|
Airyaman
In the Avesta, (or ') is both an Avestan language common noun as well as the proper name of a Zoroastrian divinity. The common noun is a theological and social term literally meaning "member of (the) community or tribe." In a secondary development, the common noun became the proper name of a divinity Airyaman, who is the ''yazata'' of health and healing. /sup> In Zoroastrian tradition, Avestan Airyaman is Middle Persian ''Erman'' (''Ērmān''). In scripture In the Gathas The divinity Airyaman does not appear in the Gathas, the oldest texts of Zoroastrianism and considered to have been composed by Zoroaster himself. In the few instances where the term does appear (''Yasna'' 32.1, 33.3, 33.4, 49.7), ''airyaman'' is a common noun denoting the social division of priests.. In the Younger Avesta According to a cosmogonical story preserved in the ''Vendidad'', not long after Ahura Mazda had created the world, Angra Mainyu unleashed innumerable sicknesses upon it. In response, Ahura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha
Asha (; also arta ; ae, 𐬀𐬴𐬀, translit=aṣ̌a/arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right(eousness)', 'order' and 'right working'... For other connotations, see meaning below. It is of cardinal importance. to Zoroastrian theology and doctrine. In the moral sphere, ''aṣ̌a/arta'' represents what has been called "the decisive confessional concept of Zoroastrianism". qtd. in . The opposite of Avestan ''aṣ̌a'' is ''druj'', "deceit, falsehood". Its Old Persian equivalent is ''arta-''. In Middle Iranian languages the term appears as ''ard-''. The word is also the proper name of the divinity Asha, the Amesha Spenta that is the hypostasis or "genius". of "Truth" or "Righteousness". In the Younger Avesta, this figure is more commonly referred to as Asha Vahishta (''Aṣ̌a Vahišta'', ''Arta Vahišta''), "Best Truth". The Middle Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asha Vahishta
Asha (; also arta ; ae, 𐬀𐬴𐬀, translit=aṣ̌a/arta) is a Zoroastrian concept with a complex and highly nuanced range of meaning. It is commonly summarized in accord with its contextual implications of 'truth' and 'right(eousness)', 'order' and 'right working'... For other connotations, see meaning below. It is of cardinal importance. to Zoroastrian theology and doctrine. In the moral sphere, ''aṣ̌a/arta'' represents what has been called "the decisive confessional concept of Zoroastrianism". qtd. in . The opposite of Avestan ''aṣ̌a'' is ''druj'', "deceit, falsehood". Its Old Persian equivalent is ''arta-''. In Middle Iranian languages the term appears as ''ard-''. The word is also the proper name of the divinity Asha, the Amesha Spenta that is the hypostasis or "genius". of "Truth" or "Righteousness". In the Younger Avesta, this figure is more commonly referred to as Asha Vahishta (''Aṣ̌a Vahišta'', ''Arta Vahišta''), "Best Truth". The Middle Persi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Airyaman Ishyo
The airyaman ishya (; ''airyaman išya'', ''airyə̄mā išyō'') is Zoroastrianism's fourth of the four Gathic Avestan invocations. Name The prayer is named after its opening words, ''ā airyə̄mā išyō''. In present-day Zoroastrian usage, the ''airyama'' of these opening words are considered to be an invocation of the divinity ''Airyaman'', the ''yazata'' of healing. The opening words may however have originally been an appeal to "the community" (or "tribe"), which would reflect the etymologically derived meaning of ''airyaman.'' In relation to the other formulas Like the other three formulas (''Ahuna Vairya'', ''Ashem vohu'', ''Yenghe hatam''), the ''airyaman ishya'' is in Gathic Avestan. While the first three formulas are located at ''Yasna'' 27.13-27.15, immediately preceding the Gathas, the ''airyaman ishya'' - at ''Yasna'' 54.1 - provides the closure. Also unlike the first three, the theological exegesis of the ''airyaman ishya'' is not embedded in the ''Yasna'' lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gathas
The Gathas () ''''. are 17 s traditionally believed to have been composed by the prophet Zarathushtra (Zoroaster). They form the core of the |
Saoshyant
Saoshyanet (Avestan: 𐬯𐬀𐬊𐬳𐬌𐬌𐬀𐬧𐬝 saoš́iiaṇt̰) is the Avestan language expression that literally means "one who brings benefit", and which is used in several different ways in Zoroastrian scripture and tradition. In particular, the expression is the proper name of ''the'' Saoshyant, an eschatological saviour figure who brings about ''Frashokereti'', the final renovation of the world in which evil is finally destroyed. The term was contracted to "Soshans" in Zoroastrian tradition, and came to apply to three saviour figures that progressively bring about the final renovation. In scripture In the Gathas, the most sacred hymns of Zoroastrianism, believed to have been composed by Zoroaster himself, the term is used as a common noun to refer to the prophet's own mission and to his community of followers, who "bring benefit" to humanity. The common noun also appears in the Younger Avesta (e.g. ''Yasna'' 61.5), where it generically denotes religious leaders, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aryaman
