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Adrian Sassoon
Adrian Sassoon (born February 1961) is an English art dealer, art collector and writer. He was schooled at Eton College, where he was taught ceramics by Gordon Baldwin; he went on to study further at Christie’s Education. He worked as an assistant curator at the J. Paul Getty Museum in the department of decorative arts. He is the owner and founder of a gallery that shows contemporary art,Crichton-Miller, Emma (23 September 2016"Japanese historic art with contemporary sensibility" ''Financial Times''. Retrieved 21 November 2019. as well as 18th Century French porcelain.Etherington-Smith, MeredithAdrian Sassoon’s Classic Country Retreat in Devon, England architecturaldigest.com, Published 3 November 2015, date retrieved 21 November 2019. Early life and education Sassoon in interviews has stated that he grew up in a family that had an interest in art, and was therefore interested in it from a young age. He was schooled at Sunningdale School and Eton College, where he was ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eton College
Eton College () is a public school in Eton, Berkshire, England. It was founded in 1440 by Henry VI under the name ''Kynge's College of Our Ladye of Eton besyde Windesore'',Nevill, p. 3 ff. intended as a sister institution to King's College, Cambridge, making it the 18th-oldest Headmasters' and Headmistresses' Conference (HMC) school. Eton is particularly well-known for its history, wealth, and notable alumni, called Old Etonians. Eton is one of only three public schools, along with Harrow (1572) and Radley (1847), to have retained the boys-only, boarding-only tradition, which means that its boys live at the school seven days a week. The remainder (such as Rugby in 1976, Charterhouse in 1971, Westminster in 1973, and Shrewsbury in 2015) have since become co-educational or, in the case of Winchester, as of 2021 are undergoing the transition to that status. Eton has educated prime ministers, world leaders, Nobel laureates, Academy Award and BAFTA award-winning actors, and ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Porcelain
French porcelain has a history spanning a period from the 17th century to the present. The French were heavily involved in the early European efforts to discover the secrets of making the hard-paste porcelain known from Chinese and Japanese export porcelain. They succeeded in developing soft-paste porcelain, but Meissen porcelain was the first to make true hard-paste, around 1710, and the French took over 50 years to catch up with Meissen and the other German factories. But by the 1760s, kaolin had been discovered near Limoges, and the relocated royal-owned Sèvres factory took the lead in European porcelain design as rococo turned into what is broadly known as the Louis XVI style and then the Empire style. French styles were soon being imitated in porcelain in Germany, England, and as far afield as Russia. They were also imitated in the cheaper French faience, and this and other materials elsewhere. This dominance lasted until at least 1830. Before the French Revolution in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Art
Australian art is any art made in or about Australia, or by Australians overseas, from prehistoric times to the present. This includes Aboriginal, Colonial, Landscape, Atelier, early-twentieth-century painters, print makers, photographers, and sculptors influenced by European modernism, Contemporary art. The visual arts have a long history in Australia, with evidence of Aboriginal art dating back at least 30,000 years. Australia has produced many notable artists of both Western and Indigenous Australian schools, including the late-19th-century Heidelberg School plein air painters, the Antipodeans, the Central Australian Hermannsburg School watercolourists, the Western Desert Art Movement and coeval examples of well-known High modernism and Postmodern art. History Indigenous Australia The ancestors of Aboriginal Australians are believed to have arrived in Australia as early as 60,000 years ago, and evidence of Indigenous Australian art in Australia can be traced back at least ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of The United Kingdom
The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompasses English art, Scottish art, Welsh art and Irish art, and forms part of Western art history. During the 18th century, Britain began to reclaim the leading place England had previously played in European art during the Middle Ages, being especially strong in portraiture and landscape art. Increased British prosperity at the time led to a greatly increased production of both fine art and the decorative arts, the latter often being exported. The Romanticism, Romantic period resulted from very diverse talents, including the painters William Blake, J. M. W. Turner, John Constable and Samuel Palmer. The Victorian period saw a great diversity of art, and a far bigger quantity created than before. Much Victorian art is now out of critical favour, with interest concentrated on the Pre-Raphaelites and the innov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Fritsch
Elizabeth Fritsch CBE (born 1940) is a British studio potter and ceramic artist born into a Welsh family in Whitchurch on the Shropshire border. Her innovative hand built and painted pots are often influenced by ideas from music, painting, literature, landscape and architecture. Biography Elizabeth Fritsch is a studio potter and ceramic artist. She uses fine technically proficient hand built coiling techniques; architectural ceramic form, optical effects and surface design which, are usually hand painted with coloured slips. The stoneware are biscuit fired and often re-fired a number of times. Each Fritsch pot is unique, individual and distinctive. They are usually displayed in selected groups and themes set to the artist's requirements. Fritsch initially studied at the Birmingham School of Music studying harp, and then piano at the Royal Academy of Music from 1958 to 1964; but she later took up ceramics under Hans Coper and Eduardo Paolozzi at the Royal College of Art from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephen Cox (sculptor)
