vincer se stesso è la maggior vittoria'' ("To overcome oneself is the greater victory"). The opera is based on the historical figure of Rodrigo, the last Visigothic king of Spain. The libretto was based on Francesco Silvani's ''II duello d'Amore e di Vendetta'' ("The conflict between love and revenge"). Dating from 1707, it was Handel's first opera written for performance in Italy, and the first performance took place in Florence late in 1707. The opera was revived in 1984, in Innsbruck. A lost fragment from Act III had been found in 1983, and a more complete production was given by the Handel Opera Society under Charles Farncombe at Sadler's Wells Theatre in London in 1985. Among other performances, ''Rodrigo'' was staged in Karlsruhe in 1987, by the Handel Festival, Halle in 2002 and by the International Festival of Baroque and Romantic Opera, Beaune, France, in 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amadigi Di Gaula
''Amadigi di Gaula'' ( HWV 11) is a "magic" opera in three acts, with music by George Frideric Handel. It was the fifth Italian opera that Handel wrote for an English theatre and the second he wrote for Richard Boyle, 3rd Earl of Burlington in 1715. The opera about a damsel in distress is based on ''Amadis de Grèce'', a French tragédie-lyrique by André Cardinal Destouches and Antoine Houdar de la Motte. ''Amadigi'' was written for a small cast, employing four high voices. Handel made prominent use of wind instruments, so the score is unusually colorful, comparable to his ''Water Music''. The opera received its first performance in London at the King's Theatre in the Haymarket on 25 May 1715, in a lavish successful production. Charles Burney maintained near the end of the eighteenth century: Amadigi contained "...more invention, variety and good composition, than in any one of the musical dramas of Handel which I have yet carefully and critically examined".Richard B. Beams"H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Júpiter Y Semele
'' El estrago en la fineza, Júpiter y Semele'' is a Spanish-language zarzuela opera by Antonio de Literes to a libretto by José de Cañizares, premiered 9 May 1718 at the Teatro de la Cruz The Teatro de la Cruz was, during its nearly 200-year existence, the principal theater for comedy in Madrid. History Founded by the Hermandad de la Soledad in 1584, it soon became the premier venue of its time for Spanish comedy. In 1743, it was ..., Madrid. A recording was made of a live performance by Eduardo López Banzo in 2003.GramophonReview/ref> References {{reflist 1718 operas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José De Nebra
José Melchor Baltasar Gaspar Nebra Blasco (January 6, 1702 – July 11, 1768) was a Spanish people, Spanish composer. His work combines Spanish traditions with the Italian style of his day. Biography José de Nebra was born in Calatayud and was taught by his father, José Antonio Nebra Mezquita (1672–1748), organist and master of choirboys at the Cuenca Cathedral, Cathedral of Cuenca from 1711 until 1729. Two brothers were also musicians: Francisco Javier Nebra Blasco (1705–1741), organist of La Seo in Zaragoza until he moved to Cuenca, Spain, Cuenca in 1729, then succeeded by his brother Joaquín Ignacio Nebra Blasco (1709–1782) till his death. José Nebra, ''Obras inéditas para tecla'' (unpublished works for keyboard) edited by Maria-Salud Alvarez, Tecla Aragonesa III, (Institución Fernando el Católico, Zaragoza, 1995) He died in Madrid. More than 170 works by Nebra survive: masses, psalms, litanies, a Stabat Mater, a Salve Regina, cantatas, villancicos, and around thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis Y Galatea
''Acis y Galatea'' is a zarzuela by Antonio de Literes to a libretto by José de Cañizares. It was first performed on 19 December 1708 in Madrid at the theatre in the Buen Retiro Palace for the 25th birthday of King Philip V. , mundoclasico.com (in English) It is based on 's story of the Acis and Galatea myth in his ''''. The aria "Confiado jilguerillo" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José De Torres
José de Torres y Martínez Bravo (16701738) was a Spanish composer, organist, music theorist and music publisher. Biography Torres was born in Madrid, where he served as organist of the ''capilla real'' from 1697. With the arrival of the Bourbons, Torres was expelled from the ''capilla,'' but avoided exile and was rehabilitated. From 1702 he established a music printing press, Imprenta de Música, the first in Iberia. With the continuing exile of Sebastián Durón, Torres served the former Duke of Anjou, now Philip V of Spain, as ''maestro de capilla'' and rector of the boys choir (Colegio de Niños Cantorcicos), replacing the interim maestros Matías Cabrera and Nicolás Humanes, in 1707. He held this post until his death. He died in Madrid. He was the author of various musical works. These include “Reglas generales para acompañar órgano, clavicordio o arpa” (Madrid, 1702) work covering accompaniment techniques for organ, clavichord and harpand a book of masses dedicated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio De Literes
Antoni de Literes (18 June 1673 Majorca – 18 January 1747 Madrid), also known as Antonio de Literes or Antoni Literes Carrión) was a Spanish composer of '' zarzuelas''. As with other national forms of baroque opera, Literes's stage works employ a wide variety of musical forms – arias, ariettas and recitative (accompanied and unaccompanied) as well as dance movements and choruses, though here mingled with spoken verse dialogue. His use of the orchestra follows French and Italian practice in including guitars, lutes, and harpsichords amongst the continuo instruments. From 1693, after the exile of his predecessor Sebastián Durón, Literes became the Master of the Capilla Real of Madrid, playing the bass viol and soon being accounted the greatest Spanish court composer of his time. Zarzuelas His most famous work was ''Acis y Galatea'' (1708), to a libretto by José de Canizares, which enjoyed frequent performances in Madrid's Spanish court and public theatres until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750). Originating in Europe, early music is a broad musical era for the beginning of Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy excludes Baroque, defining Early music as "musical compositions from heearliest times up to and including music of heRenaissance period". Musicologist Thomas Forrest Kelly considers that the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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