|
After Hours (Pinetop Perkins Album)
''After Hours'' is the debut solo-album of the blues piano player Pinetop Perkins. He is backed by the New York-based blues band, Little Mike and the Tornadoes, using the Chicago blues approach. Released in 1988 by Blind Pig Records, the album, produced by Edward Chmelewski and Jerry Del Giudice, featured 12 songs, including blues standards and original material. The album was recorded in New York City at Chelsea Sound by Natasha Turner. Musician credits *Pinetop Perkins, piano and vocals *Little Mike, Wang harmonica *Brad Vickers, bass *Tony O, guitar *Pete DeCosta, drums *Ronnie Earl, guitar on "You Don't Have to Go" Track listing #"Got My Mojo Working" – Preston Foster (3:45) #" After Hours" – Avery Parrish (4:08) #"The Hucklebuck" – Paul Williams (2:54) #"Sit in the Easy Chair" – Pinetop Perkins (4:20) #"Thinks Like a Million" – Pinetop Perkins (3:23) #"Chicken Shack" – Jimmy Smith (3:43) #"Hoochie Coochie Man" – Willie Dixon (4:47) #"Yancey Special" – Jimmy Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinetop Perkins
Joe Willie "Pinetop" Perkins (July 7, 1913 – March 21, 2011) was an American blues pianist. He played with some of the most influential blues and rock-and-roll performers of his time and received numerous honors, including a Grammy Lifetime Achievement Award and induction into the Blues Hall of Fame. Life and career Early career Perkins was born in Belzoni, Mississippi and raised on a plantation in Honey Island, Mississippi. He began his career as a guitarist but then injured the tendons in his left arm in a knife fight with a chorus girl in Helena, Arkansas in the 1940s. Unable to play the guitar, he switched to the piano. He also moved from Robert Nighthawk's radio program on KFFA to Sonny Boy Williamson's ''King Biscuit Time''. He continued working with Nighthawk, however, accompanying him on "Jackson Town Gal" in 1950. In the 1950s, Perkins joined Earl Hooker and began touring. He recorded "Pinetop's Boogie Woogie" at Sam Phillips's Sun Studio in Memphis, Tennes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Williams (saxophonist)
Paul "Hucklebuck" Williams (July 13, 1915 – September 14, 2002) was an American jazz and blues saxophonist, bandleader, and songwriter. His record " The Huckle-Buck", recorded in December 1948, was one of the most successful R&B records of the time. In his ''Honkers and Shouters'', Arnold Shaw credited Williams as one of the first to employ the honking tenor saxophone solo that became the hallmark of rhythm and blues and rock and roll in the 1950s and early 1960s. Biography Williams was born in Lewisburg, Tennessee, and grew up in Bowling Green, Kentucky, before moving with his parents to Detroit, Michigan, at the age of 13. He started learning saxophone and played in school bands before forming his own band, Paul Williams and his Kings of Rhythm, with the trumpeter Lloyd Henderson, in the mid-1930s, and playing in local clubs. The band split up during World War II, and Williams then joined Clarence Dorsey's band. He toured with the band, then known as the Sensational Six, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1988 Debut Albums
File:1988 Events Collage.png, From left, clockwise: The oil platform Piper Alpha explodes and collapses in the North Sea, killing 165 workers; The USS Vincennes (CG-49) mistakenly shoots down Iran Air Flight 655; Australia celebrates its Australian Bicentenary, Bicentennial on January 26; The 1988 Summer Olympics are held in Seoul, South Korea; Soviet Union, Soviet troops begin their Soviet-Afghan War, withdrawal from Afghanistan, which is completed the 1989, next year; The 1988 Armenian earthquake kills between 25,000-50,000 people; The 8888 Uprising in Myanmar, led by students, protests the Burma Socialist Programme Party; A bomb explodes on Pan Am Flight 103, causing the plane to crash down on the town of Lockerbie, Scotland- the event kills 270 people., 300x300px, thumb rect 0 0 200 200 Piper Alpha rect 200 0 400 200 Iran Air Flight 655 rect 400 0 600 200 Australian Bicentenary rect 0 200 300 400 Pan Am Flight 103 rect 300 200 600 400 1988 Summer Olympics rect 0 400 200 600 88 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinetop Smith
Clarence Smith (June 11, 1904 – March 15, 1929), better known as Pinetop Smith or Pine Top Smith, was an American boogie-woogie style blues pianist. His hit tune "Pine Top's Boogie Woogie" featured rhythmic "breaks" that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock & roll. The song was also the first known use of the term "boogie woogie" on a record, and cemented that term as the moniker for the genre. Career Smith was born to an African American family in Troy, Alabama and raised in Birmingham, Alabama. He received his nickname as a child from his liking for climbing trees. In 1920 he moved to Pittsburgh, Pennsylvania, where he worked as an entertainer before touring on the Theatre Owners Booking Association (T.O.B.A.) vaudeville circuit, performing as a singer and comedian as well as a pianist. For a time, he worked as accompanist for blues singer Ma Rainey and Butterbeans and Susie. In the mid-1920s, he was recommended b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinetop's Boogie Woogie
"Pinetop's Boogie Woogie" is a song initially recorded on December 29, 1928 in Chicago, Illinois, United States. It was released on March 1, 1929 by Clarence "Pinetop" Smith on Vocalion Records, a piano rag that cemented boogie-woogie as the name of its entire genre, which eventually evolved into rock and roll. Along with "Crazy About My Baby", "Pinetop's Boogie Woogie" is sometimes cited as "the first rock and roll song", being an early instance of a danceable 12 bar blues with backbeat. Song This recording was made in 1928, and its lyrics are exclusively instructions to dancers in the audience, as was traditional at the time. Musically, it is strikingly similar to the previous year's hit, "Honky Tonk Train Blues", by Meade Lux Lewis, which like "Pinetop's Boogie Woogie" went on to become a standard recorded many times by many artists. This may not be a coincidence, as around that time Lewis and Smith lived in the same boarding house. Other recordings This song became a "standa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Reed
Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), "Baby What You Want Me to Do" (1960), " Big Boss Man" (1961), and " Bright Lights, Big City" (1961) appeared on both ''Billboard'' magazine's rhythm and blues and Hot 100 singles charts. Reed influenced other musicians, such as Elvis Presley, Hank Williams Jr., and the Rolling Stones, who recorded his songs. Music critic Cub Koda describes him as "perhaps the most influential bluesman of all," due to his easily accessible style. Biography Reed was born in Dunleith, Mississippi, United States. He learned the harmonica and guitar from his friend Eddie Taylor. After several years of busking and performing there, he moved to Chicago, Illinois, in 1943. He was then drafted into the U.S. Navy and served in World War II. He was discharged in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Nighthawk
Robert Lee McCollum (November 30, 1909 – November 5, 1967) was an American blues musician who played and recorded under the pseudonyms Robert Lee McCoy and Robert Nighthawk. He was the father of the blues musician Sam Carr. Nighthawk was inducted into the Blues Hall of Fame in 1983. Life and career McCollum was born in Helena, Arkansas on November 30, 1909. He left home at an early age and became a busking musician. After a period traveling through southern Mississippi, he settled for a time in Memphis, Tennessee, where he played with local orchestras and musicians, such as the Memphis Jug Band. A particular influence during this period was Houston Stackhouse, from whom he learned to play slide guitar and with whom he performed on the radio in Jackson, Mississippi. After further travels through Mississippi, he found it advisable to take his mother's name. As Robert Lee McCoy, he moved to St. Louis, Missouri, in the mid-1930s. Local musicians with whom he played included He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis Slim
John Len Chatman (September 3, 1915 – February 24, 1988), known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings. He was posthumously inducted into the Blues Hall of Fame in 1989. Biography Memphis Slim was born John Len Chatman, in Memphis, Tennessee. For his first recordings, for Okeh Records in 1940, he used the name of his father, Peter Chatman (who sang, played piano and guitar, and operated juke joints); it is commonly believed that he did so to honor his father. He started performing under the name "Memphis Slim" later that year but continued to publish songs under the name Peter Chatman. He spent most of the 1930s performing in honky-tonks, dance halls, and gamb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Day I Have The Blues
"Every Day I Have the Blues" is a blues song that has been performed in a variety of styles. An early version of the song is attributed to Pinetop Sparks and his brother Milton. It was first performed in the taverns of St. Louis by the Sparks brothers and was recorded July 28, 1935 by Pinetop with Henry Townsend on guitar. The song is a twelve-bar blues that features Pinetop's piano and falsetto vocal. The opening verse includes the line "Every day, every day I have the blues". After a reworking of the song by Memphis Slim in 1949, it became a blues standard with renditions recorded by numerous artists. Four different versions of "Every Day I Have the Blues" have reached the Top Ten of the Billboard R&B chart and two—one by the Count Basie Orchestra with Joe Williams and one by B.B. King—have received Grammy Hall of Fame Awards. In 2019, the latter version was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Post-war versions In 1949, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Yancey
James Edwards Yancey (February 20, c. 1895 – September 17, 1951) was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style". Biography Jimmy Yancey was born in Chicago, Chicago, Illinois, most likely in 1895. However, at different times he stated 1900 and 1903, and other sources give 1894 or 1898. Researchers Bob Eagle and Eric LeBlanc suggest 1901. His brother, Alonzo Yancey (1897–1944), was also a pianist, and their father was a vaudeville guitarist and singer. By age ten, Yancey had toured across the United States as a tap dancer and singer, and by twenty he had toured throughout Europe. He began teaching himself to play the piano at the age of 15, and by 1915 had gained a sufficient profile to influence younger musicians, including Meade Lux Lewis and Albert Ammons. Jimmy played in a boogie-woogie style, with a strong-repeated figure in the left hand and mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Willie Dixon
William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.Trager, Oliver (2004). ''Keys to the Rain: The Definitive Bob Dylan Encyclopedia''. Billboard Books. pp. 298–299. . Dixon's songs have been recorded by countless musicians in many genres as well as by various ensembles in which he participated. A short list of his most famous compositions includes "Hoochie Coochie Man", " I Just Want to Make Love to You", "Little Red Rooster", "My Babe", "Spoonful", and "You Can't Judge a Book by the Cover". These songs were written during the peak years of Chess Records, from 1950 to 1965, and wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Your Hoochie Coochie Man
"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter. The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of ''braggadocio'' and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the ''lingua franca'' of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for " I'm a Man", it became one of the most recognizable musical phrases in blues. After the song's initial success in 1954, Waters recorded several live and new studio ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_at_Lincoln_Cemetery%2C_Blue_Island%2C_IL.jpg "Click for more on -> Jimmy Reed")
_at_Lincoln_Cemetery%2C_Blue_Island%2C_IL.jpg "Click for more on -> Jimmy Yancey")
