|
Adoration Of The Magi (Pietro Perugino)
The ''Adoration of the Magi'' is a painting by the Italian Renaissance painter Pietro Perugino, housed in the Galleria Nazionale dell'Umbria of Perugia, Italy. According to Italian art historian Vittoria Garibaldi, it was one of the earliest commissions received by Perugino around the end of his apprenticeship in Florence (1472), while others date it to the late 1470s. The painting was originally executed for the church of Santa Maria dei Servi in Perugia, connected to the Baglioni family; in 1543 it was moved to the church of Santa Maria Nuova in the same city. Description The scene follows a standard layout, with the nativity hut on the right and the visitors' procession, developing horizontally, on the left. On the background, behind the ox and the donkey, is a rocky, hilly landscape painted using aerial perspective. The Virgin holds the blessing child on her knees, and behind her is St. Joseph, standing, with a stick. The oldest of the magi is already kneeled, while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance Painting, painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Giorgio Vasari, Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collections Of The Galleria Nazionale Dell'Umbria
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1470s Paintings
147 may refer to: * 147 (number), a natural number * AD 147, a year of the Julian calendar, in the second century * 147 BC, a year of the pre-Julian Roman calendar * 147 AH, a year in the Islamic calendar that corresponds to 764 – 765 CE In the military * BQM-147 Dragon unmanned aerial vehicle, a tactical battlefield UAV operated by the US Marine Corps * Ryan Model 147 Lightning Bug was a drone, or unmanned aerial vehicle during the 1960s * was a United States Navy Admirable-class minesweeper during World War II * was a United States Navy Edsall-class destroyer escort during World War II * was a United States Navy Haskell-class attack transport during World War II * was a United States Navy ''General G. O. Squier''-class transport ship during World War II * was a United States Navy Wickes-class destroyer during World War II * was a United States Navy ''Neosho''-class fleet oiler of the United States Navy during the Six-Day War Science and medicine * 147 Protogeneia, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Ratio
In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. Expressed algebraically, for quantities a and b with a > b > 0, where the Greek letter phi ( or \phi) denotes the golden ratio. The constant \varphi satisfies the quadratic equation \varphi^2 = \varphi + 1 and is an irrational number with a value of The golden ratio was called the extreme and mean ratio by Euclid, and the divine proportion by Luca Pacioli, and also goes by several other names. Mathematicians have studied the golden ratio's properties since antiquity. It is the ratio of a regular pentagon's diagonal to its side and thus appears in the construction of the dodecahedron and icosahedron. A golden rectangle—that is, a rectangle with an aspect ratio of \varphi—may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has been used to analyze the proportions of natural object ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Della Francesca
Piero della Francesca (, also , ; – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer. Nowadays Piero della Francesca is chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the church of San Francesco in the Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to how Lisa Gherardini became kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verrocchio
Andrea del Verrocchio (, , ; – 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. He apparently became known as ''Verrocchio'' after the surname of his master, a goldsmith. Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop. His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi. His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Life Verrocchio was born in Florence in around 1435. His father, Michele di Francesco Cioni, initially worked as a tile and brick maker, then later as a tax collector. Verrocchio never married, and had to provide financial support for some members of his family. He was at first apprenticed to a goldsmith. It has been suggested that he was later apprenticed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtauld Institute
The Courtauld Institute of Art (), commonly referred to as The Courtauld, is a self-governing college of the University of London specialising in the study of the history of art and conservation. It is among the most prestigious specialist colleges for the study of the history of art in the world and is known for the disproportionate number of directors of major museums drawn from its small body of alumni. The art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, The Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project. History The Courtauld was founded in 1932 through the philanthropic efforts of the industrialist and art collector Samuel Courtauld, the diplomat and collector Lord Lee of Fareham, and the art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Nazionale Dell'Umbria
The Galleria Nazionale dell'Umbria (English: National Gallery of Umbria) the Italian national paintings collection of Umbria, housed in the Palazzo dei Priori, Perugia, in central Italy. Located on the upper floors of the Palazzo dei Priori, the exhibition spaces occupy two floors and the collection comprises the greatest representation of the Umbrian School of painting, ranging from the 13th to the 19th century, strongest in the fourteenth through sixteenth centuries. The collection is presented in 40 exhibition rooms in the Palazzo. On the second floor of the Gallery, there is an exhibition space for temporary collections, changed several times a year. History The collection's origins lie in the foundation of the Perugian Accademia del Disegno in the mid-16th century. The Academy was originally based in the Convento degli Olivetani at Montemorcino, where it began to assemble a collection of paintings and drawings. The town became part of the French department of Trasimène in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gambier Parry Madonna
Gambier may refer to: * '' Uncaria gambir'', a species of tropical shrub ** An astringent extract made from ''Uncaria gambir'' ;People * James Gambier (1723–1789), a British vice-admiral * James Gambier, 1st Baron Gambier (1756–1833), a British admiral also known as Lord Gambier * Maurice Gambier d'Hurigny (1912 - 2000), French sculptor ;Places * Gambier Islands, French Polynesia * Gambier, a commune of French Polynesia in the archipelago of the Tuamotu Islands * Gambier Islands (South Australia) * Gambier Island, British Columbia, Canada * Gambier, Ohio, USA * Gambier, Bahamas, also known as Gambier Village Gambier may refer to: * ''Uncaria gambir'', a species of tropical shrub ** An astringent extract made from ''Uncaria gambir'' ;People * James Gambier (1723–1789), a British vice-admiral * James Gambier, 1st Baron Gambier (1756–1833), a Britis ... See also * Gambir (other) * Mount Gambier (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pietro Perugino")
.jpg "Click for more on -> Leonardo Da Vinci")
