Adelphi Theatre (New York City)
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Adelphi Theatre (New York City)
The Adelphi Theatre (1934–1940 and 1944–1958), originally named the Craig Theatre, opened on December 24, 1928. The Adelphi was located at 152 West 54th Street in Manhattan, with 1,434 seats. Internet Broadway Database''Adelphi Theatre''(Retrieved on November 30, 2007) The theater was taken over by the Federal Theater Project in 1934 and renamed the Adelphi. The theater was renamed the Radiant Center by The Royal Fraternity of Master Metaphysicians in 1940. It was then the Yiddish Arts Theater (1943), and renamed the Adelphi Theater on April 20, 1944, when it was acquired by The Shubert Organization. It became a DuMont Television Network studio, known as the Adelphi Tele-Theatre in the 1950s. The "Classic 39" episodes of ''The Honeymooners'' were filmed in this facility by DuMont using their Electronicam system for broadcast on CBS later during the 1955–56 television season. The theater returned to legitimate use in 1957, was renamed the 54th Street Theater in 1958, and f ...
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54th Street (Manhattan)
54th Street is a two-mile-long (3.2 km), One-way traffic, one-way street traveling west to east across Midtown Manhattan. Notable places, west to east Twelfth Avenue *The route begins at West Side Highway, Twelfth Avenue (New York Route 9A). Opposite the intersection is the New York Passenger Ship Terminal and the Hudson River. This is the only two-way portion of 54th Street; the remainder (east of Eleventh Avenue) is one-way eastbound. *De Witt Clinton Park. The West Side neighborhood of Hell's Kitchen, Manhattan, Clinton derives its name from the park. (south) Eleventh Avenue *Clinton Towers Apartments, 39-floor apartment building completed in 1974 (north) *''The Nightly Show with Larry Wilmore'' studios *AT&T Switching Center at 811 Tenth Avenue, 21-story, 113 m/370 ft switching station completed in 1964 (south) Tenth Avenue *Sony Music Studios, 460 West 54th (south) *The Hit Factory, 421 West 54th (north) Ninth Avenue *New York City Transit Rapid Transit Division's Ra ...
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Damn Yankees
''Damn Yankees'' is a 1955 musical comedy with a book by George Abbott and Douglass Wallop, music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's 1954 novel ''The Year the Yankees Lost the Pennant''. The show ran for 1,019 performances in its original Broadway production. Adler and Ross's success with it and ''The Pajama Game'' seemed to point to a bright future for them, but Ross suddenly died of chronic bronchiectasis at age 29, several months after ''Damn Yankees'' opened. Plot NOTE: This is the plot of the 1994 Broadway revival of the show; there are differences from the original 1955 version. For the 1958 film version, see ''Damn Yankees'' (film). Middle-aged real estate agent Joe Boyd is a long-suffering fan of the pathetic Washington Senators baseball team. His wife, Meg, laments th ...
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Demolished Buildings And Structures In Manhattan
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction (building), deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a Crane (machine), crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached ...
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Demolished Theatres In New York City
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break throug ...
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Former Theatres In Manhattan
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ...
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Former Broadway Theatres
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ...
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William Gaxton
William Gaxton (né Arthur Anthony Gaxiola, December 2, 1893 – February 2, 1963) was an American star of vaudeville, film, and theatre. Gaxton was president of The Lambs Club from 1936 to 1939, 1952 to 1953, and 1957 to 1961. He and Victor Moore became a popular theatre team in the 1930s and 1940s; they also appeared in a film together. Biography Gaxton was born Arthur Anthony Gaxiola. He was of Spanish ancestry and a cousin of actor Leo Carrillo. He attended Boone Military Academy, Lowell High School, Santa Clara College, and the University of California. Gaxton appeared on film and onstage. He debuted on Broadway in the '' Music Box Revue'' on October 23, 1922. On radio Gaxton starred in ''Broadway Showtime'', a 30-minute musical drama that ran on CBS from December 27, 1943 to June 26, 1944. In 1961 and 1962, he and Arthur Treacher starred in Guy Lombardo's production of the musical '' Paradise Island'' at Jones Beach Marine Theater. He died from cancer on February 2 ...
