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Adûnaic
Adûnaic (or Adunaic) ("language of the West") is one of the fictional languages devised by J. R. R. Tolkien for his fantasy works. One of the languages of Arda in Tolkien's Middle-earth legendarium, Adûnaic was spoken by the Men of Númenor during the Second Age. Fictional history Adûnaic was the language of Númenor, and after its destruction in the Akallabêth, the "native speech" of the people of Elendil in the kingdoms of Arnor and Gondor in the west of Middle-earth, though they usually spoke Sindarin. By the time of the War of the Ring, it had developed into the common speech or Westron. Tolkien called Adûnaic "the language of the culturally and politically influential Númenóreans." Concept and creation Although Tolkien created very few original words in Adûnaic, mostly names, the language serves his concept as the ancestor of a lingua franca for Middle-earth, Westron, a shared language for many different peoples. Tolkien devised Adûnaic (or Númenórean), t ...
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Westron
The English philologist and author J. R. R. Tolkien created a number of constructed languages, including languages devised for fictional settings. Inventing languages, something that he called ''glossopoeia'' (paralleling his idea of ''mythopoeia'' or myth-making), was a lifelong occupation for Tolkien, starting in his teens. An early project was the reconstruction of an unrecorded early Germanic language which might have been spoken by the people of ''Beowulf'' in the Germanic Heroic Age. The most developed of his glossopoeic projects was his family of Elvish languages. He first started constructing an ''Elvin tongue'' in while he was at King Edward's School, Birmingham. He later called it Quenya (), and he continued actively developing the history and grammar of his Elvish languages until his death in 1973. In 1931, he held a lecture about his passion for constructed languages, titled ''A Secret Vice''. Here he contrasts his project of artistic languages constructed for ...
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Númenor
Númenor, also called Elenna-nórë or Westernesse, is a fictional place in J. R. R. Tolkien's writings. It was the kingdom occupying a large island to the west of Middle-earth, the main setting of Tolkien's writings, and was the greatest civilization of Man (Middle-earth), Men. However, after centuries of prosperity many of the inhabitants ceased to worship the One God, Eru Ilúvatar, and rebelled against the Vala (Middle-earth), Valar, resulting in the destruction of the island and the death of most of its people. Tolkien intended Númenor to allude to the legendary Atlantis., ##131, 154, 156, 227. Commentators have noted that the destruction of Númenor echoes the Biblical stories of the fall of man and the destruction of Sodom and Gomorrah, and John Milton's ''Paradise Lost''. Fictional geography Physical geography ''A Description of the Island of Númenor'', published in ''Unfinished Tales'', was supposedly derived from the archives of Gondor. The island of Númenor ...
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The Notion Club Papers
''The Notion Club Papers'' is an abandoned novel by J. R. R. Tolkien, written during 1945 and published posthumously in '' Sauron Defeated'', the 9th volume of ''The History of Middle-earth''. It is a time travel story, written while ''The Lord of the Rings'' was being developed. The Notion Club is a fictionalization of (and a play on words on the name of) Tolkien's own such club, the Inklings. Although unfinished, the text of ''The Notion Club Papers'' runs for some 120 pages in ''Sauron Defeated''. Embedded within the story are Tolkien's versions of European legends: '' King Sheave'', and '' The Death of St. Brendan'', a three-page poem also titled 'Imram'. ''Sauron Defeated'' includes some further 40 pages of Christopher Tolkien's commentary and notes on ''The Notion Club Papers'', and reproduces examples of the pages hand-written by his father. Plot The story revolves around the meetings of an Oxford arts discussion group, the Notion Club. During these meetings, Alwin Arund ...
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Fantasy
Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film, television, graphic novels, manga, animations and video games. Fantasy is distinguished from the genres of science fiction and horror by the respective absence of scientific or macabre themes, although these genres overlap. In popular culture, the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works. Traits Most fantasy uses magic or other supernatural elements as a main plot element, theme, or setting. Magic, magic practit ...
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Alveolar Consonant
Alveolar (; UK also ) consonants are articulated with the tongue against or close to the superior alveolar ridge, which is called that because it contains the alveoli (the sockets) of the upper teeth. Alveolar consonants may be articulated with the tip of the tongue (the apical consonants), as in English, or with the flat of the tongue just above the tip (the "blade" of the tongue; called laminal consonants), as in French and Spanish. The International Phonetic Alphabet (IPA) does not have separate symbols for the alveolar consonants. Rather, the same symbol is used for all coronal places of articulation that are not palatalized like English palato-alveolar ''sh'', or retroflex. To disambiguate, the ''bridge'' (, ''etc.'') may be used for a dental consonant, or the under-bar (, ''etc.'') may be used for the postalveolars. differs from dental in that the former is a sibilant and the latter is not. differs from postalveolar in being unpalatalized. The bare letters ...
