Ain't Misbehavin' (Clark Terry Album)
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Ain't Misbehavin' (Clark Terry Album)
''Ain't Misbehavin is a 1979 album by Clark Terry, focusing on the music on Fats Waller. Terry is joined by pianist Oscar Peterson and the singer Johnny Hartman. Track listing # "Jitterbug Waltz" (Richard Maltby, Jr., Fats Waller) – 5:41 # "Your Feet's Too Big" (Ada Benson, Fred Fisher) – 5:40 # " Honeysuckle Rose" (Andy Razaf, Waller) – 3:09 # " Mean to Me" (Fred E. Ahlert, Roy Turk) – 2:45 # "It's a Sin to Tell a Lie" (Billy Mayhew) – 4:10 # " Ain't Misbehavin'" ( Harry Brooks, Razaf, Waller) – 3:05 # "Squeeze Me" (Waller, Clarence Williams) – 4:20 # "Handful of Keys" (Murrary Horwitz, Maltby, Waller) – 4:19 # " Black and Blue" (Brooks, Razaf, Waller) – 2:29 # " I Can't Give You Anything But Love" ( Dorothy Fields, Jimmy McHugh) – 4:19 # "The Joint Is Jumpin'" (J. C. Johnson, Razaf, Waller) – 2:52 Personnel * Clark Terry – trumpet, flugelhorn, vocals * Johnny Hartman – vocals * ...
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Clark Terry
Clark Virgil Terry Jr. (December 14, 1920 – February 21, 2015) was an American swing and bebop trumpeter, a pioneer of the flugelhorn in jazz, and a composer and educator. He played with Charlie Barnet (1947), Count Basie (1948–51), Duke Ellington (1951–59), Quincy Jones (1960), and Oscar Peterson (1964–96). He was with The Tonight Show Band on ''The Tonight Show'' from 1962 to 1972. His career in jazz spanned more than 70 years, during which he became one of the most recorded jazz musicians, appearing on over 900 recordings. Terry also mentored Quincy Jones, Miles Davis, Herbie Hancock, Wynton Marsalis, Pat Metheny, Dianne Reeves, and Terri Lyne Carrington.Terry, C. ''Clark: The Autobiography of Clark Terry'', University of California Press (2011). Early life Terry was born to Clark Virgil Terry Sr. and Mary Terry in St. Louis, Missouri, on December 14, 1920. Yanow, Scott Clark Terry biographyat Allmusic. He attended Vashon High School and began his professional care ...
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Mean To Me (1929 Song)
"Mean to Me" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk, published in 1929. Hit versions that year were by Ruth Etting and by Helen Morgan. Ben Bernie and the Hotel Roosevelt Orchestra also recorded what might be the first male version in February 1929 with vocals by Scrappy Albert. The song is a popular standard, recorded by many artists. Other notable recordings *Annette Hanshaw - recorded in New York February 20, 1929. Released under the pseudonym of Gay Ellis and Her Orchestra on Harmony 859H. * Ben Bernie and His Hotel Roosevelt Orchestra with Scrappy Lambert on vocals - recorded in February 1929. *Billie Holiday recorded her version in 1937 with Lester Young and Teddy Wilson and this was very popular that year. *The Andrews Sisters - recorded September 5, 1940 for Decca Records (catalog No. 3440A). *In 1946, Lester Young, Nat King Cole and Buddy Rich recorded the song, which was released on the album '' The Lester Young Trio No. 2''. *Frank Sina ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ...
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Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ...
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I Can't Give You Anything But Love
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's ''Blackbird Revue'', which opened on Broadway later that year as the highly successful '' Blackbirds of 1928'' (518 performances), wherein it was performed by Adelaide Hall, Aida Ward, and Willard McLean. In the 100-most recorded songs from 1890 to 1954, "I Can't Give You Anything But Love, Baby" (1928) is No. 24. Background Jimmy McHugh and Dorothy Fields had written the score for a revue at Les Ambassadeurs Club on 57th Street, New York, which featured the vocalist Adelaide Hall. However, the producer Lew Leslie believed that they still missed a 'smash' tune. The team pondered for a while before finally playing Leslie "I Can't Give You Anything but Love, Baby". This was the song Leslie had been looking for and he immediately ...
