Adriana Janacópulos
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Adriana Janacópulos
Adriana Janacópulos (1897 - c. 1978) was a 20th-century Brazilian sculptor. Biography Adriana Janacopulos was born in Petrópolis Rio de Janeiro in 1897. Of Greek descent, she was the niece of the politician Pandiá Calógeras. After the death of her mother, Adriana moved to Paris with her sister Vera Janacópulos, Vera, who would become a lyric singer. In Paris, Janacopulos studied sculpture with Léo Laporte-Blairsy, Raoul Larche and Antoine Bourdelle and befriended Amedeo Modigliani, Jacques Lipchitz and artists from the Russian colony. She married the Russian sculptor, Alexandre Wolkowyski, with whom she had two daughters. When World War I broke out, the Janacopulos sisters moved to Belgium and then to Geneva, Switzerland. After the end of the war, she returned to Paris, exhibiting her works in several artistic salons, such as the Salon d'Automne, and the Tuileries. She lived with the Brazilian artists of modernism, such as Anita Malfatti, Victor Brecheret and Di Cava ...
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Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Anita Malfatti
Anita Catarina Malfatti (December 2, 1889 – November 6, 1964) is heralded as the first Brazilian artist to introduce European and American forms of Modernism to Brazil. Her solo exhibition in Sao Paulo, from 1917–1918, was controversial at the time, and her expressionist style and subject were revolutionary for the complacently old-fashioned art expectations of Brazilians who were searching for a national identity in art, but who were not prepared for the influences Malfatti would bring to the country. Malfatti's presence was also highly felt during the Week of Modern Art (''Semana de Arte Moderna'') in 1922, where she and the ''Group of Five'' made huge revolutionary changes in the structure and response to modern art in Brazil. Historical background The cultural history throughout Brazil is relevant to the changing theories of art's purpose and the consequential role that Modernist artists played. There were not many art institutions in Brazil and the country lacked a ...
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