Aided Óenfhir Aífe
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Aided Óenfhir Aífe
''Aided Óenfhir Aífe'' ( en, The Death of Aífe's Only Son) is a story from the Ulster Cycle of Irish mythology. It is a sequel to ''Tochmarc Emire'' ( en, The Wooing of Emer), in which the Ulaid hero Cú Chulainn, while training in arms overseas, left the warrior princess Aífe pregnant. In ''Aided Óefhir Aífe'' their son Connla, at the age of seven, comes to Ireland in search of his father, following instructions that Cú Chulainn had left him not to identify himself. When he arrives on the Irish coast in a bronze boat with golden oars, Connla's prowess alarms the Ulaid. The persuasive Condere mac Echach fails to convince him to turn away, and the hero Conall Cernach is overcome by him. Finally Cú Chulainn, despite the suspicions of his wife Emer that the boy is his own son, fights him and kills him with the Gáe Bulg, a barbed spear the use of which the warrior woman Scáthach taught only to him. Finally, the grief-stricken Cú Chulainn recognises Connla as his son. The te ...
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Ulster Cycle
The Ulster Cycle ( ga, an Rúraíocht), formerly known as the Red Branch Cycle, is a body of medieval Irish heroic legends and sagas of the Ulaid. It is set far in the past, in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth. It focuses on the mythical Ulster king Conchobar mac Nessa and his court at Emain Macha, the hero Cú Chulainn, and their conflict with the Connachta and queen Medb. The longest and most important tale is the epic ''Táin Bó Cúailnge'' (Cattle Raid of Cooley). The Ulster Cycle is one of the four 'cycles' of Irish mythology and legend, along with the Mythological Cycle, the Fianna Cycle and the Kings' Cycle. Ulster Cycle stories The Ulster Cycle stories are set in and around the reign of King Conchobar mac Nessa, who rules the Ulaid from Emain Macha (now Navan Fort near Armagh). The most prominent hero of the cycle is Conchobar's nephew, Cú Chulainn. The Ulaid are most often in conflict with the Connacht ...
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Scáthach
Scáthach () or Sgàthach ( gd, Sgàthach an Eilean Sgitheanach) is a figure in the Ulster Cycle of Irish mythology. She is a legendary Scotland, Scottish Women warriors in literature and culture, warrior woman and martial arts teacher who trains the legendary Ulster hero Cú Chulainn in the arts of combat. Texts describe her homeland as Scotland (''Alpeach''); she is especially associated with the Isle of Skye, where her residence ''Dunscaith Castle, Dún Scáith'' ("Fortress of Shadows") stands. She is called "the Shadow" and "Warrior Maid" and is the rival and sister of Aífe, both of whom are daughters of Árd-Greimne of Lethra. Appearances Scáthach's instruction of the young hero Cú Chulainn notably appears in ''Tochmarc Emire'' (''The Wooing of Emer''), an early Irish foretale to the great epic ''Táin Bó Cúailnge''. Here, Cú Chulainn is honour-bound to perform a number of tasks before he is found worthy to marry his beloved Emer, daughter of the chieftain Forgall Mona ...
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Early Irish Literature
Early Irish literature is one of the oldest vernacular literatures in Western Europe, though inscriptions utilising Irish and Latin are found on Ogham stones dating from the 4th century, indicating simultaneous usage of both languages by this period of late antiquity. According to Professor Elva Johnston, "the Irish were apparently the first western European people to develop a full-scale vernacular written literature expressed in a range of literary genres". A significant number of loan words in Irish from other Indo-European languages, including, but not limited to Latin and Greek, are evidenced in Sanas Cormaic, which dates from the 9th century. Two of the earliest examples of literature from an Irish perspective are Saint Patrick's ''Confessio'' and ''Letter to Coroticus'', written in Latin some time in the 5th century, and preserved in the ''Book of Armagh''. The earliest Irish authors It is unclear when literacy first came to Ireland. The earliest Irish writings are inscr ...
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Narratives Of The Ulster Cycle
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travelogue, etc.) or fictional ( fairy tale, fable, legend, thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied methods that are more often used to analyse narrative fiction, to non-fictio ...
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On Baile's Strand
''On Baile's Strand'' is a play written by W. B. Yeats and first printed in ''In the Seven Woods'' published by Dun Emer Press in 1903. The play was first performed at the grand opening of the Abbey Theatre on 27 December 1904. The play is based around the Irish mythological hero Cuchulain. History The story is based on the early Irish folk story ''Aided Óenfhir Aífe'', but with significant changes to the tale, including the addition of a comic subplot. The play received significant revision in 1905. 1938 production The play was performed again on the 4 April 1938. WB Yeats’s daughter Anne Yeats designed for this second production, taking responsibility for the setting and costumes. Anne was 19 when she produced the second performance of ''On Baile’s Strand''. Yeats designed many character sketches in a number of notebooks she kept, which are held at the archives of the National Gallery of Ireland; these sketches include designs for ''Cuchulain'', played by Liam Redmond ...
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Sohrab
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Turan , death_cause = Killed in combat by his father, Rostam, with neither Rostam nor Sohrab aware of their kinship. , body_discovered = , resting_place = , resting_place_coordinates = , burial_place = , burial_coordinates = , monuments = , nationality = , other_names = , siglum = , citizenship = , education = , alma_mater = , occupation = , years_active = , era = , employer = , organization = , agent = , known_for = Battle with Rostam , notable_works = , style = , net_worth = , height = , television = , title = , term = , predecessor = , successor = , ...