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Dental Consonant
A dental consonant is a consonant articulated with the tongue against the upper teeth, such as , . In some languages, dentals are distinguished from other groups, such as alveolar consonants, in which the tongue contacts the gum ridge. Dental consonants share acoustic similarity and in Latin script are generally written with consistent symbols (e.g. ''t'', ''d'', ''n''). In the International Phonetic Alphabet, the diacritic for dental consonant is . When there is no room under the letter, it may be placed above, using the character , such as in / p͆/. Cross-linguistically For many languages, such as Albanian, Irish and Russian, velarization is generally associated with more dental articulations of coronal consonants. Thus, velarized consonants, such as Albanian , tend to be dental or denti-alveolar, and non-velarized consonants tend to be retracted to an alveolar position. Sanskrit, Hindustani and all other Indo-Aryan languages have an entire set of dental stops that ...
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Labial Consonant
Labial consonants are consonants in which one or both lips are the active articulator. The two common labial articulations are bilabials, articulated using both lips, and labiodentals, articulated with the lower lip against the upper teeth, both of which are present in English. A third labial articulation is dentolabials, articulated with the upper lip against the lower teeth (the reverse of labiodental), normally only found in pathological speech. Generally precluded are linguolabials, in which the tip of the tongue contacts the posterior side of the upper lip, making them coronals, though sometimes, they behave as labial consonants. The most common distribution between bilabials and labiodentals is the English one, in which the nasal and the stops, , , and , are bilabial and the fricatives, , and , are labiodental. The voiceless bilabial fricative, voiced bilabial fricative, and the bilabial approximant do not exist as the primary realizations of any sounds in Engli ...
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Sauron
Sauron (pronounced ) is the title character and the primary antagonist, through the forging of the One Ring, of J. R. R. Tolkien's ''The Lord of the Rings'', where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel ''The Hobbit''. ''The Silmarillion'' describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur (Middle-earth), Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied. Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the Count Dracula, title character of Bram Stoker's 1897 novel ''Dracula ...
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The Lost Road And Other Writings
''The Lost Road and Other Writings – Language and Legend before 'The Lord of the Rings is the fifth volume of ''The History of Middle-earth'', a series of compilations of drafts and essays written by J. R. R. Tolkien in around 1936–1937. It was edited and published posthumously in 1987 by Christopher Tolkien. Book Inscription The title page of each volume of ''The History of Middle-earth'' has an inscription in Tengwar, written by Christopher Tolkien and describing the contents of the book. The inscription in Volume V reads "Herein are collected the oldest Tale of the Downfall of Númenor, the story of the Lost Road into the West, the Annals of Valinor and the Annals of Beleriand in a later form, the Ainulindalë, or Music of the Ainur, the Lhammas, or Account of Tongues, the Quenta Silmarillion or History of the Silmarils, and the history of many words and names." Contents ''The Lost Road and Other Writings'' contains the following pieces: # ''The Early History ...
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The Peoples Of Middle-earth
''The Peoples of Middle-earth'' (1996) is the 12th and final volume of ''The History of Middle-earth'', edited by Christopher Tolkien from the unpublished manuscripts of his father J. R. R. Tolkien. Some characters (including Anairë, the wife of Fingolfin) only appear here, as do a few other works that did not fit anywhere else. Contents Each volume of ''The History of Middle-earth'' bears on the title page spread an inscription by Christopher Tolkien in Fëanorian letters (in Tengwar, an alphabet J. R. R. Tolkien devised for the High-Elves), that describes the contents of the book. The inscription in Volume XII reads: "This is the last volume of the work of Christopher Tolkien in which he has collected a great part of all that his father John Ronald Reuel Tolkien wrote of Middle-earth and Valinor. In this book is traced the devising of the history of the later ages in the Northwest of Middle-earth after the Great Battle and the Fall of Morgoth." Part One: The Prologue and ...
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Quenya
Quenya ()Tolkien wrote in his "Outline of Phonology" (in '' Parma Eldalamberon'' 19, p. 74) dedicated to the phonology of Quenya: is "a sound as in English ''new''". In Quenya is a combination of consonants, ibidem., p. 81. is a constructed language, one of those devised by J. R. R. Tolkien for the Elves in his Middle-earth fiction. Tolkien began devising the language around 1910, and restructured its grammar several times until it reached its final state. The vocabulary remained relatively stable throughout the creation process. He successively changed the language's name from ''Elfin'' and ''Qenya'' to the eventual ''Quenya''. Finnish had been a major source of inspiration, but Tolkien was also fluent in Latin and Old English, and was familiar with Greek, Welsh (the latter being the primary inspiration for Sindarin, Tolkien's other major Elvish language), and other ancient Germanic languages, particularly Gothic, during his development of Quenya. A notable feature of To ...
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Sauron Defeated
Sauron (pronounced ) is the title character and the primary antagonist, through the forging of the One Ring, of J. R. R. Tolkien's ''The Lord of the Rings'', where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel ''The Hobbit''. ''The Silmarillion'' describes him as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied. Tolkien, while denying that absolute evil could exist, stated that Sauron came as near to a wholly evil will as was possible. Commentators have compared Sauron to the title character of Bram Stoker's 1897 novel ''Dracula'', and to Balor of the Evil Eye in ...
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