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Al Aaraaf
"Al Aaraaf" is an early poem by American writer Edgar Allan Poe, first published in 1829. It tells of the afterlife in a place called Al Aaraaf, inspired by A'raf as described in the Quran. At 422 lines, it is Poe's longest poem. "Al Aaraaf", which Poe said he wrote before he was 15, was first published as the major poem in Poe's 1829 collection ''Al Aaraaf, Tamerlane, and Minor Poems''. The book and "Al Aaraaf" in particular received mostly negative reviews for its complexity, obscure references, and odd structure. Some, however, noted the potential in the young poet, including author and critic John Neal, to whom Poe had shown "Al Aaraaf" prior to publication. Poe later referred to Neal's response as the first words of encouragement he had received. Nevertheless, the negative response to "Al Aaraaf" may have inspired Poe's later poetic theory that poems should be kept short. Years later, in 1845, Poe used "Al Aaraaf" to hoax members of the Boston literary circle during a read ...
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Al Aaraaf Robinson
AL, Al, Ål or al may stand for: Arts and entertainment Fictional characters * Al (''Aladdin'') or Aladdin, the main character in Disney's ''Aladdin'' media * Al (''EastEnders''), a minor character in the British soap opera * Al (''Fullmetal Alchemist'') or Alphonse Elric, a character in the manga/anime * Al Borland, a character in the ''Home Improvement'' universe * Al Bundy, a character in the television series ''Married... with Children'' * Al Calavicci, a character in the television series ''Quantum Leap'' * Al McWhiggin, a supporting villain of ''Toy Story 2'' * Al, or Aldebaran, a character in ''Re:Zero − Starting Life in Another World'' media Music * '' A L'', an EP by French singer Amanda Lear * ''American Life'', an album by Madonna Calendar * Anno Lucis, a dating system used in Freemasonry Mythology and religion * Al (folklore), a spirit in Persian and Armenian mythology * Al Basty, a tormenting female night demon in Turkish folklore * ''Liber AL'', the c ...
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John Keats
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, with Lord Byron and Percy Bysshe Shelley. His poems had been in publication for less than four years when he died of tuberculosis at the age of 25. They were indifferently received in his lifetime, but his fame grew rapidly after his death. By the end of the century, he was placed in the canon of English literature, strongly influencing many writers of the Pre-Raphaelite Brotherhood; the ''Encyclopædia Britannica'' of 1888 called one ode "one of the final masterpieces". Jorge Luis Borges named his first encounter with Keats an experience he felt all his life. Keats had a style "heavily loaded with sensualities", notably in the series of odes. Typically of the Romantics, he accentuated extreme emotion through natural imagery. Today his poems and letters remain among the most popular and analysed in English literature – in particular "Ode to a Nightingale", "Od ...
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Anapestic
An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consists of two unstressed syllables followed by one stressed syllable. It may be seen as a reversed dactyl. This word comes from the Greek , ''anápaistos'', literally "struck back" and in a poetic context "a dactyl reversed". Because of its length and the fact that it ends with a stressed syllable and so allows for strong rhymes, anapaest can produce a very rolling verse, and allows for long lines with a great deal of internal complexity. Apart from their independent role, anapaests are sometimes used as substitutions in iambic verse. In strict iambic pentameter, anapaests are rare, but they are found with some frequency in freer versions of the iambic line, such as the verse of Shakespeare's last plays, or the lyric poetry of the 19th century ...
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Dimeter
In poetry, a dimeter is a metrical line of verse with two feet. The particular foot The foot ( : feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made ... can vary. Consider Thomas Hood's " Bridge of Sighs:", in which the first line of a pair is of two feet, each composed of three syllables, and the subsequent line is of two feet, each of two syllables. :Take her up \\ tenderly, :Lift her \\ with care, :Fashioned so \\ slenderly, :Young and \\ so fair. Also, the first line of William Wordsworth's "We Are Seven": :A simp \\ le Child References Types of verses {{Poetry-stub ...
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Trimeter
In poetry, a trimeter (Greek for "three measure") is a metre of three metrical feet per line. Examples: : When here // the spring // we see, : Fresh green // upon // the tree. See also * Anapaest * Dactyl * Tristich * Triadic-line poetry Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". Created by William Carlos Williams, it was his "solution to the problem of modern verse" and later was also taken up by poets Charles Tomlin ... References Types of verses {{Poetry-stub ...
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Pentameter
Pentameter ( grc, πεντάμετρος, 'measuring five (feet)') is a poetic meter. А poem is said to be written in a particular pentameter when the lines of the poem have the length of five feet, where a 'foot' is a combination of a particular number (1 or 2) of unstressed (or weak) syllables and a stressed (or strong) syllable. Depending on the pattern of feet, pentameter can be iambic (one of three two-syllable meters alongside trochaic and spondaic) or dactylic (one of two three-syllable meters alongside anapestic An anapaest (; also spelled anapæst or anapest, also called antidactylus) is a metrical foot used in formal poetry. In classical quantitative meters it consists of two short syllables followed by a long one; in accentual stress meters it consis ...). {{Authority control Poetic forms ...