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Black And Blue (Fats Waller Song)
"(What Did I Do to Be So) Black and Blue" is a 1929 jazz standard composed by Fats Waller with lyrics by Harry Brooks (composer), Harry Brooks and Andy Razaf. It was introduced in the Broadway theatre, Broadway musical ''Hot Chocolates'' (1929) by Edith Wilson (singer), Edith Wilson. In the show, Wilson originally sang the song from a bed with white sheets, but the bed was removed after the first show due to the judgement that it was too suggestive. The show also included Waller's hit compositions "Ain't Misbehavin' (song), Ain't Misbehavin'" and "Honeysuckle Rose (song), Honeysuckle Rose". Louis Armstrong later performed and recorded the song several times omitting the opening verse. Blues singer Ethel Waters's 1930 version of the song became a hit, and the song has been recorded by many artists since then. Frankie Laine, Frankie Laine's 1946 version was featured in the 2011 video game ''L.A. Noire'', as part of the in-game radio station, K.T.I. Radio. The song is also featured i ...
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Handful Of Keys
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ...
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Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ...
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Squeeze Me
"Squeeze Me" is a 1925 jazz standard composed by Fats Waller. It was based on an old blues song called "The Boy in the Boat". The lyrics were credited to publisher Clarence Williams, although Andy Razaf has claimed to have actually written the lyrics.Squeeze Me
at ''jazzstandards.com'' - retrieved on 19 May 2009 The song has been recorded by numerous artists, including , , ,

Harry Brooks (composer)
Harry Brooks (September 20, 1895 – June 22, 1970) was an American writer of popular songs, jazz pianist and composer in the 1920s to the early 1950s. Brooks was born in Homestead, Pennsylvania. After graduating from his hometown high school in 1914, he worked as a pianist with Pittsburgh bands (dance orchestras) and then as a staff composer for a publishing company. He is recalled mostly in the 21st century for his work with his friends Thomas "Fats" Waller and the lyricist Andy Razaf. Brooks was the composer of several hit songs including his composition " Ain't Misbehavin'", written with Waller and Razaf.Larkin, Colin (ed.) (2006) "Razaf, Andy" ''Encyclopedia of Popular Music'' MUZE, Oxford University Press, New York, Also with Razaf and Waller, Brooks scored the Broadway shows ''Snapshots of 1921'' and ''Connie's Hot Chocolates''. He died, aged 74, in Teaneck, New Jersey. Published songs and music All co-composed with Razaf and Waller unless otherwise marked * " Ain't ...
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Ain't Misbehavin' (song)
"Ain't Misbehavin" is a 1929 Stride (music), stride jazz/swing music, early swing song. Andy Razaf wrote the lyrics to a score by Fats Waller, Thomas "Fats" Waller and Harry Brooks (composer), Harry Brooks for the Broadway musical comedy play ''Connie's Hot Chocolates''. First performances The song was first performed at the premiere of ''Connie's Hot Chocolates'' in Harlem at Connie's Inn as an opening song by Paul Bass and Margaret Simms, and repeated later in the musical by Russell Wooding's ''Hallelujah Singers''. ''Connie's Hot Chocolates'' was transferred to the Hudson Theatre on Broadway during June 1929, where it was renamed to ''Hot Chocolates'' and where Louis Armstrong became the orchestra director. The script also required Armstrong to play "Ain't Misbehavin" in a trumpet solo, and although this was initially slated only to be a reprise of the opening song, Armstrong's performance was so well received that the trumpeter was asked to climb out of the orchestra pit and p ...
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