Aryaman () is one of the early Vedic Hindu deities. His name signifies "Life-Partner", "close friend", "Partner", "play-fellow" or "companion".Monier-Williams Sanskrit Dictionary He is the third son of Kashyapa and Aditi, the father and mother of the adityas, and is depicted as the mid-morning sun disc. He is the deity of customs, and rules over the customs that rule the various Vedic tribes and peoples. In the Rigveda, Aryaman is described as the protector of mares and stallions, and the Milky Way (aryamṇáḥ pánthāḥ) is said to be his path. Aryaman is commonly invoked together with Varuna-Mitra, Bhaga, Bṛhaspati, and other adityas and asuras. According to Griffith, the Rigveda also suggests that Aryaman is a supreme deity alongside Mitra and Varuna. According to the Rigveda, Indra, who is traditionally considered the most important deity in the Rigveda, is asked to obtain boons and gifts from Aryaman. Hindu marriage oaths are administered with an invocation to Arya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasna
Yasna (; ''''. ae, ,) is the name of 's principal act of worship. It is also the name of the primary liturgical collection of texts, recited during that ''yasna'' ceremony. Overview The function of the ''yasna'' ceremony is, very roughly des ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RigVeda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashi
Ashi (Avestan: 𐬀𐬴𐬌 ''aṣ̌i/arti'') is the Avestan language word for the Zoroastrian concept of "that which is attained." As the hypostasis of "reward," "recompense," or "capricious luck," ''Ashi'' is also a divinity in the Zoroastrian hierarchy of ''yazata''s. Nomenclature Avestan 'ashi' is a feminine abstract noun, deriving from the root ''ar-'', "to allot," with a substantivizing ''-ta'' suffix, hence ''aṣ̌i/arti'' "that which is granted." In the Avesta, the term implies both material and spiritual recompense. Although conceptually older than Zoroastrianism, Ashi has no attested equivalent in Vedic Sanskrit. The late Middle Persian equivalent as attested in the Zoroastrian texts of the 9th-12th century is ''ard-'', which is subject to confusion with another ''ard'' for '' aṣ̌a/arta-'' "truth". In the younger Avesta, divinified ''Ashi'' is also referred to Ashi Vanuhi or Ashi Vanghuhi (''Aši vaηuhī'', nominative ''Ašiš vaηuhī'' "Good Reward"), the Midd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypostasis (linguistics)
In linguistics, a hypostasis (from the Greek word ὑπόστασις meaning ''foundation'', ''base'' or ''that which stands behind'') is a relationship between a name and a known quantity, as a cultural personification (i.e. objectification with personality) of an entity or quality. It often connotes the personification of typically elemental powers, such as wind and fire, or human life, fertility, and death. In descriptive linguistics, the term was first introduced by Leonard Bloomfield to account for uses of synsemantic words as autosemantic in sentences such as ''I'm tired of your ifs and buts''. In this sense, the usage meaning of the word is referred to as a whole. The term ''hypostasis'' is considered to be scientifically and culturally neutral, for the purpose of describing name-to-term relationships that, within religion and theology might be termed a "deification", or otherwise by the more pejorative "idolatry Idolatry is the worship of a cult image or "idol" a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pazend
Pazend () or Pazand ( pal, 𐭯𐭠𐭰𐭭𐭣; ae, 𐬞𐬀𐬌𐬙𐬌 𐬰𐬀𐬌𐬥𐬙𐬌) is one of the writing systems used for the Middle Persian language. It was based on the Avestan alphabet, a phonetic alphabet originally used to write Avestan, the language of the Avesta, the primary sacred texts of Zoroastrianism. Pazend's principal use was for writing the commentaries (''Zend'') on and/or translations of the Avesta. The word "Pazend" ultimately derives from the Avestan words ''paiti zainti'', which can be translated as either "for commentary purposes" or "according to understanding" (phonetically). Pazend had the following characteristics, both of which are to be contrasted with Pahlavi, which is one of the other systems used to write Middle Persian: * Pazend was a variant of the Avestan alphabet (''Din dabireh''), which was a phonetic alphabet. In contrast, Pahlavi script was only an abjad. * Pazend did not have ideograms. In contrast, ideograms were an identi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> RigVeda")
