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Adam Cooper (dancer)
Adam Cooper (born 22 July 1971) is an English actor, choreographer, dancer and theatre director. He works as both a performer and choreographer in musical theatre, and has choreographed and/or starred in award-winning shows such as ''On Your Toes'', '' Singin' in the Rain'' and ''Grand Hotel''. He began his professional career as a dancer of classical ballet and contemporary ballet and is a former Principal of the Royal Ballet, a major international ballet company based in London. He became internationally recognized for creating the lead role of Swan/Stranger in Matthew Bourne's contemporary dance production of the ballet '' Swan Lake'', a role that was briefly featured in the 2000 film ''Billy Elliot'' where Cooper played the adult version of the titular character. Biography Adam Cooper was born 22 July 1971 in Tooting, London to a musician father and a social worker mother. He has an older brother, Simon Cooper, who is also a dancer and they trained at the same schools. From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tooting
Tooting is a district in South London, forming part of the London Borough of Wandsworth and partly in the London Borough of Merton. It is located south south-west of Charing Cross. History Tooting has been settled since pre- Saxon times. The name is of Anglo-Saxon origin but the meaning is disputed. It could mean ''the people of Tota'', in which context Tota may have been a local Anglo-Saxon chieftain. Alternatively it could be derived from an old meaning of the verb ''to tout'', to look out. There may have been a watchtower here on the road to London and hence ''the people of the look-out post.'' The Romans built a road, which was later named Stane Street by the English, from London (Londinium) to Chichester (Noviomagus Regnorum), and which passed through Tooting. Tooting High Street is built on this road. In Saxon times, Tooting and Streatham (then Toting-cum-Stretham) was given to the Abbey of Chertsey. Later, Suene (Sweyn), believed to be a Viking, may have been g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashley Page
Ashley Page OBE (born August 1956) is a British former ballet dancer, choreographer and was artistic director of Scottish Ballet for ten years. Ashley Page was born in Rochester, Kent in August 1956. Page trained the Royal Ballet School, and joined the Royal Ballet in 1976. There, he worked closely with Frederick Ashton and Kenneth MacMillan, creating numerous roles in their new ballets. He also worked with visiting choreographers including Glen Tetley and, especially, Richard Alston, who was to become his choreographic mentor. He was promoted to principal dancer in 1984. Page was artistic director of Scottish Ballet for ten years, from 2002 to 2012. In August 2012, Christopher Hampson succeeded him as artistic director of Scottish Ballet. He was appointed Officer of the Order of the British Empire (OBE) in the 2006 Birthday Honours The Birthday Honours 2006 for the Commonwealth realms were announced on 17 June 2006, to celebrate the Queen's Birthday of 2006.Antigua & Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darcey Bussell
Dame Darcey Andrea Bussell, (born Marnie Mercedes Darcey Pemberton Crittle; 27 April 1969) is an English retired ballerina and a former judge on the BBC television dance contest '' Strictly Come Dancing''. Trained at the Arts Educational School and the Royal Ballet School, Bussell started her professional career at Sadlers Wells Royal Ballet, but after only one year she moved to the Royal Ballet, where she became a principal dancer at the age of 20 in 1989. Bussell is widely acclaimed as one of the great British ballerinas. Bussell remained with The Royal Ballet for her whole career, more than two decades, but also performed as a guest artist with many leading companies including NYCB, La Scala Theatre Ballet, the Kirov Ballet, Hamburg Ballet and the Australian Ballet. She retired from ballet in 2007. Bussell is also pursuing parallel careers in television, books and modelling, and supports numerous British and international charities and dance institutions. Early life Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvie Guillem
Sylvie Guillem (; born 23 February 1965) is a French ballet dancer. Guillem was the top-ranking female dancer with the Paris Opera Ballet from 1984 to 1989, before becoming a principal guest artist with the Royal Ballet in London. She has performed contemporary dance as an Associate Artist of London's Sadler's Wells Theatre. Her most notable performances have included those in ''Giselle'' and in Rudolf Nureyev's stagings of ''Swan Lake'' and ''Don Quixote''. In November 2014, she announced her retirement from the stage in 2015."Goodbye Sylvie Guillem" '''' (May/June 2015). Biography Early life Guillem was bor ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of ballet or music, MacMillan was determined from an early age to become a dancer. The director of Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his work for bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Deux Pigeons (ballet)
