Adieu Mes Amours
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Adieu Mes Amours
Adieu mes amours was a popular secular polyphonic chanson of the late 15th century. Many settings of this tune are in fact based on the c. 1480 setting by Josquin des Prez, in which the lower two voices are in quasi-canon, and the upper two voices are freer. The tune itself is in a simple ABA' form. It appeared in many manuscripts and prints from many countries, including in Ottaviano Petrucci's Odhecaton A. Josquin's version Josquin's chanson was used as the basis for works by a number of other composers, including a version by Heinrich Isaac, and the five-voice chanson "Vous seulement" by Simon Moreau. The setting by Jean Mouton seems to be unrelated to the setting by Josquin. Although "Adieu mes amours" was originally a secular chanson, it was used in a number of mass settings such as, ''Missa "Adieu mes amours"'' which uses both parody and cantus firmus compositional techniques by Francesco de Layolle, and another ''Missa "Adieu mes amours"'' by Jacob Obrecht. The first ...
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Adieu Mes Amours Tenor
Adieu may refer to: A word meaning "goodbye" in English and French Derived from Old French into Middle English and Modern French, with English better preserving the original pronunciation: * the English word, pronounced a.dju (rhyming with "you" in numerous works of English literature) * the French word, pronounced a.djø, plural adieux Books *''Adieu'' ( fr), 1830 story by Honoré de Balzac from La Comédie humaine *''Adieu'' ( fr), 1884 story from Guy de Maupassant bibliography Film and TV * ''Adieu'' ( :fr:Adieu (film)), a 2003 (released 2004) French film by Arnaud des Pallières starring Michael Lonsdale, Olivier Gourmet and Laurent Lucas Music Classical *Adieu, a composition for piano by Edward Elgar * ''Adieu'' (Stockhausen), a 1966 composition for wind quintet by Karlheinz Stockhausen *Adieu, a 1986 composition for string quartet by Bent Sørensen * Les adieux Beethoven: Piano Sonata No. 26 in E flat major, Op. 81a Albums * ''Adieu'' (album), Logan Lynn 2016 *''Ad ...
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Casanatense Chansonnier
The ''Casanatense chansonnier'' (I-Rc MS 2856) was a major collection of Renaissance vocal music made in Ferrara , including compositions from Europe's leading composers. Overview It was likely compiled for Isabella d'Este's marriage to Francesco II Gonzaga Francesco II (or IV) Gonzaga (10 August 1466 – ) was the ruler of the Italian city of Mantua from 1484 until his death. Biography Francesco was born in Mantua, the son of Marquess Federico I Gonzaga. Francesco had a career as a condottiero act .... It included works from a wide variety of composers, including musicians in Italy such as Alexander Agricola, Loyset Compère, Jean Japart and Johannes Martini, as well as French and Netherlandish composers such as Antoine Busnois, Hayne van Ghizeghem, Josquin des Prez and Johannes Ockeghem. Among the compositions included is Josquin's popular ''Adieu mes amours''. References Citations Sources * * Further reading * Lewis Lockwood, Lockwood, Lewis, ed. ''A Ferrarese Chan ...
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Compositions By Josquin Des Prez
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Richard Sherr
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * R ...
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Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts an ...
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Grove Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ...
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Incipit
The incipit () of a text is the first few words of the text, employed as an identifying label. In a musical composition, an incipit is an initial sequence of notes, having the same purpose. The word ''incipit'' comes from Latin and means "it begins". Its counterpart taken from the ending of the text is the explicit. Before the development of titles, texts were often referred to by their incipits, as with for example ''Agnus Dei''. During the medieval period in Europe, incipits were often written in a different script or colour from the rest of the work of which they were a part, and "incipit pages" might be heavily decorated with illumination. Though the word ''incipit'' is Latin, the practice of the incipit predates classical antiquity by several millennia and can be found in various parts of the world. Although not always called by the name of ''incipit'' today, the practice of referring to texts by their initial words remains commonplace. Historical examples Sumerian In ...
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Rondeau (music)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three '' formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baro ...
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Alexander Agricola
Alexander Agricola (; born Alexander Ackerman; – 15 August 1506) was a Netherlandish composer of the Renaissance writing in the Franco-Flemish style. A prominent member of the ''Grande chapelle'', the Habsburg musical establishment, he was a renowned composer in the years around 1500, and his music was widely distributed throughout Europe. He composed music in all of the important sacred and secular styles of the time. Life Agricola was the illegitimate son of Lijsbette Naps, a wealthy female merchant who lived in Ghent. He was probably born sometime in the late 1450s and had a brother named Jan. A commemorative motet first published in 1538 gave his age as 60 at the time of his death in 1506, but that may be due to a medieval convention concerning the number 60. He may have received his musical training from the parish church of St Nicolas in Ghent, as his mother made a substantial donation to its musical establishment in 1467. In 1476 he is known to have been in Cambr ...
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Johannes Martini
Johannes Martini (c. 1440 – late 1497 or early 1498) was a Franco-Flemish composer of the Renaissance. Life He was born in Brabant around 1440, but information about his early life is scanty. He probably received his early training in Flanders, as did most of the composers of his generation. Sometime before 1473 he became associated with the ducal chapel in Ferrara, Italy, where Ercole I d'Este was attempting to build a musical establishment on the part of some of the other aristocratic centers in Italy. He was a member of the famous Milan chapel of the Sforza family in July 1474, along with Loyset Compère, Gaspar van Weerbeke, and some of the other composers from northern Europe who were part of the first wave of Franco-Flemish influence in Italy. In November he returned to Ferrara. What prompted him to leave and return is not known, but since the Milanese chapel was then the most renowned in Europe, it is possible he went to investigate the competition for his employ ...
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Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known '' Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. ...
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Francesco II Gonzaga, Marquess Of Mantua
Francesco II (or IV) Gonzaga (10 August 1466 – ) was the ruler of the Italian city of Mantua from 1484 until his death. Biography Francesco was born in Mantua, the son of Marquess Federico I Gonzaga. Francesco had a career as a condottiero acting as Venice's commander from 1489 to 1498. He was the commander-in-chief of the army of the Italian league in the battle of Fornovo, under the tutorage of his more experienced uncle Ridolfo Gonzaga: even though Francesco was unable to stop Charles VIII and his army from returning to France, he claimed Fornovo as a victory. Francesco was described as "short, pop-eyed, snub-nosed and exceptionally brave, and was regarded as the finest knight in Italy". Francesco briefly commanded the Venetian army, but in 1502 he left to pay his respects to Louis XII who was then at Milan. By 29 April, he was with Louis XII when Genoa fell to the French army. Francesco, taking the initiative after the French victory at Agnadello, was occupying lands th ...
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