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Rostam
use both this parameter and , birth_date to display the person's date of birth, date of death, and age at death) --> , death_place = Kabulistan , death_cause = With the conspiracy of his half-brother Shaghad, he fell into a well full of poisoned spears and was killed in Kabulistan. , body_discovered = , resting_place = , resting_place_coordinates = , burial_place = , burial_coordinates = , monuments = , nationality = , other_names = RustamRustem , siglum = , citizenship = , education = , alma_mater = , occupation = , years_active = , era = , employer = , organization = , agent = , known_for = Seven Labours Battle with Sohrab Battle with Esfandiyārkilling Demons , notable_works = , style = , net_worth = , height = , television = , ...
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Yellow Book Of Lecan
The Yellow Book of Lecan (YBL; Irish: ''Leabhar Buidhe Leacáin''), or TCD MS 1318 (''olim'' H 2.16), is a late medieval Irish manuscript. It contains much of the Ulster Cycle of Irish mythology, besides other material. It is held in the Library of Trinity College Dublin. Overview The manuscript is written on vellum and contains 344 columns of text. The first 289 were written by 1391; the remainder were written by 1401. It is written in Middle Irish. Lecan was the site of the Mac Fhirbhisigh school of poetry in the territory of Tír Fhíacrach Múaidhe, now ''Lackan'' in Kilglass parish, County Sligo (). The manuscript is currently housed at Trinity College Dublin. It should not be confused with the ''Great Book of Lecan''. The book contains nearly the whole of the Ulster Cycle, including a partial version of the ''Táin Bó Cúailnge'' which is a compilation of two or more earlier versions, indicated by the number of duplicated episodes and references to other versions in ...
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Gáe Bulg
The ''Gáe Bulg'' () (also ''Gáe Bulga'', ''Gáe Bolg'', ''Gáe Bolga''), meaning "spear of mortal pain/death", "gapped/notched spear", or "belly spear", was the name of the spear of Cúchulainn in the Ulster Cycle of Irish mythology. It was given to him by his martial arts teacher, the warrior woman Scáthach, and its technique was taught only to him. It was made from the bone of a sea monster, the Curruid, that had died while fighting another sea monster, the Coinchenn. Although some sources make it out to be simply a particularly deadly spear, others—notably the Book of Leinster—state that it could only be used under very specialized, ritual conditions: In other versions of the legend, the spear had seven heads, each with seven barbs. In the '' Táin Bó Cuailnge'', Cúchulainn received the spear after training with the great warrior mistress Scáthach in Alba. She taught him and his foster-brother, Ferdiad, everything the same, except she taught the Gáe Bulg feat only ...
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Irish Mythology
Irish mythology is the body of myths native to the island of Ireland. It was originally passed down orally in the prehistoric era, being part of ancient Celtic religion. Many myths were later written down in the early medieval era by Christian scribes, who modified and Christianized them to some extent. This body of myths is the largest and best preserved of all the branches of Celtic mythology. The tales and themes continued to be developed over time, and the oral tradition continued in Irish folklore alongside the written tradition, but the main themes and characters remained largely consistent. The myths are conventionally grouped into ' cycles'. The Mythological Cycle consists of tales and poems about the god-like Túatha Dé Danann, who are based on Ireland's pagan deities, and other mythical races like the Fomorians. Important works in the cycle are the ''Lebor Gabála Érenn'' ("Book of Invasions"), a legendary history of Ireland, the ''Cath Maige Tuired'' ("Ba ...
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Emer
Emer (), in modern Irish Eimhear or Éimhear (with variations including Eimer, Eimear and Éimear) and in Scottish Gaelic Eimhir, is the name of the daughter of Forgall Monach and the wife of the hero Cú Chulainn in the Ulster Cycle of Irish mythology. Legend ''Tochmarc Emire'' "The Wooing of Emer" The Ulstermen searched all over Ireland for a suitable wife for Cú Chulainn, but he would have none but Emer. He visited her at Forgall's house at Lusk, County Dublin, and wooed her by trading cryptic riddles with her. Emer would accept Cú Chulainn as a husband, but only when his deeds justified it. However, Forgall was opposed to the match. He came to Ulster in disguise and suggested that Cú Chulainn should train in arms with the renowned warrior-woman Scáthach in Scotland, hoping the ordeal would be too much for him and he would be killed. Cú Chulainn took up the challenge. He learned all the arts of war from Scáthach, and while he was there slept with her rival Aoife, or ...
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Conall Cernach
Conall Cernach (modern spelling: Conall Cearnach) is a hero of the Ulaid in the Ulster Cycle of Irish mythology. He had a crooked neck and is said to have always slept with the head of a Connachta, Connachtman under his knee. His epithet is normally translated as "victorious" or "triumphant", although it is an obscure word, and some texts struggle to explain it. Alternative meanings include "angular, having corners", "swollen", or "possessing a dish or receptacle". The original form of the name "Conall" in Ogham inscriptions was ''Cunavalas''. Legendary biography Physical description In the destruction of Da Derga's Hostel, Conall Cernach is described as follows: "I saw a man there in an ornamented dining compartment, who was the fairest of the warriors of Ireland. A fleecy crimson cloak about him. As white as the snow one of the cheeks on him, as freckled-red as the foxglove the other cheek. One of his two eyes is as blue as a hyacinth, as black as a beetle’s back the other ey ...
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