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Adelaide (opera)
''Adelaide'' or ''l'Adelaide'' is an opera by Antonio Sartorio to an Italian libretto by Pietro Dolfin. It was premiered in Venice at the Teatro San Salvatore in 1672. An exact date is not known, although the libretto is dedicated February 19, 1672. The genre of the opera is ''dramma per musica''. The libretto follows the same historical events as Handel's later '' Lotario''. Roles * Adelaide, soprano * Adalberto, soprano * Ottone, soprano * Gissilla, soprano * Annone, contralto * Delma, tenor * Amedeo, tenor * Lindo, tenor * Berengario, bass * Armondo, bass Synopsis The story takes place in 951 AD, when, after the death of her husband Lothair II of Italy, Adelaide of Italy is forced to marry Adalbert of Italy by his father, Berengar II of Italy Berengar II ( 900 – 4 August 966) was the King of Italy from 950 until his deposition in 961. He was a scion of the Anscarid and Unruoching dynasties, and was named after his maternal grandfather, Berengar I. He succeeded h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lothair II Of Italy
Lothair II (926/8 – 22 November 950), often ''Lothair of Arles'', was the King of Italy from 947 to his death. He was of the noble Frankish lineage of the Bosonids, descended from Boso the Elder. His father and predecessor was Hugh of Provence, great-grandson of Lothair II, King of Lotharingia, and his mother was a German princess named Alda (or Hilda). Although he held the title of ''rex Italiae'', he never succeeded in exercising power there. He was betrothed in 931 and married, 12 December 947, to the fifteen-year-old Adelaide, Odilo of Cluny gives her age at her marriage as "in her sixteenth year." the spirited and intelligent daughter of Rudolph II of Burgundy and Bertha of Swabia. Their marriage was part of a political settlement designed to conclude a peace between her father and his. In 933, Hugh of Arles had given up his kingdom (Provence) to his inveterate enemy Rudolph II, who merged the two kingdoms into a new Kingdom of Burgundy, but died in 937. The couple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1672 Operas
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 '' Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berengar II Of Italy
Berengar II ( 900 – 4 August 966) was the King of Italy from 950 until his deposition in 961. He was a scion of the Anscarid and Unruoching dynasties, and was named after his maternal grandfather, Berengar I. He succeeded his father as Margrave of Ivrea around 923 (whence he is often known as Berengar of Ivrea), and after 940 led the aristocratic opposition to kings Hugh and Lothair II. In 950 he succeeded the latter and had his son, Adalbert crowned as his co-ruler. In 952 he recognised the suzerainty of Otto I of Germany, but he later joined a revolt against him. In 960 he invaded the Papal States, and the next year his kingdom was conquered by Otto. Berengar remained at large until his surrender in 964. He died imprisoned in Germany two years later. Ruling Ivrea (923–50) Berengar was a son of Margrave Adalbert I of Ivrea and his wife Gisela of Friuli, daughter of the Unruoching king Berengar I of Italy. He succeeded his father as margrave about 923 and married Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adalbert Of Italy
Adalbert (born 932/936, died 971/975) was the king of Italy from 950 until 961, ruling jointly with his father, Berengar II. After their deposition, Adalbert continued to claim the Kingdom of Italy (medieval), Italian kingdom until his defeat in battle by the forces of Otto I in 965. Since he was the second Adalbert in his family, the Anscarids, he is sometimes numbered Adalbert II. His name is occasionally, especially in older works, shortened to Albert. Accession Adalbert was born between 932 and 936, the son of Berengar II of Italy, Berengar, then margrave of Ivrea, and Willa of Tuscany, Willa, daughter of Boso, Margrave of Tuscany, Boso, margrave of Tuscany.Gina Fasoli"Adalberto, re d'Italia" ''Dizionario Biografico degli Italiani'', vol. 1 (Rome: Istituto dell'Enciclopedia Italiana, 1960).Detlev Schwennicke, ''Europäische Stammtafeln: Stammtafeln zur Geschichte der Europäischen Staaten'', vol. 2 (Marburg, Germany: J. A. Stargardt, 1984), table 59. In 950, he and his father ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Of Italy
Adelaide of Italy (german: Adelheid; 931 – 16 December 999 AD), also called Adelaide of Burgundy, was Holy Roman Empress by marriage to Emperor Otto the Great; she was crowned with him by Pope John XII in Rome on 2 February 962. She was the first empress designated ''consors regni'', denoting a "co-bearer of royalty" who shared power with her husband. She was essential as a model for future consorts regarding both status and political influence. She was regent of the Holy Roman Empire as the guardian of her grandson in 991–995. Life Early life Born in Orbe Castle, Orbe, Kingdom of Upper Burgundy (now in modern-day Switzerland), she was the daughter of Rudolf II of Burgundy, a member of the Elder House of Welf, and Bertha of Swabia. She became involved from the beginning in the complicated fight to control not only Burgundy but also Lombardy. The battle between her father Rudolf II and Berengar I to control northern Italy ended with Berengar's death, and Rudolf could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sartorio
Antonio Sartorio (1630 – 30 December 1680) was an Italian composer active mainly in Venice, Italy, and in Hanover, Germany. He was a leading composer of operas in his native Venice in the 1660s and 1670s and was also known for composing in other genres of vocal music. Between 1665 and 1675 he spent most of his time in Hanover, where he held the post of ''Kapellmeister'' to Duke Johann Friedrich of Brunswick-Lüneburg – returning frequently to Venice to compose operas for the Carnival. In 1676 he became vice ''maestro di capella'' at San Marco in Venice. Early work in Italy and work as ''Kapellmeister'' Sartorio was the brother of composer and organist Gasparo Sartorio and architect Girolamo Sartorio who also had connections with the theatre. Beyond birth records, the first known information about Sartorio relates to the mounting of his first opera, ''Gl'amori infruttuosi di Pirro'', at the Teatro di San Giovanni Grisostomo in Venice on 4 January 1661. His second op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
