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Adoration Of The Magi (Mantegna)
The ''Adoration of the Magi'' or ''Uffizi Triptych'' is a group of three tempera-on-panel paintings by Andrea Mantegna, dating to around 1460. Their three subjects are the ''Ascension of Christ'' (86 by 42.5 cm), ''Adoration of the Magi'' the largest and central panel (76 by 76.5 cm) and the ''Circumcision of Christ'' (86 by 42.5 cm). They were gathered as a trio in the 19th century, although some art historians doubt that they were created as a triptych set in the way they are now arranged. They are now in the Uffizi Gallery in Florence. History Most scholars agree the three works were commissioned in the 1460s for Ludovico III Gonzaga's private chapel in the Castello di San Giorgio, Castle of St. George in Mantua (together with the Death of the Virgin (Mantegna), ''Death of the Virgin'', now in the Museo del Prado, and ''Christ Bearing the Soul of the Virgin'', now in Ferrara). The paintings for the chapel are mentioned in two letters from Mantegna to Ludovico da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna
Andrea Mantegna (, , ; September 13, 1506) was an Italian painter, a student of Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy), second son of a carpenter, Biagio. At the age of 11, he became the apprentice of Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous compatriot Petrarca, Squarcione was an ancient Rome enthusiast: he traveled in Italy, and perhaps a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pistoia
Pistoia (, is a city and ''comune'' in the Italian region of Tuscany, the capital of a province of the same name, located about west and north of Florence and is crossed by the Ombrone Pistoiese, a tributary of the River Arno. It is a typical Italian medieval city, and it attracts many tourists, especially in the summer. The city is famous throughout Europe for its plant nurseries. History ''Pistoria'' (in Latin other possible forms are ''Pistorium'' or ''Pistoriae'') was a centre of Gallic, Ligurian and Etruscan settlements before becoming a Roman colony in the 6th century BC, along the important road Via Cassia: in 62 BC the demagogue Catiline and his fellow conspirators were slain nearby. From the 5th century the city was a bishopric, and during the Lombardic kingdom it was a royal city and had several privileges. Pistoia's most splendid age began in 1177 when it proclaimed itself a free commune: in the following years it became an important political centre, erectin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angels In Art
Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture. Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome or frightening attributes, notably in the depiction of the living creatures (which have bestial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned. Christian art In the Early Church Specific ideas re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camels In Art
A camel (from: la, camelus and grc-gre, κάμηλος (''kamēlos'') from Hebrew or Phoenician: גָמָל ''gāmāl''.) is an even-toed ungulate in the genus ''Camelus'' that bears distinctive fatty deposits known as "humps" on its back. Camels have long been domesticated and, as livestock, they provide food (milk and meat) and textiles (fiber and felt from hair). Camels are working animals especially suited to their desert habitat and are a vital means of transport for passengers and cargo. There are three surviving species of camel. The one-humped dromedary makes up 94% of the world's camel population, and the two-humped Bactrian camel makes up 6%. The Wild Bactrian camel is a separate species and is now critically endangered. The word ''camel'' is also used informally in a wider sense, where the more correct term is "camelid", to include all seven species of the family Camelidae: the true camels (the above three species), along with the "New World" camelids: the llama, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi In Art
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the Biblical Magi, three Magi, represented as kings, especially in the West, having found Jesus by following a star of Bethlehem, star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod the Great, Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew (Matthew 2:1, 2:1–Matthew 2:11, 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Collection Of The Uffizi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1462 Paintings
146 may refer to: *146 (number), a natural number *AD 146, a year in the 2nd century AD *146 BC, a year in the 2nd century BC *146 (Antrim Artillery) Corps Engineer Regiment, Royal Engineers See also * List of highways numbered 146 * {{Number disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Andrea Mantegna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mantegna 001
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrey, Andrej and Andrew. Origin of the name The name derives from the Greek language, Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronicus (other), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (other), Elia (Elias), Enea (Aeneas (other), Aeneas), Luca (given name), Luca (Lucas (given name), Lucas), Mattia (other), Mattia ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Longhi
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life and career Longhi was born in December 1890 in Alba in Piedmont. His parents were from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal ''L'Arte'' in 1914. Between 1913 and 1917, Longhi, primarily an essayist, published text in ''L'Arte'' and ''La Voce'' on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi. Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book ''Quesiti caravaggeschi'' uestions on Caravaggio(1928–34), was followed by ''Ultimi studi caravaggeschi'' atest Caravaggio studies(1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, ''Mostra di Caravaggio e dei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
