Akumyō
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Akumyō
The series consists of seventeen yakuza films based on the novel by Tōkō Kon. starring Shintaro Katsu and Jiro Tamiya, produced between 1960 and 1974. Films Shintaro Katsu series * (1961) directed by Tokuzō Tanaka  * (1961) directed by Tokuzō Tanaka * (1962) directed by Kazuo Mori * (1962) directed by Tokuzō Tanaka * (1963) directed by Tokuzō Tanaka * (1963) directed by Kazuo Mori * (1963) directed by Kazuo Mori * (1963) directed by Tokuzō Tanaka * (1964) directed by Kazuo Mori * (1965) directed by Tokuzō Tanaka * (1965) directed by Tokuzō Tanaka * (1966) directed by Tokuzō Tanaka * (1967) directed by Kimiyoshi Yasuda * (1968) directed by Kazuo Mori * (1969) directed by Masahiro Makino * (1974) directed by Yasuzo Masumura Koji Matoba series * (2001) * (2001) References External links

* * * * * * * Yakuza films Japanese film series Films with screenplays by Yoshikata Yoda Films directed by Tokuzō Tanaka Daiei Film films 1960s Japanese films ...
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Tokuzō Tanaka
was a Japanese film director. He is well known for directing Zatoichi series and Nemuri Kyōshirō series films. Biography Tanaka graduated from Kwansei Gakuin University. In 1948, he joined the Daiei Film, Daiei studio and started working as an assistant director under Kon Ichikawa, Kenji Mizoguchi and Kazuo Mori etc. In 1958, Tanaka was promoted to director and debuted with ''Bakeneko Goyōda''. Tanaka received the Japan Directors Guild Special award for his ''Akumyō, Akumyō series films''. In 1971, he was released from his contract with Daiei and become a freelance director when the studio shut down film production. As a freelance director he directed a lot of jidaigeki television dramas such as ''Hissatsu series''. His final work was in the 2007 short film ''Shonen Kawachiondotori Monogatari''. In December 2007, he died of Intracranial hemorrhage. Selected filmography Television * ''Ronin of the Wilderness'' (1972-74) * ''Nemuri Kyōshirō (TV series), Nemuri Kyōshi ...
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Shintarō Katsu
was a Japanese actor, singer, and filmmaker. He is known for starring in the ''Akumyo'' series, the ''Hoodlum Soldier'' series, and the ''Zatoichi'' series. Life and career Born Toshio Okumura (奥村 利夫 ''Okumura Toshio'') on 29 November 1931. He was the son of Minoru Okumura (奥村 実), a noted kabuki performer who went by the stage name Katsutōji Kineya (杵屋 勝東治) and who was renowned for his nagauta and shamisen skills, and younger brother of actor Tomisaburo Wakayama. Shintaro Katsu began his career in entertainment as a shamisen player. He switched to acting because he noticed it was better paid. In the 1960s he starred simultaneously in three long-running series of films, the Akumyo series, the Hoodlum Soldier series, and the Zatoichi series. He played the role of blind masseur Zatoichi in a series of 25 films between 1962 and 1973, in 100 episodes across a four season television series from 1974 to 1979, and in a 26th and final film in 1989, which h ...
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Shintaro Katsu
was a Japanese actor, singer, and filmmaker. He is known for starring in the ''Akumyo'' series, the ''Hoodlum Soldier'' series, and the ''Zatoichi'' series. Life and career Born Toshio Okumura (奥村 利夫 ''Okumura Toshio'') on 29 November 1931. He was the son of Minoru Okumura (奥村 実), a noted kabuki performer who went by the stage name Katsutōji Kineya (杵屋 勝東治) and who was renowned for his nagauta and shamisen skills, and younger brother of actor Tomisaburo Wakayama. Shintaro Katsu began his career in entertainment as a shamisen player. He switched to acting because he noticed it was better paid. In the 1960s he starred simultaneously in three long-running series of films, the Akumyo series, the Hoodlum Soldier series, and the Zatoichi series. He played the role of blind masseur Zatoichi in a series of 25 films between 1962 and 1973, in 100 episodes across a four season television series from 1974 to 1979, and in a 26th and final film in 1989, which h ...
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Kazuo Mori
, also known by his street name , was a Japanese film director who primarily worked in popular genres like the jidaigeki. Mori directed over 100 films in his life. Career Born in Ehime Prefecture, Mori graduated from Kyoto University before joining Nikkatsu's Uzumasa studio in 1933. A favorite of the producer Masaichi Nagata, he followed him to Daiichi Eiga and Shinkō Kinema before getting a chance to direct in 1936 with ''Adauchi hizakurige''. When Shinkō Kinema was merged with other studios to form Daiei Film, Mori became one of Daiei's core directors of genre films, making primarily samurai films with stars such as Raizō Ichikawa, Kazuo Hasegawa, and Shintaro Katsu. While not an auteur, he was a solid craftsman in the genre. After Daiei went bankrupt in the early 1970s, Mori continued directing ''jidaigeki'' on television. He directed over 130 films in his career. The National Film Center The is an independent administrative institution and one of Japan's seven nationa ...
