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Acéphale
''Acéphale'' is the name of a public review created by Georges Bataille (which numbered five issues, from 1936 to 1939) and a secret society formed by Bataille and others who had sworn to keep silent. Its name is derived from the Greek ἀκέφαλος (''akephalos'', literally "headless"). ''Acéphale'', the review Dated 24 June 1936, the first issue was only eight pages. The cover was illustrated by André Masson with a drawing openly inspired by Leonardo da Vinci's famous drawing of ''Vitruvian Man'', who embodies classical reason. Masson's figure, however, is headless, his groin covered by a skull, and holds in his right hand a burning heart, while in his left he wields a dagger. Under the title ''Acéphale'' are printed the words ''Religion. Sociologie. Philosophie'' followed on the next line by the expression ''the sacred conjuration'' (''la conjuration sacrée''). The first article, signed by Bataille, is titled "The Sacred Conjuration" and claims that "Secretly or not. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Bataille
Georges Albert Maurice Victor Bataille (; ; 10 September 1897 – 9 July 1962) was a French philosopher and intellectual working in philosophy, literature, sociology, anthropology, and history of art. His writing, which included essays, novels, and poetry, explored such subjects as eroticism, mysticism, surrealism, and transgression. His work would prove influential on subsequent schools of philosophy and social theory, including poststructuralism. Early life Georges Bataille was the son of Joseph-Aristide Bataille (b. 1851), a tax collector (later to go blind and be paralysed by neurosyphilis), and Antoinette-Aglaë Tournarde (b. 1865). Born on 10 September 1897 in Billom in the region of Auvergne, his family moved to Reims in 1898, where he was baptized. He went to school in Reims and then Épernay. Although brought up without religious observance, he converted to Catholicism in 1914, and became a devout Catholic for about nine years. He considered entering the priesthood and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Klossowski
Pierre Klossowski (; ; 9 August 1905 – 12 August 2001) was a French writer, translator and artist. He was the eldest son of the artists Erich Klossowski and Baladine Klossowska, and his younger brother was the painter Balthus. Life Born in Paris, Pierre Klossowski was the older brother of the artist Balthazar Klossowski, better known as Balthus. Their parents were the art historian Erich Klossowski and the painter Baladine Klossowska. His German-educated father came from a family supposedly belonging to the former Polish petty nobility (drobna szlachta) and bearing the Rola coat of arms. His mother, Baladine Klossowska, was born as Elisabeth Dorothea Spiro in Breslau, Prussia (now Wrocław, Poland). When he was 18, Pierre was André Gide's secretary and worked on the drafts of ''The Counterfeiters (novel), Les faux-monnayeurs'' for him. Klossowski was responsible for a new publication of ''The 120 Days of Sodom & Other Writings'' by the Marquis de Sade in 1964. Writing Klossows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Masson
André-Aimé-René Masson (4 January 1896 – 28 October 1987) was a French artist. Biography Masson was born in Balagny-sur-Thérain, Oise, but when he was eight his father's work took the family first briefly to Lille and then to Brussels. He began his study of art at the age of eleven at the Académie Royale des Beaux-Arts in Brussels, under the guidance of Constant Montald, and later he studied in Paris. He fought for France during World War I and was seriously injured.McCloskey, Barbara. ''Artists of World War II''. London: Greenwood Press, 2005, , page 34. Artistic works His early works display an interest in cubism. He later became associated with surrealism, and he was one of the most enthusiastic employers of automatic drawing, making a number of automatic works in pen and ink. Masson experimented with altered states of consciousness with artists such as Antonin Artaud, Michel Leiris, Joan Miró, Georges Bataille, Jean Dubuffet and Georges Malkine, who were neig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Sacrifice
Human sacrifice is the act of killing one or more humans as part of a ritual, which is usually intended to please or appease gods, a human ruler, an authoritative/priestly figure or spirits of dead ancestors or as a retainer sacrifice, wherein a monarch's servants are killed in order for them to continue to serve their master in the next life. Closely related practices found in some tribal societies are cannibalism and headhunting. Human sacrifice was practiced in many human societies beginning in prehistoric times. By the Iron Age with the associated developments in religion (the Axial Age), human sacrifice was becoming less common throughout Africa, Europe, and Asia, and came to be looked down upon as barbaric during classical antiquity. In the Americas, however, human sacrifice continued to be practiced, by some, to varying degrees until the European colonization of the Americas. Today, human sacrifice has become extremely rare. Modern secular laws treat human sacrifices ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Wahl
Jean André Wahl (; 25 May 188819 June 1974) was a French philosopher. Early career Wahl was educated at the École Normale Supérieure. He was a professor at the University of Paris, Sorbonne from 1936 to 1967, broken by World War II. He was in the United States, U.S. from 1942 to 1945, having been interned as a Jew at the Drancy internment camp (north-east of Paris) and then escaped. He began his career as a follower of Henri Bergson and the American pluralist philosophers William James and George Santayana. He is known as one of those introducing Hegelian thought in France in the 1930s (his book on Hegel was published in 1929), ahead of Alexandre Kojève's more celebrated lectures. He was also a champion in French thought of the Denmark, Danish proto-existentialist Søren Kierkegaard. These enthusiasms, which became the significant books ''Le malheur de la conscience dans la Philosophie de Hegel'' (1929) and ''Kierkegaardian Studies, Études kierkegaardiennes'' (1938) were cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Caillois
