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Adoration Of The Shepherds (Savoldo)
''Adoration of the Shepherds'' is a c. 1540 oil on canvas painting by Giovanni Girolamo Savoldo, now in the Pinacoteca Tosio Martinengo in Brescia. It was one of the painter's last works and he also produced variants on it, including one in San Giobbe in Venice. Description and style The painting is part of the painter's last phase, characterized by intense and sometimes dark shades and by a use of pasty color, capable of giving particular effects that simulate velvet. The scene of the adoration of the Child is set in front of the hut, in which the ox and the donkey protrude from the half-light. Further behind, from a small window, two shepherds lean to assist and a third is leaning against a wall on the right. Their description, with lively everyday accents, follows a Flemish tradition (used for example by Bosch, which the artist had admired in Venice). However, these popular elements are ennobled by the artist's refined and elegant technique. Joseph and Mary, devoid of haloes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Girolamo Savoldo
Giovanni Girolamo Savoldo, also called Girolamo da Brescia (c. 1480–1485 – after 1548), was an Italian High Renaissance painter active mostly in Venice, although he also worked in other cities in northern Italy. He is noted for his subtle use of color and chiaroscuro, and for the sober realism of his works, which are mostly religious subjects, with a few portraits. His portraits are given interest by their accessories or settings; "some even look like extracts from larger narratives". About 40 paintings by Savoldo are known in all, six of them portraits; only a handful of drawings by him are known. He was highly regarded in his own lifetime; several repetitions of works were commissioned from him, and copies of his work made by others. He slipped from general awareness, however, and many of his works were assigned to more famous artists, especially Giorgione, by the art trade. Awareness of his oeuvre revived in the 19th century, though the dating of many paintings remains contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pinacoteca Tosio Martinengo
The Pinacoteca Tosio Martinengo is a public art museum in Brescia, Lombardy. Established in 1851, the museum exhibits mainly paintings by local artists dated from the Thirteenth through the Eighteenth century. The museum's current collection includes over 800 works of painting and sculpture, displayed in 21 galleries., Italy. The museum reopened on 17 March 2018 after a major nine-year-long renovation project. History The gallery opened in 1851 in the central ''Palazzo Tosio'', endowed in 1832 with the collection of Count Paolo Tosio and further enriched by donations and gathering of items from local religious buildings. In 1884, the Count Leopardo Martinengo da Barco added to the painting collection and endowed a library and collections of scientific artifacts to display in his palace. Museum The current collection of the museum includes works by Vincenzo Foppa, Ferramola, Paolo Veneziano, Andrea Solari, Francesco Francia, Lorenzo Lotto, Luca Mombello and Lattanzio Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Giobbe
The Church of St Job ( it, Chiesa di San Giobbe) is a 15th-century Roman Catholic church located overlooking the campo of the same name, known as ''Sant'Agiopo'' in Venetian dialect, on the south bank of the Cannaregio canal near Ponte dei Tre Archi in the sestiere of Cannaregio of Venice, northern Italy, History The church is dedicated to Saint Job. It is one of the five votive churches built in Venice after an onset of plague. In 1378 a hospice with a small oratory dedicated to San Giobbe or Saint Job attached was begun on this site by Giovanni Contarini, on land he owned near his house. It was completed by his daughter Lucia, with the help of the Minor Observant Friars. The oratory was replaced by the present church by Bernardino of Siena, with the financial backing of doge Cristoforo Moro in gratitude for Bernardino's prophecy that Moro would become doge - Cristoforo donated 10,000 ducats to the building works in 1471, three months before his death, and was buried in the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Girolamo Savoldo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1540 Paintings
Year 154 ( CLIV) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Lateranus (or, less frequently, year 907 ''Ab urbe condita''). The denomination 154 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * King Eupator of Bosphorus pays tribute to Rome, due to the threat posed by the Alani. * The Antonine Wall is completed. Asia * Last (2nd) year of ''Yongxing'' era of the Chinese Han Dynasty. * Adalla becomes ruler of the Korean kingdom of Silla. By topic Religion * Anicetus becomes pope of Rome (approximate date). * Anicetus meets with Polycarp of Smyrna to discuss the Computus, the date of Easter in the Christian liturgical calendar. * Change of Patriarch of Constantinople from Patriarch Euzois to Patriarch Laur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Pinacoteca Tosio Martinengo
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Shepherds In Art
Adoration is respect, reverence, strong admiration, or love in a certain person, place, or thing. The term comes from the Latin ''adōrātiō'', meaning "to give homage or worship to someone or something". Ancient Rome In classical Rome, adoration was primarily an act of homage or worship, which, among the Romans, was performed by raising the hand to the mouth, kissing it and then waving it in the direction of the adored object. The devotee had his head covered, and after the act turned himself round from left to right. Sometimes he kissed the feet or knees of the images of the gods themselves, and Saturn and Hercules were adored with the head bare. By a natural transition the homage, at first paid to divine beings alone, came to be paid to monarchs. Thus the Greek and Roman emperors were adored by bowing or kneeling, laying hold of the imperial robe, and presently withdrawing the hand and pressing it to the lips, or by putting the royal robe itself to the lips. Ancient Middle E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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