Adolfo Farsari
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Adolfo Farsari
Adolfo Farsari (; 11 February 1841 – 7 February 1898) was an Italian photographer based in Yokohama, Japan. His studio, the last notable foreign-owned studio in Japan, was one of the country's largest and most prolific commercial photographic firms. Largely due to Farsari's exacting technical standards and his entrepreneurial abilities, it had a significant influence on the development of photography in Japan. Following a brief military career, including service in the American Civil War, he became a successful entrepreneur and commercial photographer. His photographic work was highly regarded, particularly his hand-coloured portraits and landscapes, which he sold mostly to foreign residents and visitors to the country. Farsari's images were widely distributed, presented or mentioned in books and periodicals, and sometimes recreated by artists in other media; they shaped foreign perceptions of the people and places of Japan, and to some degree affected how the Japanese saw ...
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Three Yuujo On Veranda By Adolfo Farsari 1885
3 is a number, numeral, and glyph. 3, three, or III may also refer to: * AD 3, the third year of the AD era * 3 BC, the third year before the AD era * March, the third month Books * ''Three of Them'' (Russian: ', literally, "three"), a 1901 novel by Maksim Gorky * ''Three'', a 1946 novel by William Sansom * ''Three'', a 1970 novel by Sylvia Ashton-Warner * ''Three'' (novel), a 2003 suspense novel by Ted Dekker * ''Three'' (comics), a graphic novel by Kieron Gillen. * ''3'', a 2004 novel by Julie Hilden * ''Three'', a collection of three plays by Lillian Hellman * ''Three By Flannery O'Connor'', collection Flannery O'Connor bibliography Brands * 3 (telecommunications), a global telecommunications brand ** 3Arena, indoor amphitheatre in Ireland operating with the "3" brand ** 3 Hong Kong, telecommunications company operating in Hong Kong ** Three Australia, Australian telecommunications company ** Three Ireland, Irish telecommunications company ** Three UK, British telecom ...
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Stillfried & Andersen
The firm of Stillfried & Andersen, also known as the Japan Photographic Association, was a photographic studio founded by Baron Raimund von Stillfried and Hermann Andersen that operated in Yokohama, Japan between 1876 and 1885. The studio is noted for its portraits and landscapes that were often hand-coloured and presented in bound albums. The firm also produced photographic prints from negatives by Felice Beato. History After at least two visits to Japan in the early to mid-1860s, Austrian photographer and nobleman Baron Raimund von Stillfried became a resident of Yokohama in 1868, where it is believed he learned photography from Felice Beato. In 1871, he established his own photographic studio, called ''Stillfried & Co.''. In 1875, Hermann Andersen was listed as an employee of ''Stillfried & Co.'' but by 1876, Andersen had formed a partnership with Stillfried and so the firm was renamed ''Stillfried & Andersen''. Another incarnation of the firm was the ''Japan Photographic Associa ...
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Victor Emmanuel II Of Italy
en, Victor Emmanuel Maria Albert Eugene Ferdinand Thomas , house = Savoy , father = Charles Albert of Sardinia , mother = Maria Theresa of Austria , religion = Roman Catholicism , image_size = 252px , succession1 = King of Sardinia and Duke of Savoy , reign1 = 23 March 1849 – 17 March 1861 , predecessor1 = Charles Albert , reg-type1 = , regent1 = , signature = Signatur Viktor Emanuel II..PNG Victor Emmanuel II ( it, Vittorio Emanuele II; full name: ''Vittorio Emanuele Maria Alberto Eugenio Ferdinando Tommaso di Savoia''; 14 March 1820 – 9 January 1878) was King of Sardinia from 1849 until 17 March 1861, when he assumed the title of King of Italy and became the first king of an independent, united Italy since the 6th century, a title he held until his death in 1878. Borrowing from the old Latin title ''Pater Patriae'' of the Roman emperors, the Italians gave him the epithet of '' Father of the Fatherland'' ( it, Padr ...
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King Of Italy
King of Italy ( it, links=no, Re d'Italia; la, links=no, Rex Italiae) was the title given to the ruler of the Kingdom of Italy after the fall of the Western Roman Empire. The first to take the title was Odoacer, a barbarian military leader, in the late 5th century, followed by the Ostrogothic kings up to the mid-6th century. With the Frankish conquest of Italy in the 8th century, the Carolingians assumed the title, which was maintained by subsequent Holy Roman Emperors throughout the Middle Ages. The last Emperor to claim the title was Charles V in the 16th century. During this period, the holders of the title were crowned with the Iron Crown of Lombardy. A Kingdom of Italy was restored from 1805 to 1814 with Napoleon as its only king, centered in Northern Italy. It was not until the Italian unification in the 1860s that an independent Kingdom of Italy covering the entire Italian Peninsula was restored. From 1861 the House of Savoy held the title of ''King of Italy'' until ...
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Rudyard Kipling
Joseph Rudyard Kipling ( ; 30 December 1865 – 18 January 1936)''The Times'', (London) 18 January 1936, p. 12. was an English novelist, short-story writer, poet, and journalist. He was born in British India, which inspired much of his work. Kipling's works of fiction include the ''Jungle Book'' duology ('' The Jungle Book'', 1894; '' The Second Jungle Book'', 1895), ''Kim'' (1901), the '' Just So Stories'' (1902) and many short stories, including "The Man Who Would Be King" (1888). His poems include " Mandalay" (1890), " Gunga Din" (1890), "The Gods of the Copybook Headings" (1919), " The White Man's Burden" (1899), and "If—" (1910). He is seen as an innovator in the art of the short story.Rutherford, Andrew (1987). General Preface to the Editions of Rudyard Kipling, in "Puck of Pook's Hill and Rewards and Fairies", by Rudyard Kipling. Oxford University Press. His children's books are classics; one critic noted "a versatile and luminous narrative gift".Rutherford, Andrew ( ...