Roger Caillois (; 3 March 1913 – 21 December 1978) was a French intellectual whose idiosyncratic work brought together literary criticism, sociology, ludology and philosophy by focusing on diverse subjects such as games and play as well as the sacred. He was also instrumental in introducing Latin American authors such as Jorge Luis Borges, Pablo Neruda and Miguel Ángel Asturias to the French public. After his death, the French Literary award Prix Roger Caillois was named after him in 1991. Biography Caillois was born in Reims, but moved to Paris as a child. There he studied at the Lycée Louis-le-Grand, an elite school where students took courses after graduating from secondary school in order to prepare for entry examinations for France's most prestigious university, the École Normale Supérieure. Caillois's efforts paid off and he graduated as a ''normalien'' in 1933. After this he studied at the École Pratique des Hautes Études, where he came into contact with thinkers su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Documents (magazine)
''Documents'' was a Surrealist art magazine edited by Georges Bataille. Published in Paris from 1929 through 1930, it ran for 15 issues, each of which contained a wide range of original writing and photographs. ''Documents'' was financed by Georges Wildenstein, an influential Parisian art dealer and sponsor of the Surrealists. Given its title and focus, the magazine initially listed an eleven-member editorial board including Wildenstein himself (with Bataille listed as "general secretary"); however, by the fifth issue, Bataille was the only editorial member to remain on the masthead. Called "a war machine against received ideas" by Bataille, ''Documents'' brought together a wide range of contributors, ranging from dissident surrealists including Michel Leiris, André Masson, and Joan Miró, to Bataille's numismatist colleagues at the National Library's Cabinet of Coins and Medals. The publication's content was even more wide-ranging, juxtaposing essays on jazz and archaeology wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minotaure
''Minotaure'' was a Surrealist-oriented magazine founded by Albert Skira and E. Tériade in Paris and published between 1933 and 1939. ''Minotaure'' published on the plastic arts, poetry, and literature, avant garde, as well as articles on esoteric and unusual aspects of literary and art history. Also included were psychoanalytical studies and artistic aspects of anthropology and ethnography. It was a lavish and extravagant magazine by the standards of the 1930s, profusely illustrated with high quality reproductions of art, often in color.Suarez, Jillian (September 25, 2014). Minotaure: Surrealist Magazine from the 1930s''. guggenheim.org Accessed 15 October 2019Matteson, Richard L. (2008-2019''Paris: The Heart of Surrealism 1924'' [From Documents of Dada and Surrealism: Dada and Surrealist Journals in the Mary Reynolds Collection, The Art Institute of Chicago/nowiki>]: http://www.mattesonart.com/home.aspx. Accessed 15 October 2019Rubin, William S. (1968) Dada and Surrealist Art. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Révolution Surréaliste
''La Révolution surréaliste'' (English: ''The Surrealist Revolution'') was a publication by the Surrealists in Paris. Twelve issues were published between 1924 and 1929. Shortly after releasing the first ''Surrealist Manifesto'', André Breton published the inaugural issue of ''La Révolution surréaliste'' on December 1, 1924. Pierre Naville and Benjamin Péret were the initial directors of the publication and modeled the format of the journal on the conservative scientific review ''La Nature.'' The format was deceiving, and to the Surrealists' delight, ''La Révolution surréaliste'' was consistently scandalous and revolutionary. The journal focused on writing with most pages densely packed with columns of text, but also included reproductions of art, among them works by Giorgio de Chirico, Max Ernst, André Masson and Man Ray. Selected issues Issue 1 (December 1924): The cover of the initial issue announced the revolutionary agenda of ''La Révolution surréaliste'' with, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Nietzsche
Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his career as a classical philologist before turning to philosophy. He became the youngest person ever to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24. Nietzsche resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 45, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes. Nietzsche's writing spans philosophical polemics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
View (magazine)
''View'' was an American literary and art magazine published from 1940 to 1947 by artist and writer Charles Henri Ford, and writer and film critic Parker Tyler. The magazine is best known for introducing Surrealism to the American public.Ford, Charles Henri (editor), ''View: Parade of the Avant-Garde'', Thunder's Mouth Press, 1991. The magazine was headquartered in New York City. The magazine covered the contemporary avant-garde and Surrealist scene, and was published quarterly as finances permitted until 1947. ''View'' featured cover designs by renowned artists with the highly stylised typography of Tyler along with their art, and the prose and poetry of the day. Many of the contributors had been living in Europe, but took refuge in the U.S. during World War II bringing with them the avant-garde ideas of the time and precipitating a shift of the center of the art world from Paris to New York. It attracted contributions from writers like Wallace Stevens, an interview with whom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
VVV (magazine)
The cover of the final issue was designed by Roberto Matta and depicted a vagina dentata.">vagina_dentata.html" ;"title="Roberto Matta and depicted a vagina dentata">Roberto Matta and depicted a vagina dentata. ''VVV'' was a magazine devoted to the dissemination of Surrealism published in New York City from 1942 through 1944. It was the product of leading Surrealists. History and profile ''VVV'' was first published in June 1942. The magazine was published and edited by David Hare in collaboration with Marcel Duchamp, André Breton, and Max Ernst. ''VVVs editorial board also enlisted a number of associated thinkers and artists, including Aimé Césaire, Philip Lamantia, and Robert Motherwell. Each edition focused on "poetry, plastic arts, anthropology, sociology, (and) psychology," and was lavishly illustrated by Surrealist artists, including Giorgio de Chirico, Roberto Matta and Yves Tanguy. The magazine was experimental in format and in content. ''VVV'' included fold-out pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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