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Aesop Fables
Aesop's Fables, or the Aesopica, is a collection of fables credited to Aesop, a slave and storyteller believed to have lived in ancient Greece between 620 and 564 BCE. Of diverse origins, the stories associated with his name have descended to modern times through a number of sources and continue to be reinterpreted in different verbal registers and in popular as well as artistic media. The fables originally belonged to oral tradition and were not collected for some three centuries after Aesop's death. By that time, a variety of other stories, jokes and proverbs were being ascribed to him, although some of that material was from sources earlier than him or came from beyond the Greek cultural sphere. The process of inclusion has continued until the present, with some of the fables unrecorded before the Late Middle Ages and others arriving from outside Europe. The process is continuous and new stories are still being added to the Aesop corpus, even when they are demonstrably more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perugia - Fontana Maggiore - 7 - Esopo (gru E Lupo & Lupo E Agnello) - Foto G
Perugia (, , ; lat, Perusia) is the capital city of Umbria in central Italy, crossed by the River Tiber, and of the province of Perugia. The city is located about north of Rome and southeast of Florence. It covers a high hilltop and part of the valleys around the area. The region of Umbria is bordered by Tuscany, Lazio, and Marche. The history of Perugia goes back to the Etruscan period; Perugia was one of the main Etruscan cities. The city is also known as the universities town, with the University of Perugia founded in 1308 (about 34,000 students), the University for Foreigners (5,000 students), and some smaller colleges such as the Academy of Fine Arts "Pietro Vannucci" ( it, Accademia di Belle Arti "Pietro Vannucci") public athenaeum founded in 1573, the Perugia University Institute of Linguistic Mediation for translators and interpreters, the Music Conservatory of Perugia, founded in 1788, and other institutes. Perugia is also a well-known cultural and artistic cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Wasps
''The Wasps'' ( grc-x-classical, Σφῆκες, translit=Sphēkes) is the fourth in chronological order of the eleven surviving plays by Aristophanes. It was produced at the Lenaia festival in 422 BC, during Athens' short-lived respite from the Peloponnesian War. As in his other early plays, Aristophanes satirizes the Athenian general and demagogue Cleon. He also ridicules the law courts, one of the institutions that provided Cleon his power. The play has been thought to exemplify Old Comedy. Plot The play begins with a strange scene—a large net has been spread over a house, the entry is barricaded and two slaves, Xanthias and Sosias, are sleeping in the street outside. A third man is positioned at the top of an exterior wall with a view into the inner courtyard but he too is asleep. The two slaves wake and we learn from their banter that they are keeping guard over a "monster." The man asleep above them is their master and the monster is his father—he has an unusual disease ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Old Woman And The Doctor
The Old Woman and the Doctor (or Physician) is a story of Greek origin that was included among Aesop's Fables and later in the 4th century CE joke book, the '' Philogelos''. It is numbered 57 in the Perry Index. A rare fable This fable falls into the category of jokes that were added to the Aesop corpus through the attraction of his name. Because it was largely preserved in Greek sources, it was not noted in the rest of Europe until the Renaissance. One of its first appearances then was in an early Tudor period jest book, '' Merry Tales and Quick Answers'' (c.1530), under the title "Of the olde woman that had sore eyes". The joke involves a woman who asks a surgeon (in this case) to cure her from approaching blindness on the understanding that he would not be paid until she was cured. The surgeon applied salves but stole from the house anything moveable during the course of his visits. Once the cure was completed, the woman refused him payment on the grounds that now her sight was w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeus And The Tortoise
Zeus and the Tortoise appears among Aesop’s Fables and explains how the tortoise got her shell. It is numbered 106 in the Perry Index. From it derives the proverbial sentiment that ‘There’s no place like home’. Home is best The fable tells how the king of the gods invited all the animals to his wedding but the tortoise never arrived. When asked why, her excuse was that she preferred her own home, so Zeus made her carry her house about forever after. That excuse in Greek was Οἶκος φίλος, οἶκος ἄριστος, literally ‘the home you love is the best’. The fabulist then goes on to comment that ‘most people prefer to live simply at home than to live lavishly at someone else's’. The saying became proverbial and was noticed as connected with the fable by Erasmus in his ''Adagia''. The earliest English version of such a proverb, emerging in the 16th century, echoes the comment on the fable: “Home is home, though it’s never so homely”. The sentim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ant And The Grasshopper
The Ant and the Grasshopper, alternatively titled The Grasshopper and the Ant (or Ants), is one of Aesop's Fables, numbered 373 in the Perry Index. The fable describes how a hungry grasshopper begs for food from an ant when winter comes and is refused. The situation sums up moral lessons about the virtues of hard work and planning for the future. Even in Classical times, however, the advice was mistrusted by some and an alternative story represented the ant's industry as mean and self-serving. Jean de la Fontaine's delicately ironic retelling in French later widened the debate to cover the themes of compassion and charity. Since the 18th century the grasshopper has been seen as the type of the artist and the question of the place of culture in society has also been included. Argument over the fable's ambivalent meaning has generally been conducted through adaptation or reinterpretation of the fable in literature, arts, and music. Fable and counter-fable The fable concerns a gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etiology
Etiology (pronounced ; alternatively: aetiology or ætiology) is the study of causation or origination. The word is derived from the Greek (''aitiología'') "giving a reason for" (, ''aitía'', "cause"); and ('' -logía''). More completely, etiology is the study of the causes, origins, or reasons behind the way that things are, or the way they function, or it can refer to the causes themselves. The word is commonly used in medicine (pertaining to causes of disease) and in philosophy, but also in physics, psychology, government, geography, spatial analysis, theology, and biology, in reference to the causes or origins of various phenomena. In the past, when many physical phenomena were not well understood or when histories were not recorded, myths often arose to provide etiologies. Thus, an etiological myth, or origin myth, is a myth that has arisen, been told over time or written to explain the origins of various social or natural phenomena. For example, Virgil's ''Aeneid'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Rodríguez Adrados
Francisco Rodríguez Adrados (29 March 192221 July 2020) was a Spanish Hellenist, linguist and translator. He worked most of his career at the Complutense University of Madrid. He was a member of the Real Academia Española and Real Academia de la Historia. Life Rodríguez Adrados was born on 29 March 1922 in Salamanca. He studied classical philology at the University of Salamanca, where he obtained a degree in 1944. He later obtained a doctorate in classical philology from the Complutense University of Madrid. Rodríguez Adrados became a teacher of Greek at the Instituto Cardenal Cisneros in Madrid in 1949. Two years later, he became a professor at the University of Barcelona and the next year, he moved to the Complutense University of Madrid, where he worked until his retirement. He worked as a translator of Ancient Greek and Sanskrit texts. He was considered to be an expert on Ancient Greek. Rodríguez Adrados died on 21 July 2020 in Madrid, aged 98. Awards and honors For ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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