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Yakuza Films
is a popular film genre in Japanese cinema which focuses on the lives and dealings of ''yakuza'', Japanese organized crime syndicates. In the silent film era, depictions of ''bakuto'' (precursors to modern yakuza) as sympathetic Robin Hood-like characters were common. Two types of yakuza films emerged in the 1950s and 1960s. The Nikkatsu studio was known for modern yakuza films inspired by Hollywood gangster films, while Toei was the main producer of what is known as . Set in the Meiji and Taishō eras, ''ninkyo eiga'' depict honorable outlaws torn between '' giri'' (duty) and ''ninjo'' (personal feelings). In contrast to ''ninkyo eiga'', based on real crime stories became popular in the 1970s. These portrayed modern yakuza not as honorable heirs to the samurai code, but as ruthless street thugs living for their own desires. Early films In the silent film era, films depicting ''bakuto'' (precursors to modern yakuza) as Robin Hood-like characters were common. They often ...
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Yakuza Film
is a popular film genre in Japanese cinema which focuses on the lives and dealings of ''yakuza'', Japanese organized crime syndicates. In the silent film era, depictions of ''bakuto'' (precursors to modern yakuza) as sympathetic Robin Hood-like characters were common. Two types of yakuza films emerged in the 1950s and 1960s. The Nikkatsu studio was known for modern yakuza films inspired by Hollywood gangster films, while Toei was the main producer of what is known as . Set in the Meiji and Taishō eras, ''ninkyo eiga'' depict honorable outlaws torn between '' giri'' (duty) and ''ninjo'' (personal feelings). In contrast to ''ninkyo eiga'', based on real crime stories became popular in the 1970s. These portrayed modern yakuza not as honorable heirs to the samurai code, but as ruthless street thugs living for their own desires. Early films In the silent film era, films depicting ''bakuto'' (precursors to modern yakuza) as Robin Hood-like characters were common. They often ...
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picture info

Films Directed By Tokuzō Tanaka
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Films With Screenplays By Yoshikata Yoda
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Japanese Film Series
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ...
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Yasuzo Masumura
was a Japanese film director. Biography Masumura was born in Kōfu, Yamanashi. After dropping out of a law course at the University of Tokyo he worked as an assistant director at the Daiei Film studio, later returning to university to study philosophy; he graduated in 1949. He then won a scholarship allowing him to study film in Italy at the Centro Sperimentale di Cinematografia under Michelangelo Antonioni, Federico Fellini and Luchino Visconti. Masumura returned to Japan in 1953. From 1955, he worked as a second-unit director on films directed by Kenji Mizoguchi, Kon Ichikawa and Daisuke Ito, before directing his own first film, ''Kisses'', in 1957. Over the next three decades, he directed 58 films in a variety of genres. Legacy Japanese film critic Shigehiko Hasumi said, "Young and influential filmmaker Shinji Aoyama was a Japanese film director, screenwriter, composer, film critic, and novelist. He graduated from Rikkyo University. He won two awards at the 2000 Cann ...
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Masahiro Makino
was a Japanese film director. He directed more than 260 films, primarily in the chanbara and yakuza genres. His real name was , but he took the stage name Masahiro, the kanji for which he changed multiple times (including , , and ). Career Masahiro Makino was born in Kyoto, the eldest son of the film director and producer Shōzō Makino, who is often called the father of Japanese cinema. As a youth he acted in over 100 films before debuting as a film director in 1926 at age 18. His critically acclaimed nihilistic jidaigeki such as ''Roningai'' (1928) made him one of the top Japanese film directors, but his way of shooting films quickly also earned him detractors. For instance, the total time it took to shoot the 1936 film ''Edo no Ka Oshō'' was only 28 hours. The critic Sadao Yamane, however, has argued that this fast filming practice also contributed to Makino's speedy, rhythmic film style. Rhythm and tempo are important to his films, and so in his ''jidaigeki'', fight scenes ...
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Kinema Junpo
, commonly called , is Japan's oldest film magazine and began publication in July 1919. It was first published three times a month, using the Japanese ''Jun'' (旬) system of dividing months into three parts, but the postwar ''Kinema Junpō'' has been published twice a month. The magazine was founded by a group of four students, including Saburō Tanaka, at the Tokyo Institute of Technology (Tokyo Technical High School at the time). In that first month, it was published three times on days with a "1" in them. These first three issues were printed on art paper and had four pages each. ''Kinejun'' initially specialized in covering foreign films, in part because its writers sided with the principles of the Pure Film Movement and strongly criticized Japanese cinema. It later expanded coverage to films released in Japan. While long emphasizing film criticism, it has also served as a trade journal, reporting on the film industry in Japan and announcing new films and trends.加藤幹郎 ...
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