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Académie Du Jazz
The Académie du jazz (English: Jazz Academy) is a non-profit French association created in 1954, which annually awards the best artists and the best musical productions in the world of jazz. The founding president was violinist André Hodeir followed by journalist Maurice Cullaz, radio producer Claude Carrière, and currently François Lacharme. Honorary presidents have included novelist Jean Cocteau, composers Georges Auric and Henri Sauguet, music critic Charles Delaunay, violinist Stéphane Grappelli, pianist Martial Solal and Frédéric Charbaut, co-founder of the Festival Jazz à Saint-Germain-des-Prés. Award categories The Oscar Prize awarded from 1954 to 1975 for best jazz album of the year. Prix Django Reinhardt * Prize awarded since 1955 for the French jazz musician of the year. It is named after French musician Django Reinhardt. Prix Sidney Bechet * Prize awarded between 1969 and 2002 for the best French jazz musician in traditional style. It was named after jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Hodeir
André Hodeir (22 January 1921 – 1 November 2011) was a French violinist, composer, arranger and musicologist. Biography Hodeir was born in Paris and trained as a classical violinist and composer. He studied at the Conservatoire de Paris, where he was taught by Olivier Messiaen and won first prizes in fugue, harmony, and music history. While pursuing these studies he discovered jazz and various music forms besides jazz and classical. He recorded on violin under the pseudonym "Claude Laurence". As a critic he expressed disgust with nearly all early jazz (''Jazz: Its Evolution and Essence;'' 1957). In 1954 he was a founder and director of Jazz Groupe de Paris, which included Bobby Jaspar, Pierre Michelot and Nat Peck. In 1957, at the invitation of Ozzie Cadena of Savoy Records, he recorded an album of his compositions with Donald Byrd, Idrees Sulieman, Frank Rehak, Hal McKusick, Eddie Costa, George Duvivier, and Annie Ross. In addition to two books of ''Essais'' (1954 and 1956) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Jazz
20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. So this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started much later in the century and can be seen as a change from the modern to post-modern era, although some date post-modernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', electronic music, and concept music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Organizations
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobby Jaspar
Bobby Jaspar (20 February 1926 – 28 February 1963) was a Belgian cool jazz and hard bop saxophonist, flautist and composer. Early life Born in Liège, Belgium, Jaspar learned to play piano and clarinet at a young age. Later, he took up the tenor saxophone and flute. Career With the "Bop Shots" band, he took his first steps in the jazz world. In 1950, Jaspar moved to Paris, playing and recording with the best musicians of the era. Here he met singer Blossom Dearie; the two were married in 1954 but separated in 1957. In 1956, Jaspar was persuaded to try his luck in the United States, where his reputation in jazz circles had preceded him. He played and recorded with the quintet of J. J. Johnson, with Kenny Burrell, Miles Davis, John Coltrane, Toshiko Akiyoshi, Donald Byrd and many others. In 1961/1962, Jaspar returned to Europe for a year for a series of concerts and a number of recordings. With his colleague, Belgian guitarist René Thomas, he formed a successful quinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otis Redding
Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the " King of Soul", Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. Redding was born in Dawson, Georgia, and at age two, moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, " These Arms of Mine", in 1962. Stax released Redding's debut album, '' Pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahalia Jackson
Mahalia Jackson ( ; born Mahala Jackson; October 26, 1911 – January 27, 1972) was an American gospel singer, widely considered one of the most influential vocalists of the 20th century. With a career spanning 40 years, Jackson was integral to the development and spread of gospel blues in black churches throughout the U.S. During a time when racial segregation was pervasive in American society, she met considerable and unexpected success in a recording career, selling an estimated 22 million records and performing in front of integrated and secular audiences in concert halls around the world. The granddaughter of enslaved people, Jackson was born and raised in poverty in New Orleans. She found a home in her church, leading to a lifelong dedication and singular purpose to deliver God's word through song. She moved to Chicago as an adolescent and joined the Johnson Singers, one of the earliest gospel groups. Jackson was heavily influenced by musician-composer Thomas Dorsey, and by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Coleman (trumpeter)
William Johnson Coleman (August 4, 1904 in Paris, Kentucky, United States – August 24, 1981 in Toulouse, France) was an American jazz trumpeter. Early life In 1909, Coleman's family moved from Kentucky to Cincinnati. His first musical explorations were on clarinet and C melody saxophone, but he eventually settled on trumpet. As a young man he worked as a messenger for the Western Union telegraph company. He studied with Cincinnati trumpeter Theodore Carpenter, and played in an amateur band led by trombonist J.C. Higginbotham. Career Coleman began professional work in Cincinnati with bands led by Clarence Paige and Wesley Helvey (both bands his teacher Carpenter worked in) then with Lloyd and Cecil Scott. In December 1927, he traveled with the Scott brothers to New York City, and continued to work with them until the late summer of 1929, when he joined the orchestra of pianist Luis Russell. His first recording session was with Russell on September 6, 1929, and he soloed on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays ''La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), ''Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films ''The Blood of a Poet'' (1930), ''Les Parents Terribles'' (1948), ''Beauty and the Beast'' (1946), ''Orpheus'' (1950), and ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