Stephen Cox (born 1946 in Bristol) is a British sculptor, known for his monolithic public artworks in stone. He trained at the Central School of Art and Design, London, from 1966-1968. and attended the sixth Indian Triennale in 1986 in New Delhi, to represent the United Kingdom. His style mixes Italian, Egyptian and Indian traditions. He also works in wood, and has exhibited at the Royal Academy. He lives and works in a former farmhouse at Clee Hill, Shropshire, England and has a second home in Mahabalipuram, India, where he also works. Works Cox's works include: * * (imperial porphyry and white diorite stone) * * (diorite stone) * * * * * (war memorial) * * * * (sandstone, pictured) * * * * * * References Further reading * External links * Selected CVat the Royal Academy website Stephen Coxentry at Cass Sculpture Foundation The Cass Sculpture Foundation was a charitable commissioning body based in Goodwood, Sussex, England. The Found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kate Malone
Kate Olivia Malone (born 29 January 1959, in London) is a British ceramic artist known for her large sculptural vessels and rich, bright glazes. Malone is a judge, along with Keith Brymer Jones, on BBC2's '' The Great Pottery Throw Down'' presented by Sara Cox. Biography Malone studied at Bristol Polytechnic (1979–82) and, after leaving the Royal College of Art in 1986, began working in a studio in the South Bank Craft Centre at Charing Cross. Malone's work is held in the British Council collection. Her work is on display in a number of public locations, a giant ceramic fish in the water at Hackney Marshes and a large pot at Manchester Art Gallery. Malone's work is also held in numerous public collections, including the Arts Council, Bristol City Museum and Art Gallery, Crafts Council, The Ashmolean Museum, Musée national de céramique de Sèvres, Victoria & Albert Museum and Los Angeles County Museum of Art. She made a large number of new works for an exhibition ''Insp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardstone Carving
Hardstone carving is a general term in art history and archaeology for the artistic carving of predominantly semi-precious stones (but also of gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for an object made in this way. Normally the objects are small, and the category overlaps with both jewellery and sculpture. Hardstone carving is sometimes referred to by the Italian term ''pietre dure''; however, ''pietra dura'' (with an "a") is the common term used for stone inlay work, which causes some confusion. From the Neolithic period until about the 19th century such objects were among the most highly prized in a wide variety of cultures, often attributed special powers or religious significance, but today coverage in non-specialist art history tends to be relegated to a catch-all decorative arts or "minor arts" category. The types of objects carved have included those with ritual or religious purposes, engraved gems as signet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquerware
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments. East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is derived from the dried sap of ''Toxicodendron vernicifluum''. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made outside Asia, but some imitations, such as Japanning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silversmith
A silversmith is a metalworker who crafts objects from silver. The terms ''silversmith'' and ''goldsmith'' are not exactly synonyms as the techniques, training, history, and guilds are or were largely the same but the end product may vary greatly as may the scale of objects created. History In the ancient Near East the value of silver to gold was lower, allowing a silversmith to produce objects and store these as stock. Ogden states that according to an edict written by Diocletian in 301 A.D., a silversmith was able to charge 75, 100, 150, 200, 250, or 300 ''denarii'' for material produce (per Roman pound). At that time, guilds of silversmiths formed to arbitrate disputes, protect its members' welfare and educate the public of the trade. Silversmiths in medieval Europe and England formed guilds and transmitted their tools and techniques to new generations via the apprentice tradition. Silver working guilds often maintained consistency and upheld standards at the expense of in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldsmith
A goldsmith is a Metalworking, metalworker who specializes in working with gold and other precious metals. Nowadays they mainly specialize in jewelry-making but historically, goldsmiths have also made cutlery, silverware, platter (dishware), platters, goblets, decorative and serviceable utensils, and ceremonial or religious items. Goldsmiths must be skilled in forming metal through file (tool), filing, brazing, soldering, sawing, forging, Casting (metalworking), casting, and polishing. The trade has very often included jewelry-making skills, as well as the very similar skills of the silversmith. Traditionally, these skills had been passed along through apprenticeships; more recently jewelry arts schools, specializing in teaching goldsmithing and a multitude of skills falling under the jewelry arts umbrella, are available. Many universities and junior colleges also offer goldsmithing, silversmithing, and metal arts fabrication as a part of their fine arts curriculum. Gold Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glassblowing
Glassblowing is a glassforming technique that involves inflating molten glass into a bubble (or parison) with the aid of a Blowpipe (tool), blowpipe (or blow tube). A person who blows glass is called a ''glassblower'', ''glassmith'', or ''gaffer''. A ''lampworking, lampworker'' (often also called a glassblower or glassworker) manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass. Technology Principles As a novel glass forming technique created in the middle of the 1st century BC, glassblowing exploited a working property of glass that was previously unknown to glassworkers; inflation, which is the expansion of a molten blob of glass by introducing a small amount of air into it. That is based on the liquid structure of glass where the atoms are held together by strong chemical bonds in a disordered and random network,Frank, S 1982. Glass and Archaeology. Academic Press: London. Freestone, I. (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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