''Les Deux Pigeons'' is a ballet originally choreographed in two acts by Louis Mérante to music by André Messager. The libretto by Mérante and Henri de Régnier is based on the fable ''The Two Pigeons'' by Jean de La Fontaine. The work was first performed at the Paris Opéra on 18 October 1886.Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 12eme édition, 1886.'' G Charpentier et Cie, Paris, 1887. The premiere cast included Rosita Mauri as Gourouli and Marie Sanlaville as Pépio. Frederick Ashton later created a new ballet to Messager's music under the title ''The Two Pigeons''. Background The score is dedicated to Camille Saint-Saëns, whose influence helped gain Messager the commission for the ballet, following three ballets which the younger composer had written for the Folies Bergère, ''Fleur d’oranger'', ''Vins de France'' and ''Odeurs et Parfums''. ''Les Deux pigeons'' was first performed on the same evening as a performance of ''La Favorit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Magazine
''Dance Magazine'' is an American trade publication for dance published by the Macfadden Communications Group. It was first published in June 1927 as ''The American Dancer''. ''Dance Magazine'' has multiple sister publications, including ''Pointe'', ''Dance Spirit'', ''Dance Teacher'', ''Dance 212'', and ''DanceU101''. ''Dance Magazine'' was owned by Macfadden Communications Group from 2001 to 2016 when it was sold to Frederic M. Seegal, an investment banker with the Peter J. Solomon Company. Description of the collection and its provenance. Editors The first editor and publisher was Ruth Eleanor Howard. Sometime in the 1930s, Paul R. Milton took over as editor. In 1942, the magazine was purchased by Rudolf Orthwine. Lydia Joel became the editor in 1952. In 1970, William Como replaced her, and he was the editor-in-chief until his death in 1989. Richard Philp was the editor-in-chief from 1989 to 1999. Janice Berman took over from Philip late in 1999. Wendy Perron was editor-in-chief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Ballet School
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet (based at the Royal Opera House in London) and the Birmingham Royal Ballet. Admission to the school is based purely on dancing talent and potential, regardless of academic ability or personal circumstances, and 90% of current students rely on financial support to attend the school. The school is based at two sites, White Lodge, Richmond Park (for students aged 11–16) and Covent Garden (for students from 16 to 19 years old) based in purpose-built studios on Floral Street, adjacent to the Royal Opera House. The Royal Ballet School has produced dancers and choreographers of international renown, including Dame Margot Fonteyn, Dame Beryl Grey, Sir Kenneth MacMillan, Dame Darcey Bussell, Alessandra Ferri, Viviana Dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secondary Education
Secondary education or post-primary education covers two phases on the International Standard Classification of Education scale. Level 2 or lower secondary education (less commonly junior secondary education) is considered the second and final phase of basic education, and level 3 (upper) secondary education or senior secondary education is the stage before tertiary education. Every country aims to provide basic education, but the systems and terminology remain unique to them. Secondary education typically takes place after six years of primary education and is followed by higher education, vocational education or employment. In most countries secondary education is compulsory education, compulsory, at least until the age of 16. Children typically enter the lower secondary phase around age 12. Compulsory education sometimes extends to age 19. Since 1989, education has been seen as a basic human right for a child; Article 28, of the Convention on the Rights of the Child states that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stage Combat
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. History Ancient The history of stage fighting and mock combat can be traced to antiquity, with Aristotle quoted as noting that tragedy is conflict between people or indeed it may be traced to the origins of the human species and primate display behaviour. Display of martial aptitude is a natural occurrence in warrior societies, and rituali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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