Adrián Terrazas-González
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Adrián Terrazas-González
Adrián Terrazas-González is a Mexican multi-instrumentalist who plays flute, tenor saxophone, bass clarinet, and percussion. He was a member of the progressive rock band The Mars Volta from 2005 to 2008. Discography As leader *''Cu Taan'' (2009) With The Mars Volta *''Frances The Mute'' (2005) *''Scabdates'' (2005) *''Amputechture'' (2006) *''The Bedlam in Goliath'' (2008) With Omar Rodríguez-López *''Omar Rodriguez'' (2005) *'' Please Heat This Eventually'' (2006) *''Se Dice Bisonte, No Búfalo'' (2007) *'' Omar Rodriguez-Lopez & Lydia Lunch'' (2007) *'' The Apocalypse Inside of An Orange'' (2007) *'' Calibration (Is Pushing Luck and Key Too Far)'' (2007) *'' Absence Makes the Heart Grow Fungus'' (2008) *'' Old Money'' (2008) *'' Woman Gives Birth To Tomato!'' (2013) *'' Some Need It Lonely'' (2016) As sideman ;With Juan Alderete *''Und Die Scheiße Ändert Sich Immer'' (2006) as Big Sir *''Halo Orbit'' (2016/2017) ;With Zechs Marquise *''Our Delicate Stranded Night ...
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Latin Jazz
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova. Afro-Cuban jazz "Spanish tinge"—The Cuban influence in early jazz and proto-Latin jazz African American music began incorporating Afro-Cuban musical motifs in the 19th century, when the habanera (Cuban contradanza) gained international popularity. The habanera was the first written music to be rhythmically based on an African motif. The ''habanera rhythm'' (also known as ''congo'', ''tango-congo'', or ''tango'' ) can be thought of as a combination of tresillo and the backbeat. Wynton Marsalis considers tresillo to be the New Orleans "clave," although technically, the pattern is only half a clave. "St. Louis Blues" (1914) by W. C. Handy has a habanera-tresillo bass line. Handy noted a reaction to ...
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Omar Rodríguez-López
Omar Alfredo Rodríguez-López (born September 1, 1975) is an American guitarist and songwriter. He has formed or played in several bands, including the Mars Volta, At the Drive-In, Antemasque, and Bosnian Rainbows. He was the bassist for the dub band De Facto. He has embarked on a solo career, both in studio and in concert, frequently described as experimental, avant-garde, or progressive. He has also collaborated with numerous artists, such as John Frusciante and El-P. Biography Rodríguez-López was born in Puerto Rico and grew up in El Paso, Texas, and spent some of his childhood in South Carolina. He began playing the bass at age 12, but then switched to guitar at 15 because he "needed more strings". It was during this time that Rodríguez-López met Cedric Bixler-Zavala while practicing with friend Paul Hinojos. Since then Rodríguez-López has spent most of his career living and working with his close friend Bixler-Zavala. During this time he frequently collaborate ...
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Zechs Marquise
Zechs Marquise was an American psychedelic rock band, formed in El Paso, Texas in 2003. History The band was formed in the fall of 2003 by members Marcel (keyboards/percussion), Marfred Rodriguez-Lopez (bass), Marcos Smith (guitar), and Matthew Wilkson (guitar) and Michael Farraro (drums). Originally going by the name of Monolith, the instrumental outfit later decided to take the name Zechs Marquise from the main antagonist of the anime series Gundam Wing. Zechs Marquise quickly created a stir in their hometown and built a solid fan base within the southwest cities that they had visited on the road. During the late summer months of 2004 the band hit the studio to record its first album. That studio effort was later scrapped and instead in June 2006 the band released ''34:26'' EP, a live improvised set culled from their frequent west coast tours. By fall of 2006, Zechs was touring the west coast consistently, sharing the stage with such eclectic acts as Daedelus, Busdriver, The ...
