|
Afro-Cubans (band)
The Afro-Cubans were a Latin jazz band founded by Machito in 1940; often billed as Machito and his Afro-Cubans. Their musical director was Mario Bauzá, Machito's brother-in-law. The Afro-Cubans combined Cuban music with orchestrations derived from swing. As well, the Afro-Cubans played with and incorporated the music of many figures in jazz, including Charlie Parker, Dizzy Gillespie, Flip Phillips, and Buddy Rich; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York. After making some early 78s for Decca, the Afro-Cubans came to increased prominence towards the end of World War II, appearing with Stan Kenton's orchestra. (Machito played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauzá's urging, Machito's band featured American jazz soloists on its recordings from 1948 to 1960, including Howard McGhee, Harry "Sweets" Edison, Cannonball Adde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango'' ) can be thought of as a combination of tresillo and the backbeat. Wynton Marsalis considers tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave. "St. Louis Blues" (1914) by W. C. Handy has a habanera-tresillo bass line. Handy noted a reaction to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry "Sweets" Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison explai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timeless Records
Timeless Records is a jazz record label based in the Netherlands. Timeless was founded in Wageningen in 1975 by Wim Wigt. It has specialized in bebop, though it also did a sub-series of releases of Dixieland and swing recordings. As of 2000, the label had issued some 600 albums, and had two sub-labels, World Wide Jazz and Limetree Records. In the late 1970s, Timeless partnered with Muse Records to distribute Timeless Muse. The label sponsored the Timeless All Stars, a six-piece ensemble founded by Wigt in 1981. The initial membership of the group was Harold Land, Curtis Fuller, Bobby Hutcherson, Cedar Walton, Buster Williams, and Billy Higgins. Among the label's significant releases are '' Dizzy Gillespie Meets Phil Woods Quintet'', McCoy Tyner's '' Bon Voyage'', Lou Donaldson's ''Forgotten Man'' and albums by the George Adams-Don Pullen Quartet. Timeless Historical is a sub-label of Timeless Records that contain CDs dedicated to early jazz. The series started in 1991 under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Records
Pablo Records was a jazz record company and label founded by Norman Granz in 1973, more than a decade after he had sold his earlier catalog (including Verve Records) to MGM Records. Pablo initially featured recordings by acts that Granz managed: Ella Fitzgerald, Oscar Peterson, and Joe Pass. Later, the label issued recordings by Count Basie, Dizzy Gillespie, Sarah Vaughan, Milt Jackson, and Paulinho da Costa. The label also re-released 1950s recordings by Art Tatum, which Granz reacquired, and released unissued European live recordings of John Coltrane and his groups. In January 1987, it was announced that the label had been acquired by Fantasy Records for an undisclosed amount. Eric Miller, who had worked with Norman Granz since the early 1970s, continued with Pablo as head of A&R, until the early-2000s. Fantasy continued to release previously unissued recordings using the Pablo name. Discography Pablo 2310-700 Series The Pablo 2310-700 Series were released between 1974 and 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palladium Ballroom
The Palladium Ballroom was a New York City night club. The US mambo craze that started in 1948 began at the Palladium Ballroom. On March 15, 1946, it opened at the northeast corner of Broadway and 53rd Street.''New York Post'', March 14, 1946; p. 35 Big Three In 1948, the Palladium Ballroom gained in stature because of the Big Three acts: Tito Puente, Tito Rodríguez, and Machito. The careers of the Big Three expanded on the strength of their bookings there. These bands recorded many mambo hits such as "Asia Minor" and "Babarabatiri", "Picadillo", "Ran Kan Kan", and "Mambo Mona". Dámaso Pérez Prado's "Mambo No. 5" (1952) was a cross-over hit. Dancers and dances The Palladium was known for its dancers as well as its music, fueled by weekly dance competitions and pie contests along with a Female Best Leg Contest. Ability to dance, not class or color, was the social currency. The Palladium's top dancers, Augie and Margo Rodríguez were the mambo dancing champions. Carlos Arroyo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Griffin
John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music. Early life and career Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker's brother. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curtis Fuller
Curtis DuBois Fuller (December 15, 1932May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey's Jazz Messengers and contributed to many classic jazz recordings. Early life Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone. Fuller attended a public school in his hometown, together with Paul Chambers, Donald Byrd, Tommy Flanagan, Thad Jones, and Milt Jackson. There, he took up the trombone when he was sixteen, after attempting the violin and with the saxophone (his next choice) being unavailable. He studied under Johnson and Elmer James. Career Fuller joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard'' No. 1 dance hit for three weeks in 1975. Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or '' Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cannonball Adderley
Julian Edwin "Cannonball" Adderley (September 15, 1928August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s. Adderley is perhaps best remembered for the 1966 soul jazz single "Mercy, Mercy, Mercy", which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached No. 5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records ''Milestones'' (1958) and '' Kind of Blue'' (1959), and then on his own 1958 album '' Somethin' Else''. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band. Early life and career Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida to high school guidance counselor and cornet player Julian Carlyle Adderley and elementary school teacher Jessie Johnson. Elementary school cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard McGhee
Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro. Biography Howard McGhee was born in Tulsa, Oklahoma, United States, and raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory. In 1946–47, some record sessions for the new label Dial were organized in Hollywood, with Charlie Parker and McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker's health near to collapse, he played "Max is Makin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Machito
Machito (born Francisco Raúl Gutiérrez Grillo, December 3, 1909 – April 15, 1984) was a Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music. Ginell, Richard S. ''Biography''. Allmusic, 2011/ref> He was raised in Havana with the singer Graciela, his foster sister. In New York City, Machito formed the Afro-Cubans in 1940, and with Mario Bauzá as musical director, brought together Cuban rhythms and big band arrangements in one group. He made numerous recordings from the 1940s to the 1980s, many with Graciela as singer. Machito changed to a smaller ensemble format in 1975, touring Europe extensively. He brought his son and daughter into the band, and received a Grammy Award in 1983, one year before he died. Machito's music had an effect on the careers of many musicians who played in the Afro-Cubans over the years, and on those who were attracted to Latin jazz after hearing him. George Shearing, Dizzy Gillespie, Charlie Parker and Stan K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Kenton
Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.Sparke, Michael. ''Stan Kenton: This is an Orchestra.'' UNT Press (2010). . Early life Stan Kenton was born on December 15, 1911, in Wichita, Kansas; he had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, moved the family to Colorado, and in 1924, to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high-school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Cannonball Adderley")
.jpg "Click for more on -> Howard McGhee")
