Action Stroke Dance Notation
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Action Stroke Dance Notation
Action Stroke Dance Notation (ASDN) is a dance notation system that was invented by Iver Cooper. Designed for fast writing, the notations primarily consist of "action strokes" that represent one of three basic actions: * a support gesture that (e.g., hop or step) * a touch gesture () * an air gesture (makes no contact) A dance score has five sections: * general – describing the general movement of the dancer * leg (or staff) – indicating movement of the legs and feet * arm (or staff) – indicating movement of the arms and hands * trunk – indicating movement of head, neck, chest and pelvis * notes – detailed explanations of the movement Scores are read from bottom to top. The horizontal dimension represents body symmetry and the vertical dimension represents time. ASDN employs abstract symbols and is visually similar to Motif description, a subset of Labanotation that is also designed for speed of writing. See also *Choreography Choreography is the art or practice o ...
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Dance Notation
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A ''dance score'' is a recorded dance notation that describes a particular dance. Usage The primary uses of dance notation are historical dance preservation through documentation and analysis (e.g., in ethnochoreology) or reconstruction of choreography, dance forms, and technical exercises. Dance notation systems also allow for dance works to be documented and therefore potentially copyrighted. Two popular dance notation systems used in Western culture are Labanotation (also known as Kinetography Laban) and Benesh Movement Notation. Others include Eshkol-Wachman Movement No ...
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Gesture
A gesture is a form of non-verbal communication or non-vocal communication in which visible bodily actions communicate particular messages, either in place of, or in conjunction with, speech. Gestures include movement of the hands, face, or other parts of the body. Gestures differ from physical non-verbal communication that does not communicate specific messages, such as purely expressive displays, proxemics, or displays of joint attention.Kendon, Adam. (2004) ''Gesture: Visible Action as Utterance''. Cambridge: Cambridge University Press. Gestures allow individuals to communicate a variety of feelings and thoughts, from contempt and hostility to approval and affection, often together with body language in addition to words when they speak. Gesticulation and speech work independently of each other, but join to provide emphasis and meaning. Gesture processing takes place in areas of the brain such as Broca's and Wernicke's areas, which are used by speech and sign language. In ...
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Weight
In science and engineering, the weight of an object is the force acting on the object due to gravity. Some standard textbooks define weight as a Euclidean vector, vector quantity, the gravitational force acting on the object. Others define weight as a scalar quantity, the magnitude of the gravitational force. Yet others define it as the magnitude of the reaction (physics), reaction force exerted on a body by mechanisms that counteract the effects of gravity: the weight is the quantity that is measured by, for example, a spring scale. Thus, in a state of free fall, the weight would be zero. In this sense of weight, terrestrial objects can be weightless: ignoring Drag (physics), air resistance, the famous apple falling from the tree, on its way to meet the ground near Isaac Newton, would be weightless. The unit of measurement for weight is that of force, which in the International System of Units (SI) is the newton (unit), newton. For example, an object with a mass of one kilogram ...
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Symbols
A symbol is a mark, sign, or word that indicates, signifies, or is understood as representing an idea, object, or relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise very different concepts and experiences. All communication (and data processing) is achieved through the use of symbols. Symbols take the form of words, sounds, gestures, ideas, or visual images and are used to convey other ideas and beliefs. For example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerals are symbols for numbers; letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The variable 'x', in a mathematical equation, may symbolize the position of a particle in space. The academic study of symbols is semiotics. In cartography, an organized collection of symbols forms a legend for a m ...
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Labanotation
Labanotation (the grammatically correct form "Labannotation" or "Laban notation" is uncommon) is a system for analyzing and recording human movement. The inventor was Rudolf von Laban (1879-1958), a central figure in European modern dance, who developed his notation ideas on movement in the 1920s. History Laban's first book on the subject was published in German in 1928 called Schrifttanz (Written Dance); a similar version in French and English appeared in 1930. A few years later Laban's interest turned to other matters and he gave his notation system to the world. The German dancer, choreographer and pedagogue Albrecht Knust, who by 1930 had together with Laban's daughter Azra (Azraela) established the ''Tanz-Schreib-Stube'' (the first Dance Notation Bureau), was the first-ever full-time kinetographer-movement notator. Between 1946-1950 Knust wrote his major work Das Handbuch der Kinetographie Laban (The Manual of Kinetography Laban) in eight-volumes in German, typed carbon cop ...
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Choreography
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which Motion (physics), motion or Visual appearance, form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreograph ...
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