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Und Die Scheiße Ändert Sich Immer
''Und Die Scheiße Ändert Sich Immer'' (German for "And the Shit Is Always Changing") is the second album by Big Sir, which consists of Juan Alderete (The Mars Volta, Racer X), and Lisa Papineau (Air, M83). Track listing #"Blutrausch (Smooth Interlude) – 3:15 #"Rejoice The Rig" – 5:11 #"The Freeways Of My Mind" – 5:17 #"Song Bong Blue" – 0:59 #"Hey Soldier" – 3:10 #"Saticoy Street" – 3:28 #"Cause That Shit's Too Evil (And She's Just A Gangsta Bitch)" – 4:38 #"Get Off The B" – 3:00 #"Saxophone" – 3:11 #"Pelo De Elote" – 4:22 #"I Lie Down" – 4:37 #"Hammer On Pull Off" – 4:27 #"Eastside Westside Blue" – 3:33 #"Speedy's Rejoinder" – 3:50 Personnel *Juan Alderete – bass, chorus (1), backing vocals (2, 3), claps (2), clavinet (3, 8), Taurus pedals (3, 7), recording (4, 7), whistle (6), noise (10) *Lisa Papineau – vocals, tambourine (1, 9), Rod (1), claps (2, 9), Taurus pedals (3, 10), cowbell (3), synth (4, 7), shaker (5), recording (7, 8), Omnichord ...
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Juan Alderete
Juan Alderete de la Peña (born September 5, 1963) is an American musician, best known as the longtime bassist of Racer X, the Mars Volta and Marilyn Manson. Biography Alderete was born in Los Angeles, California the fourth of five children. In the 1970s, the family moved to Novato of the San Francisco Bay Area. Son of the late civil rights activist Angel Manuel Alderete, he was exposed to jazz music on a weekly basis by his father, who often played it around the Alderete household. Juan decided to pick up the bass after he and his friends decided to start a band. Other early influences included his brother's progressive rock albums, which included bands such as Yes, Rush, King Crimson, etc. He started learning the basics of the bass guitar when he was 16, and was influenced by such players as Jaco Pastorius, Geddy Lee, and Stanley Clarke. Some of his other influences include Jamaladeen Tacuma and John Entwistle, the bass player for the Who. His fascination with the bass gui ...
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Some Need It Lonely
''Some Need It Lonely'' is the thirty-eighth studio album by Omar Rodríguez-López as a solo artist, released on 16 December 2016. It is his twelfth and last release in the 12 album series initiated by Ipecac Recordings, although before its release the label confirmed an additional 12 records forthcoming set to continue the fortnightly release schedule. "Archangel Trophy" was uploaded in advance as the album's single. Track listing All songs written by Omar Rodríguez-López. # "Bitter Sunsets" – 3:38 # "We Might" – 1:46 # "Sanity a Dream" – 3:43 # "Zophiel" – 3:48 # "Archangel Trophy" – 3:52 # "Changes" – 2:53 # "Back to the Same" – 3:04 # "Zero Worth" – 3:07 # "Barachiel Is At It Again" – 2:31 # "Ariel" – 4:09 # "Mulu Lizi" – 4:42 Tracks 5 & 6 form a single track, as do 8 & 9. Track 4 contains a guitar sample of The Mars Volta's "Vicarious Atonement". Personnel * Omar Rodríguez-López – guitars, synthesizers, bass (1, 5–7, 10), vocals (1) * Teri G ...
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Old Money (album)
''Old Money'' is the eighth studio album by American guitarist and composer Omar Rodríguez-López, his first with Stones Throw Records who released CD and MP3 versions on November 10, 2008 and a vinyl version in February 2009. Rodríguez-López explained that the album is "loosely based on the concept of exploitative industrialists and, well, their old money." Rodriguez-Lopez has hinted that this record was a thematic sequel to the 2006 album ''Amputechture'' by his band The Mars Volta. Review aggregate site Metacritic calculates a score of 70/100 for the album, but erroneously referred to it as "The debut album for the Mars Volta guitarist". In the song "I Like Rockefellers' First Two Albums, But After That...", there is a dialog from the movie El Topo, from Chilean director Alejandro Jodorowsky. Track listing Release history Personnel *Omar Rodríguez-López – guitars (except 2), synths (except 6, 8), bass (2, 4, 5), keys (2, 4, 7, 10), Wurlitzer (2), theremin (3) ...
