Adriano In Siria (Mysliveček)
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Adriano In Siria (Mysliveček)
''Adriano in Siria'' ("Hadrian in Syria") is an 18th-century Italian opera seria in 3 acts by the Czech composer Josef Mysliveček. It was composed to a libretto of the same name by the Italian poet Metastasio that was first performed in 1732 with music of Antonio Caldara and in more than 60 further settings until 1828. For a performance in the 1770s, it would only be expected that a libretto of such age would be abbreviated and altered to suit contemporary operatic taste. No other of the composer's settings of Metatasio's texts contains as many substitute aria texts as this one does. The cuts and changes in the text made for the 1776 performance of Mysliveček's opera are not attributable. Performance history The opera was first performed at the in Florence on 8 September 1776 as the last dramatic composition he produced for the musical public of that city.Detailed documentation concerning the Florentine performance of Mysliveček's ''Adriano in Siria'' is found in Daniel E. ...
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Jan Vilímek - Josef Mysliveček
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses

* January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a m ...
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Pavia
Pavia (, , , ; la, Ticinum; Medieval Latin: ) is a town and comune of south-western Lombardy in northern Italy, south of Milan on the lower Ticino river near its confluence with the Po. It has a population of c. 73,086. The city was the capital of the Ostrogothic Kingdom from 540 to 553, of the Kingdom of the Lombards from 572 to 774, of the Kingdom of Italy from 774 to 1024 and seat of the Visconti court from 1365 to 1413. Pavia is the capital of the fertile province of Pavia, which is known for a variety of agricultural products, including wine, rice, cereals, and dairy products. Although there are a number of industries located in the suburbs, these tend not to disturb the peaceful atmosphere of the town. It is home to the ancient University of Pavia (founded in 1361 and recognized in 2022 by the Times Higher Education among the top 10 in Italy and among the 300 best in the world), which together with the IUSS (Institute for Advanced Studies of Pavia), Ghislieri College, B ...
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1776 Operas
Events January–February * January 1 – American Revolutionary War – Burning of Norfolk: The town of Norfolk, Virginia is destroyed, by the combined actions of the British Royal Navy and occupying Patriot forces. * January 10 – American Revolution – Thomas Paine publishes his pamphlet ''Common Sense'', arguing for independence from British rule in the Thirteen Colonies. * January 20 – American Revolution – South Carolina Loyalists led by Robert Cunningham sign a petition from prison, agreeing to all demands for peace by the formed state government of South Carolina. * January 24 – American Revolution – Henry Knox arrives at Cambridge, Massachusetts, with the artillery that he has transported from Fort Ticonderoga. * February 17 – Edward Gibbon publishes the first volume of ''The History of the Decline and Fall of the Roman Empire''. * February 27 – American Revolution – Battle of Moore's Creek Bridge: ...
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Operas By Josef Mysliveček
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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George Petrou
George Petrou ( el, Γιώργος Πέτρου) is a Greek conductor, pianist and stage-director. Biography George Petrou was born in Greece. He studied at the Athens Conservatoire, the Royal College and the Royal Academy of Music in London. He started an early career as a concert pianist, but quickly turned into conducting developing a parallel interest in historical keyboard instruments and their practices. Since 2012 he is the artistic director of the renowned Athens based orchestra Armonia Atenea (former Athens Camerata) with which he tours and records extensively, performing both on period or modern instruments. From the season 2021–22 he will be the new artistic director of the historical Internationale Händel-Festspiele Göttingen. Additionally, he has developed a vivid interest in stage-directing and has recently signed several successful opera and musical theater productions, including Handel's ''Alcina'', C. Porter's ''Kiss Me Kate'', L. Bernstein's ''West Side Stor ...
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Max Emanuel Cenčić
Max Emanuel Cenčić (born 21 September 1976) is a Croatian countertenor, as of 1994 based in Austria. He was a member of the Wiener Sängerknaben. Early career as a boy soprano Born Max Emanuel Cenčić in Zagreb, he started singing at a very early age, earning fame in his native Croatia at the age of six after singing the Queen of the Night's coloratura aria "Der Hölle Rache" from Mozart's ''Die Zauberflöte'' on Zagreb television. From circa 1987 to 1992, Cenčić was a member of the Wiener Sängerknaben, touring and recording with them. Recorded performances, in which Cenčić was either treble soloist of the Sängerknaben or an independent male soprano, include Handel's ''Messiah'', Haydn's ''Die Schöpfung'', and Mozart's Requiem, alongside countertenor Derek Lee Ragin). Cenčić can also be heard as the leading treble soloist with the Wiener Sängerknaben in numerous recordings of liturgical and secular music on the Philips label. A particular highlight from his re ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Parthian Empire
The Parthian Empire (), also known as the Arsacid Empire (), was a major Iranian political and cultural power in ancient Iran from 247 BC to 224 AD. Its latter name comes from its founder, Arsaces I, who led the Parni tribe in conquering the region of Parthia in Iran's northeast, then a satrapy (province) under Andragoras, who was rebelling against the Seleucid Empire. Mithridates I (r. c. 171–132 BC) greatly expanded the empire by seizing Media and Mesopotamia from the Seleucids. At its height, the Parthian Empire stretched from the northern reaches of the Euphrates, in what is now central-eastern Turkey, to present-day Afghanistan and western Pakistan. The empire, located on the Silk Road trade route between the Roman Empire in the Mediterranean Basin and the Han dynasty of China, became a center of trade and commerce. The Parthians largely adopted the art, architecture, religious beliefs, and royal insignia of their culturally heterogene ...
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Osroes I Of Parthia
Osroes I (also spelled Chosroes I or Khosrow I; xpr, 𐭇𐭅𐭎𐭓𐭅 ''Husrōw'') was a Parthian contender, who ruled the western portion of the Parthian Empire from 109 to 129, with a one-year interruption. For the whole of his reign he contended with the rival king Vologases III () who was based in the eastern provinces. In 116, Osroes I was briefly ousted from his throne at Ctesiphon during an invasion by Roman emperor Trajan (), who installed Osroes' son, Parthamaspates. After Trajan's death the following year, Osroes I's rule was reinstated by the Parthian nobility. In 129, he was removed from power by Vologases III. Biography In 109, Osroes I revolted against Parthian king Pacorus II () in order to claim the throne for himself. During the reign of Pacorus II's son Vologases III (), Osroes I managed to seize the western part of the empire, including Mesopotamia, while Vologases III ruled in the east. In 113, Osroes I violated the Treaty of Rhandeia with the Romans b ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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