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Albumen Print
The albumen print, also called albumen silver print, was published in January 1847 by Louis Désiré Blanquart-Evrard, and was the first commercially exploitable method of producing a photographic print on a paper base from a negative. It used the albumen found in egg whites to bind the photographic chemicals to the paper and became the dominant form of photographic positives from 1855 to the start of the 20th century, with a peak in the 1860–90 period. During the mid-19th century, the carte de visite became one of the more popular uses of the albumen method. In the 19th century, E. & H. T. Anthony & Company were the largest makers and distributors of albumen photographic prints and paper in the United States.Welling, William. Photography in America (1978 & 1987) Creation process # A piece of paper, usually 100% cotton, is coated with an emulsion of egg white (albumen) and salt (sodium chloride or ammonium chloride), then dried. The albumen seals the paper and creates ...
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Photograph Album
A photographic album or photo album, is a series of photographic prints collected by an individual person or family in the form of a book. Some book-form photo albums have compartments which the photos may be slipped into; other albums have heavy paper with an abrasive surface covered with clear plastic sheets, on which surface photos can be put. Older style albums often were simply books of heavy paper on which photos could be glued to or attached to with adhesive corners or pages. History The oldest photograph albums in the collection of the Library of Congress in Washington, D.C. are from the 1850s. Early family photo albums were often displayed in the home. "Families who could only afford a couple of pictures would put them into an album, to which other family members would add theirs." Coffee table books / photo-books Coffee table books get their name from the intended purpose of being placed on a coffee table for the entertainment of guests. Coffee table books are photo- ...
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Baron Raimund Von Stillfried
Baron Raimund von Stillfried, also known as Baron Raimund von Stillfried-Rathenitz (6 August 1839, in Komotau, Bohemia – 12 August 1911, in Vienna, Austrian-Hungarian Empire), was an Austrian military officer and early professional photographer in Japan. His historical photographs of Japan following the end of the Tokugawa shogunate in the 1870s have been appreciated for their documentary and artistic value and collected in international archives. Biography He was the son of Baron (''Freiherr'') August Wilhelm Stillfried von Rathenitz (d. 1806) and Countess Maria Anna Johanna Theresia Walburge Clam-Martinitz (1802–1874). During his training at the Imperial Marine Academy, he also studied painting. After leaving his military career, Stillfried traveled to South America and China, and on to Yokohama, Japan, in 1864. In 1871, he opened a photographic studio called ''Stillfried & Co.'', which operated until 1875. The same year, Stillfried formed a partnership with Hermann Ander ...
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Farsari Album Cover
Adolfo Farsari (; 11 February 1841 – 7 February 1898) was an Italian photographer based in Yokohama, Japan. His studio, the last notable foreign-owned studio in Japan, was one of the country's largest and most prolific commercial photographic firms. Largely due to Farsari's exacting technical standards and his entrepreneurial abilities, it had a significant influence on the development of photography in Japan. Following a brief military career, including service in the American Civil War, he became a successful entrepreneur and commercial photographer. His photographic work was highly regarded, particularly his hand-coloured portraits and landscapes, which he sold mostly to foreign residents and visitors to the country. Farsari's images were widely distributed, presented or mentioned in books and periodicals, and sometimes recreated by artists in other media; they shaped foreign perceptions of the people and places of Japan, and to some degree affected how the Japanese saw ...
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Genre Works
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One comm ...
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Negative (photography)
In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear darkest and the darkest areas appear lightest. This reversed order occurs because the extremely light-sensitive chemicals a camera film must use to capture an image quickly enough for ordinary picture-taking are darkened, rather than bleached, by exposure to light and subsequent photographic processing. In the case of color negatives, the colors are also reversed into their respective complementary colors. Typical color negatives have an overall dull orange tint due to an automatic color-masking feature that ultimately results in improved color reproduction. Negatives are normally used to make positive prints on photographic paper by projecting the negative onto the paper with a photographic enlarger or making a contact print. The paper is also darkened in proportion to its exposure to light, so a second reversal result ...
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Tong Cheong
Tong Cheong was a Chinese photographer who operated in Yokohama, Japan in the 19th century. Cheong advertised his services as a printer and photographer in the 1884 ''Japan Directory'', offering souvenir albums of the "views and costumes" of Japan. The 1885 advertisement for his business, now called Tong Cheong Brothers, has no mention of photography, simply noting services as printers and bookbinders. Following a period in which many foreign photographers were living and working in Japan, by the end of 1886 Tong Cheong and Adolfo Farsari Adolfo Farsari (; 11 February 1841 – 7 February 1898) was an Italian photographer based in Yokohama, Japan. His studio, the last notable foreign-owned studio in Japan, was one of the country's largest and most prolific commercial photograph ... were the only foreign commercial photographers still operating in the country. By the following year Cheong had left Japan. It is possible that Tong Cheong was related to Hong Cheong, the Chinese op ...
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