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Absence Makes The Heart Grow Fungus
Absence may refer to: Employment * Leave of absence, a period of time away from a job * Absenteeism, the habitual pattern of absence from work or duty * Absence rate, the ratio of workers with absences to total employees Sciences and philosophy * The (local) nonexistence of something * Absence of evidence, a concept in informal logic * Absence seizure, one of several kinds of seizures Arts and entertainment Music * The Absence (band), an American death metal band from Tampa, Florida * ''Absence'' (Dälek album), 2004 * ''Absence'' (Paper Route album), 2009 * ''The Absence'' (Luna Mortis album), 2009 * ''The Absence'' (Melody Gardot album), 2012 * ''Absence'' (Snowman album), 2011 * ''Absence'' (Terence Blanchard album), 2021 Other media * ''Absence'' (film), a 2014 Brazilian film *The Absence (1976 film), a Canadian drama film * ''The Absence'' (1992 film), a French-German-Spanish drama film * ''Absence'' (audio drama), a Big Finish Productions audio drama *Absent (2 ...
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Calibration (Is Pushing Luck And Key Too Far)
''Calibration (Is Pushing Luck and Key Too Far)'' is the fifth studio album by Omar Rodríguez-López, and the fourth released in the "Amsterdam series". The album was released in Japan on December 15, 2007 with a following U.S. release later on February 5, 2008, merely a week after The Mars Volta's The Bedlam in Goliath. The album art was illustrated by graffiti artist GREY, a childhood friend of Rodriguez-Lopez's. According to the label, the original title given to them by Omar was "Calibration Is Pushing Luck and Key Too Far" but the "Is Pushing Luck and Key Too Far" part of the title appeared nowhere on the physical release. Track listing Release history Sales ''Calibration'' was Omar's second album to chart on a ''Billboard'' music chart and his highest charting yet, peaking at #29 on the Top Heatseekers chart []. Personnel * Omar Rodríguez-López – guitars, bass (6–8), synthesizer (1, 3, 6–8, 11), Mexican harp (1), vocals & lyrics (2,7,8), vocals (4), Wurlitzer ...
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The Apocalypse Inside Of An Orange
The Omar Rodriguez Lopez Group (often referred to by its acronym ORLG) is an American experimental rock band, and the main side project of Omar Rodríguez-López. Featuring an ever-changing lineup of musicians alongside Rodriguez-Lopez, the group is most often a live entity to perform the various outlets of his solo music aside from the Mars Volta. After the dissolution of the Mars Volta in 2012, Omar completed a few more solo records until 2013 before deciding to pursue only collaborative efforts with groups At the Drive-In, Bosnian Rainbows, Antemasque, and Crystal Fairy. History 2005–2009 His group began as Omar Rodriguez Lopez Quintet, formed in 2005 when he toured Europe to support his self-titled solo record. The quintet included three other members of The Mars Volta: Juan Alderete, Marcel Rodriguez-Lopez and Adrián Terrazas-González as well as Money Mark of Beastie Boys fame. Omar began this group with these members within only a year or two of them joining The Ma ...
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Omar Rodriguez-Lopez & Lydia Lunch
ʿUmar ibn al-Khaṭṭāb ( ar, عمر بن الخطاب, also spelled Omar, ) was the second Rashidun caliph, ruling from August 634 until his assassination in 644. He succeeded Abu Bakr () as the second caliph of the Rashidun Caliphate on 23 August 634. Umar was a senior companion and father-in-law of the Islamic prophet Muhammad. He was also an expert Muslim jurist known for his pious and just nature, which earned him the epithet ''al-Fārūq'' ("the one who distinguishes (between right and wrong)"). Umar initially opposed Muhammad, his distant Qurayshite kinsman and later son-in-law. Following his conversion to Islam in 616, he became the first Muslim to openly pray at the Kaaba. Umar participated in almost all battles and expeditions under Muhammad, who bestowed the title ''al-Fārūq'' ('the Distinguisher') upon Umar, for his judgements. After Muhammad's death in June 632, Umar pledged allegiance to Abu Bakr () as the first caliph and served as the closest adviser t ...
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