HOME
*





Adiós, Sabata
''Adiós, Sabata'' ( it, Indio Black, sai che ti dico: Sei un gran figlio di..., lit. "Indio Black, you know what I'm going to tell you... You're a big son of a...") is a 1970 Italian Spaghetti Western film directed by Gianfranco Parolini. It is the second film in '' The Sabata Trilogy'' by Parolini. Yul Brynner takes over the lead role from Lee Van Cleef, who stars in the first and third films.Hughes, p.113 Plot Set in Mexico under the rule of Emperor Maximilian I, Sabata is hired by the guerrilla leader Señor Ocaño to steal a wagonload of gold from the Austrian army. However, when Sabata and his partners Escudo and Ballantine obtain the wagon, they find it is not full of gold but of sand, and that the gold was taken by Austrian Colonel Skimmel. So Sabata plans to steal back the gold. Cast Release ''Adiós, Sabata'' was first released in 1970. Reception In contemporary reviews, Tom Milne of the ''Monthly Film Bulletin'' reviewed a dubbed version of the film. Milne found t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Film Poster
A film poster is a poster used to promote and advertise a film primarily to persuade paying customers into a theater to see it. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today's posters often feature printed likenesses of the main actors. Prior to the 1980s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tagline, the name of the director, names of characters, the release date, and other pertinent details to inform prospective viewers about the film. Film posters are often displayed inside and on the outside of movie theaters, and elsewhere on the street or in shops. The same images appear in the film exhibitor's pressbook and may also be used on websites, DVD (and historically VHS) packaging, flyers, advertisements in n ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Maximilian I Of Mexico
Maximilian I (german: Ferdinand Maximilian Josef Maria von Habsburg-Lothringen, link=no, es, Fernando Maximiliano José María de Habsburgo-Lorena, link=no; 6 July 1832 – 19 June 1867) was an Austrian archduke who reigned as the only Emperor of the Second Mexican Empire from 10 April 1864 until his execution on 19 June 1867. A member of the House of Habsburg-Lorraine, Maximilian was the younger brother of Emperor Franz Joseph I of Austria. He had a distinguished career as the Austrian viceroy of Lombardy–Venetia and the commander-in-chief of the Imperial Austrian Navy. His involvement in Mexico came about after France, together with Spain and the United Kingdom, had occupied the port of Veracruz in the winter of 1861 to pressure the Mexican government into settling its debts with the three powers after Mexico had announced a suspension on debt repayment earlier in the year; the Spanish and British both withdrew the following year after negotiating agreements with the Mex ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Spaghetti Western Films
This list of Spaghetti Western films includes Western films primarily produced and directed by Italian production companies between 1913 and 1978. For a list of non-Italian produced European Westerns see List of Euro-Western films. In the 1960s, the Spaghetti Western genre grew in popularity. Films, particularly those of the influential Dollars trilogy, spawned numerous films of the same ilk and often with similar titles, particularly from the mid to late 1960s and early 1970s. By the end of the 1970s, Spaghetti Westerns had lost their following among mainstream cinema audiences and the production had ground to a virtual halt. List by release date Spaghetti westerns from the 1980s and 90s include: * ''Comin' at Ya!'' (1981) * ''Buddy Goes West'' (1981) * ''Tex and the Lord of the Deep'' (1985) * '' Django 2: il grande ritorno'' (1987) * '' White Apache'' (1987) * ''Scalps'' (1987) * ''Lucky Luke'' (1991) * '' Troublemakers'' (1994) * '' Sons of Trinity'' (1995) * ''Gunsli ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Italian Sequel Films
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Second French Intervention In Mexico Films
The second (symbol: s) is the unit of time in the International System of Units (SI), historically defined as of a day – this factor derived from the division of the day first into 24 hours, then to 60 minutes and finally to 60 seconds each (24 × 60 × 60 = 86400). The current and formal definition in the International System of Units ( SI) is more precise:The second ..is defined by taking the fixed numerical value of the caesium frequency, Δ''ν''Cs, the unperturbed ground-state hyperfine transition frequency of the caesium 133 atom, to be when expressed in the unit Hz, which is equal to s−1. This current definition was adopted in 1967 when it became feasible to define the second based on fundamental properties of nature with caesium clocks. Because the speed of Earth's rotation varies and is slowing ever so slightly, a leap second is added at irregular intervals to civil time to keep clocks in sync with Earth's rotation. Uses Analog clocks and watches often ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Films Set In Mexico
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Films Directed By Gianfranco Parolini
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




List Of Italian Films Of 1970
A list of films produced in Italy in 1970 (see 1970 in film): References Footnotes Sources * * * * * External linksItalian films of 1970at the Internet Movie Database {{DEFAULTSORT:Italian Films Of 1970 1970 Films A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmospher ... Lists of 1970 films by country or language ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery (United Kingdom), National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI act ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Monthly Film Bulletin
''The Monthly Film Bulletin'' was a periodical of the British Film Institute published monthly from February 1934 to April 1991, when it merged with '' Sight & Sound''. It reviewed all films on release in the United Kingdom, including those with a narrow arthouse release. History ''The Monthly Film Bulletin'' was edited in the mid-1950s by David Robinson, in the late 1950s and early 1960s by Peter John Dyer, and then by Tom Milne. By the end of the 1960s, when the character and tone of its reviews changed considerably with the arrival of a new generation of critics influenced by the student culture and intellectual tumult of the time (not least the overthrow of old ideas of "taste" and quality), David Wilson was the editor. It was then edited by Jan Dawson (1938Richard Roud (ed) ''Cinema: a Critical Dictionary; The Major Film Makers'', 1980, Secker & Warburg, p. v – 1980), for two years from 1971, and from 1973 until its demise by the New Zealand-born critic Richard Com ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Tom Milne
Tom Milne (2 April 1926 – 14 December 2005) was a British film critic. See also After war service, he studied English and French at Aberdeen University and later at the Sorbonne. Interested in the theatre too, he wrote for the magazine ''Encore'', which existed for a decade (1954 to 1965). Milne wrote for ''Sight & Sound'', the ''Monthly Film Bulletin'', ''The Observer'' and ''The Times'' during his career. During the 1960s he was associate editor of ''Sight & Sound'' and editor of the ''Monthly Film Bulletin''. His book length studies of film directors include monographs on Joseph Losey (1968) and Rouben Mamoulian (1969) in the Thames & Hudson Cinema One series, the former comprising a series of extended interviews with the director. He also wrote a short study on the Danish director Carl Theodor Dreyer (1971) and edited and translated an anthology of interviews and writings on Jean-Luc Godard (1972). In addition, Tom Milne oversaw the translation and subtitling of Fren ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bruno Corazzari
Bruno Corazzari (born 30 December 1940) is an Italian film, television and stage actor. Life and career Born in Castellarano, Reggio Emilia, Corazzari started his career in the second half of the sixties, playing minor roles in a number of Spaghetti Western films, usually being cast as a bad gunslinger and a member of the villain's band. In a few years he played roles of greater weight in other genres, namely giallo, poliziotteschi and adventure films. He was also active in art films, working with Marco Bellocchio, Franco Brocani and Maurizio Ponzi, among others. Since the late 1970s Corazzari focused his activities on television, appearing on numerous TV-movies and series, sometimes in main roles. Selected filmography * '' Death Rides a Horse'' (1967) - Walcott's Bartender * '' Halleluja for Django'' (1967) * '' The Belle Starr Story'' (1968) - Pinkerton Man * '' A Long Ride from Hell'' (1968) - Shorty * '' Per 100.000 dollari ti ammazzo'' (1968) - Gary * '' Days of Fire'' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]