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Afric Pepperbird
''Afric Pepperbird'' is the second album by Norwegian saxophonist Jan Garbarek and his first released on the ECM label performed by Garbarek's quartet featuring Terje Rypdal, Arild Andersen and Jon Christensen. The name of the album: Garbarek told Arild Andersen that Garbarek believes that he read about a bird in a book "or something", according to author Jan Omdahl; in a newspaper article, the author has given his emerging theory, about which " pepperbird" which likely was the inspiration for the title of the song and album. Reception The Allmusic review by Brian Olewnick awards the album 4½ stars, and states, "Together with ''Sart'', '' Tryptikon'', and '' Witchi-Tai-To'' (as well as a prior recording on Flying Dutchman), this album represents the strongest, most aggressive portion of Garbarek's career, before he succumbed to what became known as the ECM aesthetic. Very highly recommended".Olewnick, B. Allmusic Reviewaccessed 1 November 2009 Track listing All composit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Garbarek
Jan Garbarek () (born 4 March 1947) is a Norwegian jazz saxophonist, who is also active in classical music and world music. Garbarek was born in Mysen, Østfold, southeastern Norway, the only child of a former Polish prisoner of war, Czesław Garbarek, and a Norwegian farmer's daughter. He grew up in Oslo, stateless until the age of seven, as there was no automatic grant of citizenship in Norway at the time. When he was 21, he married the author Vigdis Garbarek. He is the father of musician and composer Anja Garbarek. Biography Garbarek's style incorporates a sharp-edged tone, long, keening, sustained notes, and generous use of silence. He began his recording career in the late 1960s, notably featuring on recordings by the American jazz composer George Russell (such as '' Electronic Sonata for Souls Loved by Nature''). By 1973 he had turned his back on the harsh dissonances of avant-garde jazz, retaining only his tone from his previous approach. Garbarek gained wider recogni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arild Andersen
Arild Andersen (born 27 October 1945) is a Norwegian jazz musician bassist, known as the most famous Norwegian bass player in the international jazz scene. Career Andersen was born at Strømmen, Norway. He started his musical career as jazz guitarist in the Riverside Swing Group in Lillestrøm (1961–63), started playing double bass in 1964, and soon became part of the core jazz bands in Oslo. He was a member of Roy Hellvin Trio, was in the backing band at Kongsberg Jazz Festival in 1967 and 1968, was elected Best Bassist by Jazznytt in 1967, and started as bass player in the Jan Garbarek Quartet (1967–1973), including Terje Rypdal and Jon Christensen. After completing his technical education in 1968, he became a professional musician and collaborated with Karin Krog, George Russell, and Don Cherry (Berlin 1968), and with visiting American musicians Phil Woods, Dexter Gordon, Bill Frisell, Hampton Hawes, Johnny Griffin, Sonny Rollins, Sheila Jordan, and Chick Corea. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Bugle
The bugle is one of the simplest brass instruments, normally having no valves or other pitch-altering devices. All pitch control is done by varying the player's embouchure. History The bugle developed from early musical or communication instruments made of animal horns, with the word "bugle" itself coming from "buculus", Latin for bullock (castrated bull). The earliest bugles were shaped in a coil – typically a double coil, but also a single or triple coil – similar to the modern horn, and were used to communicate during hunts and as announcing instruments for coaches (somewhat akin to today's automobile horn). Predecessors and relatives of the bugle included the post horn, the Pless horn (sometimes called the "Prince Pless horn"), the bugle horn, and the shofar, among others. The ancient Roman army used the buccina. The first verifiable formal use of a brass bugle as a military signal device was the ''Halbmondbläser'', or half-moon bugle, used in Hanover in 1758 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four-course Renaissance guitar, and the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Saxophone
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music. Music for bass saxophone is written in treble clef, just as for the other saxophones, with the pitches sounding two octaves and a major second lower than written. As with most other members of the saxophone family, the lowest written note is the B below the staff—in the bass's case, sounding a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recogniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witchi-Tai-To (album)
''Witchi-Tai-To'' is an album by the Jan Garbarek-Bobo Stenson Quartet released on the ECM Records, ECM label and performed by Garbarek, Stenson, Palle Danielsson, and Jon Christensen (musician), Jon Christensen.ECM catalogue accessed 4 November 2009 Reception The Allmusic review by Brian Olewnick awards the album 4½ stars and states, "Long before he became the standard-bearer for the 'ECM sound,' churning out discs with a mildly medieval or Scandinavian flavor spiced with enough new age fluff to guarantee sales, Jan Garbarek produced a string of superb albums, culminating in ''Witchi-Tai-To'', his masterpiece... He might never have reached similar heights since, but ''Witchi-Tai-To'', along with Dave Holland's ''Conference of the Birds ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triptykon (album)
''Triptykon'' is the fourth album by Norwegian saxophonist Jan Garbarek, his third release on the ECM label, and is performed by Garbarek with Arild Andersen and Edward Vesala. Reception Jazz historian and Jazzwise journalist, Stuart Nicholson, identified ''Triptykon'' to be one of Garbarek's top five best recordings, noting that it presented a 'radical twist' in Garbarek's musical style. This 'twist' was also highlighted in an Allmusic review by Brian Olewnick, who awarded the album 4½ stars and stating, "Norwegian saxophonist Jan Garbarek took several intriguing stylistic turns early in his career, none more extreme than that shown on ''Triptykon''... an expressionist trio drawing on both free improvisation and Scandinavian folk tunes, roaring, stumbling, and reeling, evoking an aural equivalent of Edvard Munch. Garbarek's work on all his reeds is assured and imaginative, even as the context is often dark and bleak... Highly recommended". Track listing All compositions by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