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Octosyllable
The octosyllable or octosyllabic verse is a line of verse with eight syllables. It is equivalent to tetrameter verse in trochees in languages with a stress accent. Its first occurrence is in a 10th-century Old French saint's legend, the '' Vie de Saint Leger''; another early use is in the early 12th-century Anglo-Norman '' Voyage de saint Brendan''. It is often used in French, Italian, Spanish and Portuguese poetry. While commonly used in couplets, typical stanzas using octosyllables are: décima, some quatrains, redondilla. In Spanish verse, an octosyllable is a line that has its seventh syllable stressed, on the principle that this would normally be the penultimate syllable of a word (''Lengua Castellana y Literatura'', ed. Grazalema Santillana. El Verso y su Medida, p. 46). If the final word of a line does not fit this pattern, the line could have eight or seven or nine syllables (as normally counted), thus – :1 / 2 / 3 / 4 / 5 / Gra/NA/da :1 / 2 / 3 / 4 / 5 / Ma/DR ...
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Daniel Hoffman
Daniel Gerard Hoffman (April 3, 1923 – March 30, 2013) was an American poet, essayist, and academic. He was appointed the twenty-second Poet Laureate Consultant in Poetry to the Library of Congress in 1973. Early life and education Hoffman was born in New York City. During World War II, he served in the Army Air Corps, where he served stateside as a technical writer and as the editor of an aeronautical research journal, experiences detailed in his memoir ''Zone of the Interior.'' He was educated at Columbia University, earning a B.A. (1947), an M.A. (1949), and a Ph.D. (1956). He was a member of the Boar's Head Society there. Career In 1954, Hoffman published his first collection of poetry, ''An Armada of Thirty Whales.'' This collection was chosen by W. H. Auden as part of the Yale Series of Younger Poets, and Auden commended it in his introduction as "providing a new direction for nature poetry in the post-Wordsworthian world." He has since published ten additional collec ...
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Manfred
''Manfred: A dramatic poem'' is a closet drama written in 1816–1817 by Lord Byron. It contains supernatural elements, in keeping with the popularity of the ghost story in England at the time. It is a typical example of a Gothic fiction. Byron commenced this work in late 1816, a few months after the famous ghost-story sessions with Percy Bysshe Shelley and Mary Shelley that provided the initial impetus for '' Frankenstein; or, The Modern Prometheus ''. The supernatural references are made clear throughout the poem. ''Manfred'' was adapted musically by Robert Schumann in 1852, in a composition entitled '' Manfred: Dramatic Poem with Music in Three Parts'', and in 1885 by Pyotr Ilyich Tchaikovsky in his '' Manfred Symphony''. Friedrich Nietzsche was inspired by the poem's depiction of a super-human being to compose a piano score in 1872 based on it, "Manfred Meditation". Background Byron wrote this "metaphysical drama", as he called it, after his marriage to Annabella Millban ...
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George Gordon Byron, 6th Baron Byron
George Gordon Byron, 6th Baron Byron (22 January 1788 – 19 April 1824), known simply as Lord Byron, was an English romantic poet and peer. He was one of the leading figures of the Romantic movement, and has been regarded as among the greatest of English poets. Among his best-known works are the lengthy narratives ''Don Juan'' and ''Childe Harold's Pilgrimage''; many of his shorter lyrics in ''Hebrew Melodies'' also became popular. Byron was educated at Trinity College, Cambridge, later traveling extensively across Europe to places such as Italy, where he lived for seven years in Venice, Ravenna, and Pisa after he was forced to flee England due to lynching threats. During his stay in Italy, he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died leading a campaign during that war, for which Greeks revere him as a folk hero. He died in 1824 at the age of 36 from ...
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Lalla-Rookh
''Lalla Rookh'' is an Oriental romance by Irish poet Thomas Moore, published in 1817. The title is taken from the name of the heroine of the frame tale, the (fictional) daughter of the 17th-century Mughal emperor Aurangzeb. The work consists of four narrative poems with the connecting tale in prose. The name Lalla Rookh or Lala-Rukh ( fa, لاله رخ ''laleh rox/rukh'') is an endearment frequently used in Persian poetry. Name and background The name Lalla Rookh or Lala-Rukh ( fa, لاله رخ ''laleh rox'' or ''rukh''), means "tulip-cheeked" and is an endearment frequently used in Persian poetry. Lalla Rookh has also been translated as "rosy-cheeked"; however, the first word derives from the Persian word for tulip, ''laleh'', and a different word, ''laal'', means rosy, or ruby. Tulips were first cultivated in Persia, probably in the 10th century, and remain a powerful symbol in Iranian culture, and the name Laleh is a popular girl's name. ''Rukh'' also translates as "fa ...
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