Adoration Of The Trinity
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Adoration Of The Trinity
''Adoration of the Trinity'' (also known as Landauer Altarpiece; German: ''Allerheiligenbild'' or ''Landauer Altar'') is an oil-on-panel painting by German Renaissance artist Albrecht Dürer, executed in 1511 and now in the Kunsthistorisches Museum, Vienna, Austria. History The work was commissioned by the rich merchant Matthäus Landauer of Nuremberg for a chapel dedicated to the Holy Trinity and All the Saints in the ''Zwölfbrüderhaus'' ("House of Twelve Brothers"), which he had founded with Erasmus Schiltkrot in 1501. The house was a charity institution which could house up to twelve artisans who were unable to sustain themselves with their work; Landauer himself lived here from 1510 until his death.Carty, 146 The altarpiece was commissioned in 1508, but was delivered three years later, when it was placed in the church. Description The altar had no movable panels, as in numerous previous similar installations, and was included in a rich frame, also designed by Dürer. The ...
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Albrecht Dürer
Albrecht Dürer (; ; hu, Ajtósi Adalbert; 21 May 1471 – 6 April 1528),Müller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Dürers'', Walter de Gruyter. . sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I. Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three '' Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), '' Sain ...
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Albrecht Altdorfer
Albrecht Altdorfer (12 February 1538) was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube School, setting biblical and historical subjects against landscape backgrounds of expressive colours. He is remarkable as one of the first artists to take an interest in landscape as an independent subject. As an artist also making small intricate engravings he is seen to belong to the Nuremberg Little Masters. Biography Altdorfer was born in Regensburg or Altdorf, Lower Bavaria, Altdorf around 1480. He acquired an interest in art from his father, Ulrich Altdorfer, who was a painter and miniaturist. At the start of his career, he won public attention by creating small, intimate modestly scaled works in unconventional media and with eccentric subject matter. He settled in the free imperial city of Regensburg, a town located on the Danube Ri ...
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Birds In Art
Human uses of birds have, for thousands of years, included both economic uses such as food, and symbolic uses such as art, music, and religion. In terms of economic uses, birds have been hunted for food since Palaeolithic times. They have been captured and bred as poultry to provide meat and eggs since at least the time of ancient Egypt. Some species have been used, too, to help locate or to catch food, as with cormorant fishing and the use of honeyguides. Feathers have long been used for bedding, as well as for quill pens and for fletching arrows. Today, many species face habitat loss and other threats caused by humans; bird conservation groups work to protect birds and to influence governments to do so. Birds have appeared in the mythologies and religions of many cultures since ancient Sumer. For example, the dove was the symbol of the ancient Mesopotamian goddess Inanna, the Canaanite mother goddess Asherah, and the Greek goddess Aphrodite. Athena, the Greek goddess of wisdo ...
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Paintings Depicting John The Baptist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Paintings Of The Virgin Mary
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Paintings Depicting The Crucifixion Of Jesus
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Paintings In The Collection Of The Kunsthistorisches Museum
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1511 Paintings
Year 1511 ( MDXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. Events January–June * March 26 - The 1511 Idrija earthquake occurs, with a maximum Mercalli intensity of X (''Extreme''). The epicenter is around the town of Idrija in present-day Slovenia, although some place it some 15-20 kilometers to the west, between Gemona and Pulfero in Friulian Slovenia. The earthquake affects a large territory between Carinthia, Friuli, present-day Slovenia and Croatia. * April 9 **St John's College, Cambridge, England, founded by Lady Margaret Beaufort, receives its charter. **The Şahkulu Rebellion breaks out in Anatolia. July–December * July – Henry VIII of England's flagship, the ''Mary Rose'', is launched at Portsmouth. * August 15 – Capture of Malacca: Afonso de Albuquerque of Portugal conquers Malacca, the capital of the Sultanate of Malacca, giving Portugal control over the Strait of Malacca ...
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Paintings By Albrecht Dürer
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Art Bulletin
The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership. CAA publications, programs and grants CAA publishes several academic journals, including ''The Art Bulletin'', one of the foremost journals for art historians in English, and '' Art Journal'', a quarterly journal devoted to twentieth- and t ...
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Joachim Patinir
Joachim Patinir, also called Patenier (c. 1480 – 5 October 1524), was a Flemish Renaissance painter of history and landscape subjects. He was Flemish, from the area of modern Wallonia, but worked in Antwerp, then the centre of the art market in the Low Countries. Patinir was a pioneer of landscape as an independent genre and he was the first Flemish painter to regard himself primarily as a landscape painter. He effectively invented the world landscape, a distinct style of panoramic northern Renaissance landscapes which is Patinir's important contribution to Western art.Hans Devisscher. "Patinir, Joachim."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 30 April 2022. Subscription required
His work marks an important stage in the development of the representation of per ...
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Feast Of The Rosary
''Feast of the Rosary'' (German: ''Rosenkranzfest'') is a 1506 oil painting by Albrecht Dürer, now in the National Gallery, Prague, Czech Republic. According to Czechoslovakian art historian Jaroslav Pešina, it is "probably the most superb painting that a German master has ever created." The work also relates to a series of artworks commissioned by Maximilian I, his Burgundian subjects or figures close to his family to commemorate the Duchess Mary of Burgundy, Maximilian's first wife and to provide the focus for a cult-like phenomenon that associated her name-saint the Virgin Mary. History The work was initially commissioned by Jakob Fugger, an intermediary between emperor Maximilian I and Pope Julius II, during the painter's stay as the banker's guest in Augsburg, though it was produced whilst the painter was in Venice. The contract was renewed in the Italian city by the fraternity of traders from Nuremberg (Dürer's hometown) and from other German cities, the latter being ...
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