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Ajam (maqam)
‘Ajam ( Turkish: Acem) is the name of a maqam (musical mode) in Arabic, Turkish, and related systems of music. Ajam (عجم) in this usage means "Persian". The maqam Ajam is constructed of two Ajam trichords with "whole step-whole step" pitch intervals and spacing similar to the 1-2-3 (or 5-6-7) scale degrees found in an equal-tempered Western major scale (although the Ajam trichord's third scale degree may be tuned just slightly flat of an equal-tempered third). Because most uses of these Ajam trichords place the next (fourth) scale step a halfstep above the last (third) scale step of the Ajam trichord, the result is essentially the same as the "whole step—whole step—half step" tetrachord construction of the Western major scale, and thus the maqam Ajam sounds generally the same as the major scale in Western music. On F (notated C in Turkish music), Ajam is known as ''Jaharkah'' (in Turkish: Çârgâh, see also Chahargah (mode)). See also * C major C major (or the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Maqam Jins Ajam
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , ), also referred to as Turkish of Turkey (''Türkiye Türkçesi''), is the most widely spoken of the Turkic languages, with around 80 to 90 million speakers. It is the national language of Turkey and Northern Cyprus. Significant smaller groups of Turkish speakers also exist in Iraq, Syria, Germany, Austria, Bulgaria, North Macedonia, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested the European Union to add Turkish as an official language, even though Turkey is not a member state. Turkish is the 13th most spoken language in the world. To the west, the influence of Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of the Tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Maqam
Arabic maqam ( ar, مقام, maqām, literally "rank"; ') is the system of melodic modes used in traditional Arabic music, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabian art music". There are 72 heptatonic tone rows or scales of maqamat. These are constructed from major, neutral, and minor seconds. Each ''maqam'' is built on a scale, and carries a tradition that defines its habitual phrases, important notes, melodic development and modulation. Both compositions and improvisations in traditional Arabic music are based on the ''maqam'' system. ''Maqamat'' can be realized with either vocal or instrumental music, and do not include a rhythmic component. An essential factor in performance is that each maqam describes the "tonal-spatial factor" or set of musical n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music. Arabic music has a long history of interaction with many other regional musical styles and genres. It represents the music of all the peoples that make up the Arab world today, all the 22 states. History Pre-Islamic period (Arabian Peninsula) Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Music
The music of Turkey includes mainly Turkic and Byzantine elements as well as partial influences ranging from Ottoman music, Middle Eastern music and Music of Southeastern Europe, as well as references to more modern European and American popular music. Turkey is a country on the northeastern shore of the Mediterranean Sea, and is a crossroad of cultures from across Europe, North Africa, the Middle East, the Caucasus and South and Central Asia. The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajam
''Ajam'' ( ar, عجم, ʿajam) is an Arabic word meaning mute, which today refers to someone whose mother tongue is not Arabic. During the Arab conquest of Persia, the term became a racial pejorative. In many languages, including Persian, Turkish, Urdu–Hindi, Azerbaijani, Bengali, Kurdish, Gujarati, Malay, Punjabi, and Swahili, ''Ajam'' and ''Ajami'' refer to Iran and Iranians respectively. Etymology According to traditional etymology, the word ''Ajam'' comes from the Semitic root ''ʿ-j-m''. Related forms of the same root include, but are not limited to: * ''mustaʿjim'': mute, incapable of speech * ''ʿajama'' / '' ʾaʿjama'' / ''ʿajjama'': to dot – in particular, to add the dots that distinguish between various Arabic letters to a text (and hence make it easier for a non-native Arabic speaker to read). It is now an obsolete term, since all modern Arabic texts are dotted. This may also be linked to ''ʿajām'' / ''ʿajam'' "pit, seed (e.g. of a date or grape)". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12 Tone Equal Temperament
Twelve-tone equal temperament (12-TET) is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 ( ≈ 1.05946). That resulting smallest interval, the width of an octave, is called a semitone or half step. Twelve-tone equal temperament is the most widespread system in music today. It has been the predominant tuning system of Western music, starting with classical music, since the 18th century, and Europe almost exclusively used approximations of it for millennia before that. It has also been used in other cultures. In modern times, 12-TET is usually tuned relative to a standard pitch of 440 Hz, called A440, meaning one note, A, is tuned to 440 hertz and all other notes are defined as some multiple of semitones apart from it, either higher or lower in frequency. The standard pitch has not always been 440 Hz. It has varied and generally risen over the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Scale
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth). The simplest major scale to write is C major, the only major scale not requiring sharps or flats: The major scale had a central importance in Western music, particularly in the common practice period and in popular music. In Carnatic music, it is known as '' Sankarabharanam''. In Hindustani classical music, it is known as '' Bilaval''. Structure A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is: : whole, whole, half, whole, whole, whole, half where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale On C
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Çârgâh
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition (''beste'', ''şarkı'', ''peşrev'', ''âyin'', etc.) or a spontaneous composition (''gazel'', ''taksim'', recitation of ''Kuran-ı Kerim'', ''Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Comparison in use in Turkish classical to folk music Turkish Classical Music and Turkish Folk Music are both based on modal systems. Makam is the name of the scale in classical music, while Ayak is the name of the scale in folk music. Makam and Ayak are similar; following are some examples: Yahyalı Kerem Ayağı : Hüseyni Makamı Garip Ayağı : Hicaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chahargah (mode)
Dastgāh-e Chahārgāh ( fa, دستگاه چهارگاه; az, Çahargah) is a musical modal system in traditional mugham music and one of the seven ''Dastgāh''s of Persian Music Persian music may refer to various types of the music of Persia/Iran or other Persian-speaking countries: *Persian traditional music * Persian ritual music *Persian pop music * Persian symphonic music * Persian piano music See also *Music of Iran .... Classically, Persian Music is organized into seven ''Dastgāhs'' and five '' Āvāz''es, however from a merely technical point of view, one can consider them as an ensemble of 12 ''Dastgāh''s. This is the fifth and the longest mode according to the amount of sounds. It consists of eleven membranes. Three tetra-chords are amalgamated with two methods. The first and the second tetra-chords are amalgamated with the first method. The second and the third tetra-chords are amalgamated with different method. Tetra-chords are 0.5+1.5+0.5 tone structural. Chahar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