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Gantry (musical)
''Gantry'' is a musical with a book by Peter Bellwood, lyrics by Fred Tobias, and music by Stanley Lebowsky. Based on the 1927 novel ''Elmer Gantry'' by Sinclair Lewis, it tells the story of a womanizing, self-righteous, self-proclaimed preacher who joins forces with a female evangelist to sell religion to small-town America. After 31 previews, the Broadway production, directed and choreographed by Onna White, opened on February 14, 1970 at the George Abbott Theatre, where it closed after one performance. The cast included Robert Shaw, Rita Moreno, Ted Thurston, and Beth Fowler Beth Fowler is an American actress and singer, best known for her performances on Broadway and for her role as Sister Ingalls, on ''Orange Is the New Black''. She is a two-time Tony Award nominee. Life and career Born in Jersey City, New Jersey, .... Song list ;Act I * Wave a Hand * He Was There * Play Ball with the Lord * Katie Jonas * Thanks, Sweet Jesus! * Someone I've Already Found ...
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Darling Of The Day (musical)
''Darling of the Day'' is a musical with a book by Nunnally Johnson, lyrics by E. Y. Harburg, and music by Jule Styne. It is based on Arnold Bennett's novel ''Buried Alive'' and his play '' The Great Adventure''. The show closed after only 31 performances on Broadway in 1968. Production history Despite a score still admired by many critics, the show's pre-Broadway run was plagued by difficulties, with three directors and five librettists attempting to resolve perceived problems. The show marked Vincent Price's first appearance on Broadway since 1954. It was budgeted at $500,000, $150,000 of which came from a record sale to RCA. The musical finally reached New York City where, following three previews, it opened on January 27, 1968, at the George Abbott Theatre and closed after only 31 performances. Choreography was by Lee Theodore, staging by Noel Willman, scenic design by Oliver Smith, costumes by Raoul Pene Du Bois, and lighting by Peggy Clark. Johnson, upset with all the ch ...
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Wait Until Dark
''Wait Until Dark'' is a play by Frederick Knott, first performed on Broadway in 1966 and often revived since then. A film version was released in 1967, and the play was published in the same year. Synopsis Susy Hendrix is a blind Greenwich Village housewife who becomes the target of three con-men searching for the heroin hidden in a doll, which her husband Sam unwittingly transported from Canada as a favor to a woman who has since been murdered. "Roat" leads his companions into thinking that they are going to be rich and will get the heroin soon enough, but in the end he murders all of his partners after they outlive their usefulness. The trio try to convince Susy that her husband will be suspected of murdering the woman, and the only way to protect him is to give them the doll, which connects him to her. Little do the men know that Gloria, a little girl in the upstairs apartment, has stolen the doll after finding out it was not a gift for her. One of the men poses as Serge ...
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Any Wednesday
''Any Wednesday'' is a 1966 American Technicolor romantic comedy film starring Jane Fonda, Jason Robards, and Dean Jones. It was directed by Robert Ellis Miller from a screenplay by producer Julius J. Epstein based on the Broadway play of the same name by Muriel Resnik, which ran for 984 performances from 1964 to 1966."Any Wednesday"
on the
The film was titled ''Bachelor Girl Apartment'' in the UK. The story centers on a Manhattan woman (Fonda) who is trying to decide between two suitors, one married (Robards) and one not (Jones), on the day of her 30th birthday.


Plot

John Cleves (

What Makes Sammy Run?
''What Makes Sammy Run?'' (1941) is a novel by Budd Schulberg inspired by the life of his father, early Hollywood mogul B. P. Schulberg. It is a rags to riches story chronicling the rise and fall of Sammy Glick, a Jewish boy born in New York's Lower East Side who, very early in his life, makes up his mind to escape the ghetto and climb the ladder of success by deception and betrayal. It was made into a 1965 Broadway musical. Plot summary Told in first person narrative by Al Manheim, drama critic of ''The New York Record'', this is the tale of Sammy Glick, a young uneducated boy who rises from copyboy to the top of the screenwriting profession in 1930s Hollywood by backstabbing others. Manheim recalls how he first met the 16-year-old Sammy Glick when Sammy was working as a copyboy at Manheim's newspaper. Both awed and disturbed by Sammy's aggressive personality, Manheim becomes Sammy's primary observer, mentor and, as Sammy asserts numerous times, best friend. Tasked with ta ...
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